Giovanni Battista Mercati a) View of the Suburra with Santa Maria Maggiore in the background; b)

Giovanni Battista Piranesi, Views of Rome: Six Fine Prints Ready for Framing, copyright 1957, Penn Prints, New York. Prints: St. Peter, Piazza and Colonnades; Santa Maria Maggiore; Arch of Augustus; A

Giovanni Battista Piranesi (Italian, 1720-1778). "Veduta della Facciata di dietro della Basilica di S. Maria Maggiore" etching, ca. mid 18th to early 19th century. A beautiful etching of the view of t

Etching, 540 x 393 imprint of the plate, filigree with lily in double circle, first state of six, wide margins, central fold, slight tears at the bottom edges and small holes in the left margin. ** Hi

Giovanni Battista Piranesi etching Veduta della Basilica di Santa Maria Maggiore. Measures 30.5" x 25.5" framed.

Giovanni Battista Piranesi etching Veduta della Basilica di Santa Maria Maggiore. Measures 30.5" x 25.5" framed.

2pcs- GIOVANNI BATTISTA PIRANESI (ITALIAN 1720-1778), ETCHING, 18th Century view of Church and Hospital Rome 10-3/4" x 16-3/4". & Santa Maria Rome view ca. 1756, approx size 11" x 16-3/4"

Oil on canvas(mounted on panel), Venice, View of Santa Maria Della Salute. Signed l.r. Original frame and plaquard; 25.5in. X 40.5in.

Giovanni Battista Piranesi (Italian, 1720-1778) Roman Views (five works) etching Sight: 21 x 16 inches. Estimate $1,000-2,000 Provenance: R.S. Johnson Fine Art, Chicago, Illinois

Alessandria, 1785 - Milano, 1837 Interno del Santuario di Santa Maria dei Miracoli presso San Celso Firmato Gio Migliara fe. e datato 1820 in basso a destra Olio su tela, cm 71X65 Reca sul retro timbr

Giovanni Battista Piranesi (Italian, 1720-1778) two etchings, Carceri title plate and Plate VI, both matted and framed. Not examined out of frames. The smaller sight size: 21 1/2" high, 16 1/2" wide.

Sight Vew 32" x 26" , Overall View 32-1/2" x 26-2-1/2" (Also Signed on Back of Frame)67

LARRY COHEN (B. 1952) View of the Santa Monica Pier, 2014 signed twice 'LARRY COHEN' (on the reverse); signed again 'LARRY COHEN' (on the stretcher bar) oil on canvas 16 x 26 in. 40.6 x 66 cm. Footnot

Felix Francois Georges Philibert Ziem (France, 1821 - 1911) 'View of the opening of the Grand Canal in Venice with Dogana and the Church of Santa Maria della Salute.' Signed lower left. Oil on canvas

After Michele Giovanni (Michiel) Marieschi (Italian 1710-1743), "Grand Canal with Basilica di Santa Maria Della Salute", 19th century, depicting Venetian society going about their business on a clear

SCENIC LANDSCAPE VIEW NEAR SANTA BARBARA, oil painting on canvas, signed lower left, 30 x 40”, hand carved gold leaf frame 36 ½ x 46 ½ x 2 ½”.

After Giovanni Canaletto (Italian, 1697-1768) A View of San Giorgio Maggiore oil on canvas 22 x 33 3/4 inches.

Andres Serrano (American b. 1950), 'Black Santa', cibachrome, 10/15, depicting a black man wearing a Santa Claus costume with a blue background, inscribed and titled en verso, framed. All proceeds fro

This dramatic view, etched by Francesco Piranesi (1758/59-1810), the son of the famous Italian artist and architect Giovanni B. Piranesi, shows a fireworks display above the Castel Sant'Angelo, Rome.

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"

(Sassoferrato, 1609 - Roma, 1685) Madonna col Bambino Olio su tela, cm 48X39 Allievo del Domenichino e raffinato interprete della tradizione rinascimentale, in modo particolare di Raffaello, il Sassof

MERANO GIOVANNI BATTISTA (1632-1698) "I Farisei chiedono a Pietro il tributo" olio cm. 119x91,5 scheda Dottoressa Anna Orlando