Max Beckmann (German, 1884-1950) Die Bettler (The Beggars), Plate 7 from Berliner Reise

Max Beckmann (German, 1884-1950) Die Bettler (The Beggars), Plate 7 from Berliner Reise 1922, pencil signed and numbered 59/100, with full margins, I.B. Neumann, Berlin, publisher. Lithograph on velin

Max Beckmann (German 1884-1950), "Die Nacht", 1922 from Trip to Berlin (Berliner Reise) portfolio, black and white figural lithograph on sepia paper, signed lower right, and editioned 57/100 lower lef

Max Beckmann (German, 1884-1950) Der Schornsteinfeger (from Berliner Reise), 1922 lithograph signed, dated, and numbered 54/100 in pencil 17 3/4 x 13 1/8 inches. Property from the Private Collection o

Max Beckmann (German, 1884-1950), one of Beckmann's last works, "Kopf" ("Head"), executed in 1959, bronze with dark brown patina, captures most of his signature "Angst". Exhibited and illustrated: Cat

Max Beckmann (German, 1884-1950) In the Tram (In der Trambahn) 1922, pencil signed and numbered 27/40 bottom left (from the total edition of 100 in this state (Hofmaier's state III.B.d. of III.B.d.)),

Max Beckmann, German, 1884-1950, "Main River Landscape", 1915, drypoint, from a portfolio of 19 prints entitled Gesichter (Faces) printed by Franz Hanfstaengl, Munich, published by Mar_es-Gesellschaft

Max Beckmann, German, 1884-1950, "Zwei Autooffiziere" (Two Auto Officers), 1915, drypoint from a portfolio of 19 prints entitled Gesichter (Faces), printed by Franz Hanfstaengl, Munich , published by

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max BeckmannGerman, (1884-1950)Reclining Woman, Portrait of Johanna Loeb, 1922lithographsigned lower right, framed.12 x 18 inches

Max Beckmann (German/American, 1884-1950), "Dame with Knabe (Lady with Boy)"-1923, drypoint etching, pencil signed lower right. Modern figural print depicting a woman in a hat and jacket beside a youn

Max Beckmann (Germany, 1884-1950) Lovers II (Liebespaar II) from Faces (Gesichter), 1918 drypoint signed in pencil 8 7/16 x 10 1/16 inches. Property from the Collection of James and Edythe Cloonan, Ch

DESCRIPTION: Peter Max, (German, b.1937) Marker on paper, signed, dated and dedicated bottom right corner. CIRCA: 1969 ORIGIN: USA DIMENSIONS: Viewing area H: 7" L: 43.5' Frame 8.25" L: 4.25" CONDITIO

German, 20th century, white glaze porcelain with molded and gilt leafy baroque borders, with underglaze blue crossed swords mark, comprising: 12 dinner plates, 10 in.; 12 salad plates, 7-1/2 in.; 12 s

Ferdinand Max Bredt (German, 1868-1921) By the fountain signed 'F. M BREDT' (lower centre) oil on canvas 96.5 x 147cm (38 x 57 7/8in). Footnotes: Provenance Private collection, US

Item: ANTIQUE WMF SILVER PLATE JEWELRY BOX WITH CUPID MOTIF Height: 9 in. (22.86 cm) Width: 13 in. (33.02 cm) Depth: 7 in. (17.78 cm) Country of Origin: Germany Style: Rococo Maker: WMF Condition: Res

Rare Original Oil on Canvas (laid on board). Figure in woods. Circa 1998. Hand signed. Image 7 1/4" x 9 1/4", Overall framed 15 1/2" x 13 1/4"

Max Pechstein (German 1881-1955) Jumpers, 1912, woodcut in colors on paper, signed in pencil,lower right, dated 1912, inscribed lower left. Dimensions: 7.5 x 12 in. image size. Condition: Laid down

Les Loups, 1950; Etching on paper (framed); Signed, dated and noted épreuve d'artiste; 9 3/4" x 5 7/8" (plate); 19 3/4" x 12 7/8" (sheet); Provenance: Private Collection, New Jersey

Artist: Ernst Ludwig Kirchner (German, 1880 - 1938). Title: "Die Liebenden". Medium: Crayon and colored pencil drawing on paper. Date: Composed c1922. Dimensions: Overall size: 11 5/8 x 7 5/8

Hermann Max Pechstein (1881-1955, German) 'Zwiesprache (Dialogue), 1920. Color woodcut, signed in pencil. Image 15 13/16" x 12 9/16", Sheet 20 1/16" x 14 7/8", cream, smooth laid paper. Publisher Euph

GERMAN Vintage lithograph titled "Fruhlings-Messe der Kunstgewerbe Gruppe" 13 3/4" x 18 1/4" Bottom reads from left to right side "Lubow plate 8 - geoffnet von 10-7 - des deutschen lyceum club"

Tavolo basso con sostegni in ottone e piano in vetro. Prod. Fontana Arte, Italia, 1950 ca. cm 101x45x50, Bibliografia E. Paoli, Quaderni di Vitrum n° 8, Specchiere e specchi pp. 7-8; F. Deboni, Fon

MICHAEL GLANCY (1950-2020) Golden Enigma 1992 deeply engraved blown glass, industrial plate glass, copper, gold and gold leaf height 7 3/8in (18.7cm); length 23 1/2in (59.7cm); width 15 3/4in (40cm) F

Lot 51 Henri Matisse French (1869-1954) Virgin and Child (1950-51) lithograph with chine collé signed lower right in pencil, numbered 59/200 plate: 12 3/4 x 9 3/4 inches sheet: 17 x 14 7/8 inche