GIOVANNI B.PIRANESI The Giant Wheel.

Giovanni Battista Piranesi (1720-1788) THE GRAND PIAZZA; THE GIANT WHEEL; THE WELL (WILTON-ELY 29; 34; 38) Three etchings and engravings, on wove paper, from Carceri d'invenzione (Imaginary Prisons),

Estate / Collection: Estate of Patrick Horrigan THE GIANT WHEEL (WILTON-ELY 34) Etching and engraving, circa 1749-50, on wove paper, later state, from Carceri d'invenzione (Imaginary Prisons), with fu

Made by Remco. Made of Plastic with a Paper Gameboard. Excellent Condition with Box. Appears to be complete. **Due to large lot size shipping cost to be determined.

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Giovanni Battista Piranesi (Italian, 1720-1778) two etchings, Carceri title plate and Plate VI, both matted and framed. Not examined out of frames. The smaller sight size: 21 1/2" high, 16 1/2" wide.

GIOVANNI B. PIRANESI The Pier with a Lamp. Etching, engraving and burnishing, 1749-50. 410x545 mm; 16¼x21½ inches, wide margins. Fourth state (of 7); Robison's second edition, second issue,

GIOVANNI B. PIRANESI Carceri d'Invenzione: titolo. Etching and engraving, 1749-50. 553x419 mm; 21¾x15½ inches, wide margins. Sixth state (of 9); Robison's second edition, second issue, print

GIOVANNI B. PIRANESI Three etchings from Vedute di Roma. Veduta sul Monte Quirinale del Palazzo dell'Eccellentissima Casa Barberini, circa 1749. First state (of 5). Fleur-de-lys in a double circle wat

GIOVANNI B. PIRANESI Veduta del Pantheon d'Agrippa. Etching, 1761. 470x690 mm; 18½x27 inches, small margins. Second state (of 5). From Vedute di Roma. A very good, well-inked impression with stro

Giovanni B. Piranesi (Italian 1720-1778) ''Veduta in Prospettiva della grau Fontana dell'Acqua Vergine delta di Trevi'' (Wilton-Ely 237) etching, 1773, from the series 'Vedte di Roma', printed in 177

Giovanni B. Piranesi (Italian 1720-1778)- ''Veduta degli avanzi del Foro di Nerva'' (Wilton-Ely 181)- etching, 1757, on laid paper with watermark Fleur-de-lys in a double circle with CB; ''Veduta inte

GIOVANNI B. PIRANESI Veduta interna del Pronao del Pantheon. Etching, 1769. 391x537 mm; 15¼x21 inches, full margins. First state (of 3), before the numbers. From Vedute di Roma. A very good, well

Giovanni Battista Piranesi Hadrian's Villa: The Canopus (Avanzi del Tempio Dio Canopo nella Villa Adriana in Tivoli) (Second State) (from the Vedute di Roma series) 1768 / c. 1800etching image: 17.75

Giovanni Battista Piranesi (Italian, 1720-1778) "Veduta Dell Arco Di Tito" etching. Framed, not examined out of frame. Sight size: 17" high, 25 1/4" wide. Frame size: 26 3/4" high, 35 1/2" wide.

After Giovanni Battista Piranesi (Italian, 1720-1778) "Vaso Antico di Marmo con suo Piedestallo" and "Al Nobile Uomo il Sig. Giambattista Collicola Motioni Foriere" two etchings Each matted, glazed an

Giovanni B. Piranesi (Italian 1720-1778)- ''Les Plus Beaux Monuments de la Grece''; ''Roman architectural details compared with Greek examples from Le Roy''; ''Constructional details of the entrance p

Etching. First state (of 4). Fleur-de-lys in a double circle watermark (Hind 3). From the "Vedute di Roma." 1769 483x708 mm; 19x27 3/4 inches, full margins. Hind 92.

Etching. First state (of 3). From the "Vedute di Roma." Unlike many of Piranesi's (1720-1778) etchings from "Vedute di Roma," which represent edifices and architectural views from classical Rome and t

Giovanni Battista Piranesi (Italian 1720-1778)- ''Veduta dell'Arco di Gallieno'' (Focillon 84)(Wilton-Ely 56); ''Tempio e Giunone Regina'' (F. 100)(W-E. 57); ''Arco di Settimo Severo''; ''Collegio di

Giovanni Battista Piranesi (1720-1778) print of Hamilton Vase, 1778. Measures 22" x 29" sheet size. Unframed, loose and not glued or mounted. Provenance: C.D. Raymond & Son collection. We ship most it

Giovanni B. Piranesi, Veduta di Campo Vaccino. The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosse

Giovanni Battista Piranesi (Italian 1720-1778)- 4 etchings from ''Della Magnificenza ed Architettura de Romani'', 1761- 1.) ''Various Moldings and Cornice S.'' Plate V (Focillon 937) (Wilton-Ely 765),

Giovanni Battista Piranesi (Italian, 1720-1778) etching. The 18th or 19th century Piranesi etching, Veduta di Piazza Navona Sopra le rovine del Circo Agonale is from the “Vedute di Roma”, which is

Giovanni Battista Piranesi (Italian 1720-1778), "Dimostrazioni dell' Emissario del Lago Albano" 1762, posthumous restrike, etching on paper, diagram for tunnel at Lake Albano, signed in plate lower ri