Henry Harris, British, 1852-1926

Oil on canvas Henry Harris (British, 1852-1926) attributed, English school style landscape of cathedral ruins with sheep in foreground;Provenance: The Stone Collection

Harris, Henry (British, 1852-1926) two seascape paintings, showing scene of fishing life, oil on canvas measuring 8.5 by 18 inches, in gold frames measuring 14 by 24 inches.

A fine signed Harris, possibly the work of Henry Harris (1852-1926) English hunt scene oil on canvas a follower of James Seymour (British, 1702-1752) artist. A very well executed and detailed painting

(United Kingdom, 1852-1926) Oil on canvas river homestead with figures and long view. Signed lower left H Harris. Housed in handsome gilt frame. Good overall condition the piece having some inpaint in

Gothic Cathedral Ruin With Village And Cattle Crossing A Stream, Signed Lower Left, 11 x 25 Inches, With Giltwood Liner Lacking Frame 13.75 x 28 Inches, Small Accretions On Dry Varnish Layer, Later Go

Lionel Royer (British, 1852-1926), "The Ritual," oil on canvas, signed lower right, canvas: 23.25"h x 19.25"w, overall (with frame): 34"h x 30"w

Henry Cheadle (British, 1852-1910) Landscape Scene, 1906 oil on canvas signed and dated (lower left) 9 x 14 inches. Estimate $80-120

JOHN HENRY SMITH (BRITISH FL. 1852-1893), OIL ON CANVAS, C. 1893, H 50", W 36", DUAL PORTRAIT OF TWO YOUNG LADIES:UAbove size is canvas size; outer dimensions of frame are 59" x 45". Unsigned; gilt fr

HENRY GILLARD GLINDONI, R.B.A. (British 1852-1913) A PAINTING, "Waking Up A Dozing Youth," oil on canvas, dated "1907" and signed L/L. 43 1/2 x 33 1/2"

Attributed to Henry Edgar Crockett (1870-1926) British, female figure carrying water with a coastal view beyond, watercolour, 24" x 16" (60 x 40cm).

Four (4) Original 19th c. The First Steeple Chase On Record Hand Colored Aqua Tint Etchings. After Henry Alken (British, 1785-1851), Engraved by John Harris (British, c. 1791-1873). Published by Ben B

After Henry Alken (British, 1785-1851) 5 Fore's Steeple Chase scenes. Lithographs with aquatint. Engraved by John Harris (British, 1791-1873). Published in 1848 by Messrs Fores. Artist credit lower le

Two 19th century British watercolors on paper. Both depicting harbor scenes, one by William Henry Pearson (British, b. 1849), titled "Postel", the other by William Langley (British, 1852-1922) titled

After Henry Alken (British, 1785-1851), Engraved by John Harris (British, c. 1791-1873) Three out of four prints from The First Steeple Chase on Record. Signed "Drawn by H. Alken" l.l. and "Engraved b

Henry Frederick Lucas Lucas (British, 1848-1943), "Frank Freeman on Brunette at Althorpe Park," c. 1926, lithograph in colors, pencil signed lower left, plate signed lower right, title center, overall

AFTER HARRY HALL (British, 1814-1882). Daniel O'Rourke, circa 1852, Colored engraving by John Harris (English, 1811-1865) depicting a jockey and a horse with trainer. Framed. Not examined out of frame

Harris, William Cornwallis. THE WILD SPORTS OF SOUTHERN AFRICA. London: Henry G. Bohn, 1852. 5th ed. xvi, 359 pp. Quarto. Publisher's original full red cloth boards, recased. Upper with blind border,

Sean Henry (British, born 1965) Standing Man 2 signed with initials, dated and numbered 'SH 97 AP' (on reverse of boots) bronze and oil paint 78cm (30 11/16in) high excluding base; 190cm (74 13/16in)

WILLIAM E. HARRIS (British 1856-1929) A PAINTING, "A View of the Bridge on a Sunny Day," oil on canvas, signed L/R. 16 1/2" x 24"

Moses Harris (British, 1731-1785), Six Plates from The Aurelian, A Natural History of English Moths and Butterflieshand-colored engravings, 18th century, each retains gallery label to verso, presented

Henry Harris Brown (1864-1948): An Afternoon in the Woods Oil on canvas, 1881, signed with initials 'HB' and dated lower left. 38 x 29 1/2 in., 45 1/2 x 37 1/2 in. (frame). Sold Christie's, NY, March

Oil on canvas. Measures approximately 24" x 36", including the frame 44" x 32". Signed and dated 1892.

The Forest from "Auden Poems", lithograph on water-marked paper 1973 signed in pencil by the artist, lower right numbered 3 of 75 from the first set (total edition was 360), As printed and published b

The Aurelian, A Natural History of English Moths and Butterflies (Pls. XVIII; XXV; XXVI; XLIV), 1766 Four hand-colored engravings on wove paper, published in London, each with margins, each framed. (4