Franklin Adams Franklin Adams (New Orleans) "Camisole" - Modern Graphite Sketch Drawing, 1995

Will Cotton (American, b. 1965) "Candy Cane", 2002 watercolor and graphite on paper signed and dated lower right. Framed. 9-3/4" x 7", framed 12-3/4" x 9-3/4" Provenance: The Collection of Adam Lippes

Franklin Dullin Briscoe (American, 1844-1903), "Portrait of a Highland Cow", 1895, oil on canvas, signed and dated lower right, 30" x 22". Presented in a period giltwood and gesso frame.

Fine French Bronze and Patinated Bronze-Mounted Burr Amboyna Wood and Marble-Top Center Table ca. 1900, possibly by Theodore Millet or Zwiener Jansen Successeur, after a design by Adam Weisweiler and

Antique Oushak Carpet 11’ 4” x 15’ 3” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustr

Semi-Antique Oushak Carpet 11’ x 14’ 11” Provenance: The Collection of Adam Lippes.

Exceptional Continental Carved Carrara Marble Fireplace Surround mid-19th century, in the neoclassical taste, carved with figures of Adam and Eve flanking the firebox, the central frieze carved with p

Pair of English Mahogany Knife Urns and Pedestals in the Adam Taste, each urn with a finialed lid with fluting, lifting off to a fitted interior, the body with foliate carving and raised on a socle ba

Suite of Twelve Adam-Style Mahogany Dining Chairs early 20th century, consisting of two armchairs and ten sidechairs, each with an open oval back surmounted by a ribbon crest and with a Prince of Wale

Italian Carved Marble and Alabaster Bust of a Bedouin Woman 19th century, on a socle base. sculpture h. 21", w. 22", d. 8-1/2" Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "I

George III Polychrome Cabinet, early 19th century, in the Adam taste, the hinged lift-lid top with concave canted corners and a bowed front, centered by an oval medallion of a lady in a woodland lands

Semi-Antique Oushak Carpet 9’ x 12’ Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103; B

Roy Lichtenstein (attributed) graphite and colored pencil drawing on paper. Signed lower center. Titled 'Sunlight, Moonlight' (Study) and dated 1955 to Leo Castelli, New York label to verso. Also hold

Mark Lombardi COSCO Study 1999graphite on paper 9 h x 12 w in (23 x 30 cm) Provenance: Estate of Mark Lombardi | The Drawing Center, New York, Benefit Auction, 2005 (do

Robert Adams Pawnee National Grassland, Colorado 1984; this example printed 1992 Gelatin silver print on Agfa paper From the edition of 40 Signed, titled, and dated in graphite verso; bears artist's i

Robert Adams Old Growth Stump, Cape Disappointment, Washington 2004; this example printed 2006 Gelatin silver print Signed twice in graphite verso; titled and dated verso Image: 12.25" x 10"; Sheet: 1

Eugene Daymude (1925-1995, New Orleans), "Continental Street Scene," 1970, oil on canvas, signed and dated lower left, presented in a gilt frame, H.- 70 1/2 in., W.- 127 in. Note: This painting hung f

James Michalopoulos (American/New Orleans, b. 1951), "Tommy's Visit", 1995, oil on canvas, signed lower left, signed, dated and artist stamp en verso, titled and inscribed on stretcher, 29 3/4 in. x 4

Extensive Partial Raynaud "Allee Royale" Dinner Service post-1995, French, each piece marked, the service including: sixty-four dinner plates, dia. 10-3/4"; twenty rim soup bowls, dia. 8"; ninety-six

Maximilien Luce (French, 1858-1941) "Bord de la Chalouette, Moulineux", 1904 oil on artist board signed and dated lower left, titled en verso with various gallery and shipping labels. Modern frame. 14

Horia Damian (Romanian/Paris, 1922-2012) "Hexagonal Blue", 1959 oil on canvas verso with several exhibition labels including "Museum of Modern Art, Carnegie Institution, Pittsburgh, Pennsylvania" and

Melvin Charles Warren (American/Texas, 1920-1995) "West Texas Blizzard", 1967 oil on canvas signed and dated lower right, signed, dated titled and localized "Ft. Worth" en verso. Framed. 24" x 30", fr

Melvin Charles Warren (American/Texas, 1920-1995) "Sunrise on the Texas Range", 1966 oil on canvas signed and dated lower right, signed, dated and titled en verso. Framed. 18-1/4" x 24-1/4", framed 29

Joseph Glasco (American, 1925-1996) "Untitled", 1988-1995 acrylic and collage on canvas signed and dated twice en verso. Unframed. 90-1/2" x 84" Provenance: Estate of Carol A. Straus, Houston, Texas.

Saul Steinberg (American/New York, 1914-1999) "Untitled Still Life", 1974, graphite and watercolor on Fabriano paper, sheet size 22" x 30", signed and dated lower left "Steinberg 1974". Glazed and pre