FRANCIS SPEIGHT (Pennsylvania/North Carolina, 1896-1989), "Kings Mountain North Carolina"., Oil on

Francis Speight (Pennsylvania / North Carolina 1896-1989); Oil on Canvas Board, "Water View with Rocks;" signed "Speight" in lower right corner; framed. Height of frame 14 inches (35.5 cm.) X width of

Francis Speight (NC/PA, 1896-1989), The Tayloe House, Bertie County, North Carolinaoil on canvas, signed and dated 1968/1969 at lower left, framed by the Philadelphia framer Heidenreich, the preferred

Ruthven Byrum (American, 1896-1958) Hoosier Salon artist, Smoky Mountains Landscape, "Near Balsam, North Carolina Smokies", oil on canvas, signed "Byrum" lower left, signed "Ruthven H. Byrum" on rever

Francis Speight (1896 - 1989) American Oil on Board Measure 21 "in H x 17 1/2"in W and 23 1/2"in H x 20"in W with frame Known for: City scene, landscape, ethnic genre Biography: Francis Speight was bo

Francis Speight (1896-1989); "Summer in Maine / 1937" Oil Canvas of Rocks and Sailboat signed, lower right recto, titled and dated to reverse; driftwood French frame. Age related wear. Height of art 1

Francis Speight (1896-1989); "Waldoboro Maine" Seascape circa 1930's Oil on Board signed and titled lower right recto; driftwood framed. Age related wear. Height of art 14 inches (35.5 cm.) X width of

William Charles Anthony Frerichs (American 1829-1905), 'Grandfather Mountain, North Carolina', second half 19th century, oil on canvas, depicting a mountain landscape with figures, apparently unmarked

American School, Western North Carolina, mid 19th century oil on canvas landscape painting from the Asheville, NC region depicting a view of mountains in the background and a rocky cliffside to the le

Attributed to Romare Howard Bearden (AMERICAN / NEW YORK / NORTH CAROLINA, 1911 - 1988) oil painting on canvas depicting the portrait of an African American boy. Mounted in a wooden frame. Canvas on s

ALBERT BACKUS MAGGIE VALLEY LANDSCAPE OIL ON BOARD Albert Backus (American, 1906-1990) early, Impressionistic style, landscape painting of Maggie Valley in North Carolina. Signed in the lower right co

(French, 1920-2013) Girl with a Flowering Branch, signed lower right "Jansem", oil on canvas, 39-1/2 x 19-3/4 in.; mid century frame, 44-1/8 x 24-5/8 in. . Provenance: Private North Carolina Collectio

(North Carolina/Georgia, 1899-1971) Untitled Abstract, signed lower right "H Thomas", oil on canvas, 40 x 50 in.; painted wood frame, 43 x 52-1/2 in. Provenance: Lee Hansley Gallery, Raleigh, North Ca

(North Carolina/New York, born 1951) Untitled, blue and black abstract composition, signed verso "Sultan", oil on canvas, 47-3/4 x 59-3/4 in.; unframed, gallery stretcher Provenance: Estate of the Art

(Canadian, 1889-1984), oil on canvas, c. 1955, signed l.l.c. Overall: 36"h x 31-5/8"w Sight: 33-1/2"h x 29-1/2"w Provenance: The consignor acquired the painting from a private North Carolina collector

Continental, late 18th/19th century. "Travelers in a Landscape", oil on canvas. Apparently unsigned; giltwood frame. Provenance: From a Private Collection, Highlands, North Carolina. Approx. 83.25" x

JOHN OPPERNew York/North Carolina/Illinois, 1908-1994Chicago scene with the “L” at 9th Ave. Signed lower left “John Opper”.Oil on canvas, 29.5” x 23.5”. Framed 31” x 25”.

(North Carolina, 1948-2012)Carolina Potatoes, signed lower right "Ivey Hayes 04", oil on board, 24-1/4 x 16 in.; modern molded frame, 31 x 22 in. - Provenance: Private Collection, Lexington, Kentucky

13 IN. CLOTH DOLL CREATED & MADE BY THE PFHOL SISTERS IN SALEM, NORTH CAROLINA FROM 1897 TO EARLY 1940'S, GORGEOUS OIL PAINTED FACE WITH FINELY DETAILED EYES, EARS, NOSE & MOUTH, PAINTED LIGHT BROWN H

(Iranian, born 1951) Free From Time, signed lower left "Hessam", oil on canvas, 36 x 49 in.; gilt wood frame. Provenance: The Estate of William Ference, Asheville, North Carolina

(North Carolina/New York, born 1951) Design Under Grid, signed verso "Sultan", oil on canvas, 72-1/4 x 54 in.; metal edge "frame" Provenance: Estate of the Artist's Father

(American/North Carolina/Florida, born 1953) Wiles Creek, North Carolina, signed lower right "James P. Kerr", inscribed verso "Wiles Creek/Oil by James P. Kerr", oil on canvas, 36 x 48 in.; black pain

Circa 1920s. Made by Reverend Ben Davis of North Carolina. Yellow birch legs, chip carved Mountain Laurel skirt and a solid wood 8 board top. The table is from Ralph Kylloe's personal collection and h

Baltimore, 1896-1924, urn form with floral and foliate repousse decoration, marks for S. Kirk & Son Co., "171", 10.5 oz. T., 7-1/4 in. Provenance: Private Collection Asheville, North Carolina

An Accurate Map of North and South Carolina, with their Indian Frontiers, Shewing in a distinct manner all the Mountains, Rivers, Swamps, Marshes, Bays, Creeks, Harbours, Sandbanks and Soundings on th