Hanns Oehme "Brautpaar im Kahn". 1935.

FRITZ BECKERT 1877 Leipzig - 1962 Dresden Wallpavilion in Winter (1935) Oil on panel. 42,5 x 32,5 cm (F. 55,5 x 45,5 cm). Signed lower right 'Fritz Beckert'. Verso: inscribed and dated. Part. min. abr

Friedrich Miess 1854 Kronstadt - 1935 Kronstadt Ansicht von Schäßburg im Sommer - malerischer Blick über die Stadtbefestigung auf den Stundturm, im Vordergrund Mutter mit Kinderwagen. Chromolithogr

Painting on paper by Ou Haonian (Chinese, b. 1935) and Zhu Mulan (Chinese, b. 1938); of birds and flowers; titled and dedicated to Moyuan, the father of the present owner; signed, with

Picasso-style wool rug, by EGE Axminster; depicting the artist's 1935 painting "Run of the Bulls"; Provenance: Collection of Bill Welter, Scottsdale, AZ; 80 1/2" x 55" (approx.

(Geb. 1935 Berlin. Ansässig in Göttingen) Belebte Straße und Platz vor La Madeleine in Paris im Abendlicht Vielfigurige, belebte Szene in der Belle Epoque. Neoimpressi

Gunthermann, Blue Bird Rekord Rennwagen, 51 cm, Blech, Uhrwerk funktioniert, Deutschland, 1935, auf den Sieg von Sir Malcolm Campbell im Februar 1931, der mit 245,73 miles/hour einen neuen Weltrekord

MAX LIEBERMANN 1847 Berlin - 1935 ebenda SELBSTBILDNIS Kaltnadelradierung auf Papier. DM 23 x 17 cm (R. 53 x 40 cm). Unten rechts handsigniert 'M. Liebermann'. Leicht gebraeunt. Im Passepartout und hi

Sintenis,Pferde,Holzschnitt,35 Sintenis, Renée Zwei reitende Knaben. (1935). Holzschnitt auf cremefarbenem Similijapan. 9 x 8,5 cm (25 x 18 cm). Signiert. - Im alten Passepartoutausschnitt etwas gebr

(Geb. 1935 Cincinnati/Ohio. Ansässig in New York) "Eight hearts". Originaltitel Farboffsetlithographie/Papier, auf Spanplatte kaschiert, 1970. Im Druck sign. u. dat.; Läsuren. 62

Chinese Qianlong-style cloisonné enamel vase; of elaborate tiered form; showing scrolling floral motifs reserved on a teal-blue ground; with various registers of intricate metalwork; featuring

Maria Lassnig and Arnulf Rainer Untitled (collaboration between Maria Lassnig and Arnulf Rainer) 1949/50 mixed media on cardboard; framed 51 x 76 cm signed and dated on the lower right: M. Lassnig 194

Ernst Fuchs "Kronos" oil on canvas; framed 335 x 207 cm signed twice on the left and right: Ernst Fuchs inscribed and signed on the reverse: Kronos Ernst Fuchs collection Stronach

Hermann Nitsch "Relikt" (109. Aktion) 2001/2015 acrylic, blood on fabric; unframed 158 x 230 cm signed and dated on the upper left: Hermann Nitsch 2001 signed and dated on the lower right: Hermann Nit

Xenia Hausner Winter journey 1996 acrylic on board; framed 150 x 126 cm monogrammed and dated on the lower right: X.H. 96 1996 Galerie Heike Curtze (Berliner Kunstausstellung); since then private prop

Ernst Fuchs "Die Aufnahme Mariens gekrönet in den Himmel" pastel on canvas; framed 250 x 250 cm signed on the lower left: Ernst Fuchs inscribed and signed on the reverse: Die Aufnahme Mariens gekr�

Günter Brus "Informel" 1960 India ink on paper; framed 44.6 x 63 cm (sheet size) signed and dated on the lower right: Brus 1960 art dealer Heike Curtze, Vienna; private collection, Austria 1993/94,

Martha Jungwirth Untitled 1998 oil on canvas; framed 100 x 70 cm signed on the lower left: Martha Jungwirth signed and dated on the reverse: Martha Jungwirth 98 2010 Galerie Wolfgang Exner, Vienna; si

Arik Brauer "Musik macht Bäume blühen" 2010s oil on panel; framed 50 x 45 cm signed on the lower left: Brauer inscribed on the reverse: "Musik macht Bäume blühen" acquired directly from th

Hermann Nitsch Bulk picture 2007 acrylic on canvas; unframed 200 x 150 cm signed and dated on the reverse: Hermann Nitsch 07 private collection, Italy

2012 Porsche 991 Carrera S CoupeMetallic PaintBose AudioPremium PkgPDK (Porsche dual clutch)Park AssistSport ChronoSunroofPower Steering PlusElectric Folding MirrorsMulti-function steering whe

Arnulf Rainer "Zentralisation, Zentralgestalt" 1951-1957 India ink on ultraphan; framed 53 x 41 cm (cut-out) signed and inscribed on the lower right: A. Rainer TRRR private property, Austria Christian

Markus Prachensky "Ladas, Luras & Bilella" 1994 acrylic on canvas; framed 101 x 130 cm signed and dated on the lower right: Prachensky 94 signed, dated and dedicated on the reverse: Markus PRACHENSKY

MASSIVE ENAMELED PORCELAIN VASELarge Chinese multi-enameled porcelain vase, rendered after a Qianlong model; each section showcasing a different enamel style and technique, including: blue and white,

Herbert Brandl Untitled 2013 oil on canvas; unframed 150 x 190 cm signed and dated on the reverse: Brandl 2013 private property, Styria