HENRI HEBERT CANADIAN 1884-1950

Waves of Dawn Acrylic on board Signed and dated 2010 lower right Size: 25 x 25 in. (63 x 63 cm)

Tony Scherman (CANADIAN, 1950) charcoal and encaustic on paper signed, titled Leslie and dated 1986 and on verso titled and dated on a gallery label 26 x 20 1/2 in 66 x 52.1cm

Oil on canvas, 28 x 20 inches, signed lower right. Framed, 32 x 24 inches. Signed and titled on verso.

Landscape with Trees, Recto. Dark Figure, Verso. Signed and Dated (1922) lower right. Oil on Panel. Sight Size: 15 x 12 in. Overall Framed Size: 23 x 20 in.

Homages aux Patriotes Canadiens aux Martyrs des nos Libertes Politques by Henri Hebert bronze plaque 1925, measures 4 inches x 1.8 inches. In good condition.

Homages aux Patriotes Canadiens aux Martyrs des nos Libertes Politques by Henri Hebert bronze plaque 1925, measures 4 inches x 1.8 inches. In good condition.

Max Beckmann (German, 1884-1950), one of Beckmann's last works, "Kopf" ("Head"), executed in 1959, bronze with dark brown patina, captures most of his signature "Angst". Exhibited and illustrated: Cat

Patinated bronze sculpture, Mademoiselle de Vercheres, signed in cast P. Hebert (Louis-Philippe Hebert, Canadian, 1850-1917), approx 19"h, 11.5"w, 6"d, 17.7lbs

Max Beckmann (German, 1884-1950) In the Tram (In der Trambahn) 1922, pencil signed and numbered 27/40 bottom left (from the total edition of 100 in this state (Hofmaier's state III.B.d. of III.B.d.)),

ARTIST: Rudolf Anton Guba (Germany, American, 1884 - 1950) NAME: View of Bosphorus MEDIUM: oil on canvas CONDITION: Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 28 x 40 inches / 71

Max Beckmann, German, 1884-1950, "Main River Landscape", 1915, drypoint, from a portfolio of 19 prints entitled Gesichter (Faces) printed by Franz Hanfstaengl, Munich, published by Mar_es-Gesellschaft

Max Beckmann (Germany, 1884-1950) Lovers II (Liebespaar II) from Faces (Gesichter), 1918 drypoint signed in pencil 8 7/16 x 10 1/16 inches. Property from the Collection of James and Edythe Cloonan, Ch

Max Beckmann, German, 1884-1950, "Zwei Autooffiziere" (Two Auto Officers), 1915, drypoint from a portfolio of 19 prints entitled Gesichter (Faces), printed by Franz Hanfstaengl, Munich , published by

Max Beckmann (German 1884-1950), "Die Nacht", 1922 from Trip to Berlin (Berliner Reise) portfolio, black and white figural lithograph on sepia paper, signed lower right, and editioned 57/100 lower lef

Max Beckmann (German, 1884-1950) Die Bettler (The Beggars), Plate 7 from Berliner Reise 1922, pencil signed and numbered 59/100, with full margins, I.B. Neumann, Berlin, publisher. Lithograph on velin

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max Beckmann (German/American, 1884-1950), "Dame with Knabe (Lady with Boy)"-1923, drypoint etching, pencil signed lower right. Modern figural print depicting a woman in a hat and jacket beside a youn

Canadian. 1950. Single sided tin (SST). Exhibits added mounting holes within the extreme margins. Light surface yellowing. Marked, "Made in Canada - 1950 - St. T." (St. Thomas Metal Signs) lower edge.

Large Sunflower Tramp Art Frame 1920s John Zubersky Superb sunflower cornered tramp art - folk art frame made by the important historical artist tramp artist John Zubersky (1884 – 1950). Big impres

PACH, MAGDA FROHBERG. 1884-1950. A group of approx. 14 autograph letters signed, 1918-1938. Two of the letters with envelopes, the rest are loose. Most are multiple sheets, written on both sides, on s

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max Beckmann (German, 1884-1950) Der Schornsteinfeger (from Berliner Reise), 1922 lithograph signed, dated, and numbered 54/100 in pencil 17 3/4 x 13 1/8 inches. Property from the Private Collection o

Max Beckmann (1884-1950): Weather-vane (Wetterfahne); and Circus (Zirkus), from Day and Dream Two lithographs in black on buff paper, 1946, both signed in pencil, numbered 30/90 and 53/90. Both 15 3/4

Max Beckmann, (1884-1950) Resurrection. 1918. Drypoint etching on Japanese paper. Plate 24.5 x 33.4 cm. Edition 18/80. Verso estate stamp: Beckmann Nachlass, P.B. signed by the executor. In the passe-