Giovanni Battista Piranesi THE SAWHORSE (HIND 8; FOCILLON 31; ROBINSON 34; WILTON-ELY 37) Etching

Giovanni Battista Piranesi (1720-1788) THE SAWHORSE (HIND 8; FOCILLON 31; ROBISON 34; WILTON-ELY 37) Etching and engraving, circa 1749-50, on wove paper, Robison's sixth state of six, from Carceri d'i

Giovanni Battista Piranesi (1720-1788) THE STAIRCASE WITH TROPHIES (HIND 8; FOCILLON 31; ROBISON 34; WILTON-ELY 33) Etching and engraving, circa 1749-50, on wove paper, Robison's sixth state of six, f

Estate / Collection: Estate of Patrick Horrigan THE GIANT WHEEL (WILTON-ELY 34) Etching and engraving, circa 1749-50, on wove paper, later state, from Carceri d'invenzione (Imaginary Prisons), with fu

Giovanni Battista Piranesi (1720-1788) THE GRAND PIAZZA; THE GIANT WHEEL; THE WELL (WILTON-ELY 29; 34; 38) Three etchings and engravings, on wove paper, from Carceri d'invenzione (Imaginary Prisons),

Giovanni Battista Piranesi (Italian 1720-1778)- ''Three Diagrams of Doric Temple Construction''- 4 etchings, Plate XXXIII (Focillon 952)(Wilton-Ely 783); Plate XXIV (F. 953)(W-E 784); Plate XXV (F. 95

Giovanni Battista Piranesi (Italian 1720-1778)- ''Veduta dell'Arco di Gallieno'' (Focillon 84)(Wilton-Ely 56); ''Tempio e Giunone Regina'' (F. 100)(W-E. 57); ''Arco di Settimo Severo''; ''Collegio di

Giovanni Battista Piranesi (Italian 1720-1778)- 4 etchings from ''Della Magnificenza ed Architettura de Romani'', 1761- 1.) ''Various Moldings and Cornice S.'' Plate V (Focillon 937) (Wilton-Ely 765),

Giovanni Battista Piranesi (Italian 1720-1778)- ''Diagrams of Roof Structure in Doric Temple Construction'', Plate XXVII (Focillon 956)(Wilton-Ely 787); ''Ichnographia et Ortographia Sacrae Aedis Tusc

Giovanni Battista Piranesi (Italian 1720-1778)- ''Comparative Pedestals'', Plate XXI (Focillon 950)(Wilton-Ely 787); ''View and Elevation of the Temple of Concord, Agrigento'', Plate XXII (F. 951)(W-E

Giovanni Battista Piranesi (1720-1778) Veduta di Campo Vaccino; Veduta del tempio di Bacco, or di S. Urbano, from Vedute di Roma (Wilton-Ely 148; 184, Hind 40; 48, Focillon 803; 753), c. 1750 A group

Giovanni Battista Piranesi (1720-1778) ICHNOGRAPHIAM CAMPI MARTII ANTIQUAE URBIS (WILTON-ELY 571) Etching and engraving from six plates on six sheets, from Il Campo Marzio dell'Antica Roma,1762, frame

VEDUTE DI ROMA (WILTON-ELY 174; 196; 198; 207; 230; 232; 235) Six engravings, circa 1740-1778, from the same-titled series, laid on card, framed. Largest frame 27 3/4 x 37 inches; 705 x 940 mm. Includ

After GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) Ten unframed "Ancient Roman Architectural Ruins" Etching (posthumous printing). Each is matted and wrapped in plastic. Largest: 37 1/8 x 26 1/8 inc

Giovanni Battista Piranesi (Italian 1720-1778)- 3 Architectural engravings- from ''Della Magnificenza e d'Architettura de' Romani'' Tab XVII, Tab XVIII and Tab XIX'' (Wilton Ely 777-779), generally go

Giovanni B. Piranesi (Italian 1720-1778) ''Veduta in Prospettiva della grau Fontana dell'Acqua Vergine delta di Trevi'' (Wilton-Ely 237) etching, 1773, from the series 'Vedte di Roma', printed in 177

plate II from "Carceri d'invenzione"; etching Plate: 22 x 16 1/2 in. (55.9 x 41.9 cm.), Sheet: 28 3/4 x 21 1/4 in. (73 x 54 cm.), Frame: 34 x 26 1/2 in. (86.4 x 67.3 cm.) Provenance: Property from the

Giovanni Battista Piranesi (1720-1778): Avanzi di antiche terme in Albano; Veduta del Sepolcro; and Veduta degli Avanzi de'Mausolei Three etchings in black on wove paper. 16 x 24 in. (plate), 34 x 43

This outsanding folio etching is from Giovanni Battista Piranesi's Carceri d’Invenzione. The work was published between 1749 and 1770. This etching was part of a second edition publication that

Trajan's Column. Etching. From a Garrison, NY collection. - Dimensions: 114.5" h x 30.75" w.

Rome, 1765. In 2nd large (60x44 cm). Exemplary with beautiful inking and untrimmed margins, c on 38 plates of which 8 double and 4 double folded, frontispieces in Latin and Italian on the front, engra

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

RAMUSIO, Giovanni Battista (1485-1557). Delle navigationi et Viaggi. Venice: Giunti, 1606. 3 volumes, folio (12 1/4" x 8 1/2"), ff. [4], 34, 394; 6, 9-18, [10], 256, 90; [6], 36, 430. Woodcut device o

19"h x 25"w By descent from the Estate of Robert Weeks DeForest and Emily Johnston DeForest.

1720-1778 Various By descent from the Estate of Robert Weeks DeForest and Emily Johnston DeForest.