G. Saintilus (Haitian) End of Days Judgement,

G. Saintilus (Haitian/Limbe 20th c.) End of Days Judgement Oil on masonite, 32 x 24 in. Framed 37 3/4 x 29 1/2 in. House of Heydenryk Frame Provenance: Dr. Halvor & Astrid Jaeger Collection

Henry G. Keller- ''End of The Day''- lithograph, 1942, signed in pencil, edition of 30, faint window from mat, small brown spots in bottom margin. 13 x 17''

Gabriel Blanc (Haitian/20th Century) Untitled (Prophet Leading His People), 1973 Oil on masonite, 23 x 17 inches Framed dimensions: 23 1/2 x 17 1/2 inches A less-known artist from the Jonathan Demme e

"The Days End, River Elaune, Normandie," 1919 Oil on canvas Signed and dated lower left: G. Ames Aldrich; signed again, titled and with the artist's monogram in blue and red verso 27.5" H x 31.25"

one black, one end of day bakelite, shutter working, bodies G-VG,

Calendar is two sided with pull tabs on each end that slides the days of the week; calendar toned with minor spots, stains and edge wear; frame 10 1/2" x 8 3/4", [3.46 ozt]; minor dents; G-VG

(American, 1825-1894) The End of an Autumn Day, 1894, signed lower right "G. Inness", label remnants verso, bears title "Sunset Montclair", oil on canvas, 32 x 42-1/2 in.; ornate reproduction carved g

Ends fraying and loss; (1) central patch; wear mostly central and one side; 120" x 243", G-G+ **ALL RUGS IN THIS AUCTION MUST BE PREVIEWED BEFORE 4:30 PM DAY OF AUCTION. At 4:30 PM (December 15th) all

1997; Synthetic polymer paint on canvas; Commissioned by Delmore Gallery, Alice Springs, cat. no. 97F018; acquired in 1997; The Kelton Foundation, Santa Monica; Exhibited: G Day LA Australia Week, in

Synthetic polymer paint on canvas; provenance: 1999; Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; acquired in 1999; The Kelton Foundation, Santa Monica; Exhibited: ?G?Day LA? Au

Synthetic polymer paint on canvas; Provenance:1997; Aboriginal Art Galleries of Australia, Melbourne; acquired in 1998; The Kelton Foundation, Santa Monica: Exhibited: ?G?Day LA? Australia Week, in pa

Landscape With Stone Bridge, Oil On Canvas, Signed G. Day Lower Left, 20 X 30 Inches, Antique Giltwood Frame 29.5 X 39.5 X 3 Inches, Patch To Back Of Canvas, Chips To Frame. See Photos For Additional

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

35" x 27" x 53"h Refurshied jukebox that plays coin or freeplay. Holds 50 records for 100 selections. This is the same model jukebox as seen in Happy Days. Large curved top glass with visible mechanis

Richard Rackus (b. 1922, Colorado), "Day's End", 1999, oil on canvas sight: 24 x 30 in., frame: 34 x 39 in. Provenance: Property from a long-time Alamo Heights, Texas art collector We happily provide

Z.Z. Wei (b.1957 Chinese American) ''End of Day'' Oil on Canvas 30''x24'' Image. Exceptional rural landscape with car. Signed l.r. Purchased Kimzey/Miller Gallery. Framed 35''x29''. Excellent conditio

2 - 9/32" Dia. What a beauty! Shrunken deep four lobed single pontil end of day. Two opposing panels of turquoise, green, and yellow, and then two opposing panels of red and white. This marble is poli

Thomas deDecker (1951-), A Summer's Day End, Oil on panel, 40 x 30, signed lower left: Thomas dEdecker verso: signed, titled, dated, Provenance: The Artist

Artist: Jason Rich | b. 1970 Title: End of Day Signed l/r: J. Rich Media: Oil on panel Dimensions: 22 by 28 inches

Significant Dave Drake, Slave Made Edgefield SC Four Gallon Crescent Moon mark at base with the end of day Tally (addition) Jar. Circa 1830's, slave made example. This is one of the most rare pieces o

END OF DAY, Paneled Onionskin. Smithsonian Magazine Marble. Four-Panel Lobed Onionskin with Mica. Clear base. Core is four panels. Two are pink on white, two are pink on yellow. Some blue splotches. F

'S Max Mara mink stole or jacket in black with one snap closure. One size fits most. Includes attached retail tags, branded hanger, and branded cover. East Tennessee Estate.

END OF DAY, Paneled Onionskin. Very rare marble. The base glass is amber. Core is opaque yellow. With two pink panels and two green panels on it. I'm not sure that I have seen one before that has this

Attri. George Schastey NYC Aesthetic Period Chair - approx 39" x 24" x 24" END OF DAY 1