Ireland Political, IRA Post 1922 6d on laid paper

Ireland Political, IRA Post 1922 6d on laid paper without gum as "issued", bottom marginal block of 4 as a complete stereo with "Moon" + "Pqst" flaws, fine and unusually fresh. Hib. L47, cat €41

Ireland Political, IRA Post 1922 6d on vertically laid paper, fresh unused without gum as "issued". Hib. L47."

I.R.A. 1922 Cork issue 6d blue on wove paper with double impression, perf. 11, used with Cork double-ring cds, wide margins, exceptional centring for these, very rare. Hib. L46b.

I.R.A. 1922 Cork issue 6d blue on wove paper perf. 11, fine mint and very fresh, intense bright colour, very well centred for these! Hib. L46.

Kathe Kollwitz (German, 1867-1945). “Die Witwe II” from Krieg series - 1922/23, woodcut on laid Japan paper, limited edition 5 of 100, final state, pencil signed lower right margin. Provenance: Pr

Stuart Shils (b. 1954) Farm Fields, Ballycastle, County Mayo, Ireland, 2003 Oil on paper laid on board 12 x 13 inches (30.5 x 33.0 cm)

1922; from Small Worlds portfolio; drypoint etching on heavy laid paper; from an edition of 200; pencil signed lower right; 9 1/4 x 7 5/8 inches plate; 17 x 15 inches frame

Pen and brown ink on laid paper, landscape with trees and sun, signed (Vincent van Gogh*, 1853-1890). 6 3/8 x 9 7/8 inches. Good condition. Unframed for inspection and post-auction shipping.Provenance

Watercolor and gouache on handmade laid paper, untitled abstract, signed* (Mark Tobey, 1890-1976). Dated '60. 7 7/8 x 9 inches. Removed from frame for inspection and post-auction shipping. Very good c

Pen and brown ink on fine laid paper (possibly BFK Rives), row of village houses, signed (Vincent van Gogh*, 1853-1890). 5 3/8 x 5 1/4 inches. Good condition. Unframed for inspection and post-auction

Pen and brown ink on laid paper, tree-lined road, signed (Vincent van Gogh*, 1853-1890). 7 1/4 x 6 5/8 inches. Good condition. Unframed for inspection and post-auction shipping.Provenance: The present

Pen and ink drawing on laid paper, woman in a field, signed (Vincent van Gogh*, 1853-1890). 7 x 5 1/4 inches. Good condition. Unframed for inspection and post-auction shipping.Provenance: The present

Jin Cheng (金城; 1878-1926) framed Chinese traditional fan painting, ink and color on paper laid to silk, signed and dated; in the summer of Renxu year (ca. 1922). Detailed ink painting of

Albert Bierstadt American, 1830-1902 Mountain Landscape, Alps Signed with conjoined initials ABierstadt (lr) Oil on paper laid down on canvas 30 x 22 inches Provenance: Ira Spanierman, LLC, New York u

Private Collection 9.5" x 10.5" Attrib. with certificate Paul Cezanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century concept

HENRI MATISSE (FRENCH, 1869–1954) INK DRAWING ON LAID PAPER, 1912 H 7.25", W 10.75" (IMAGE), STUDY OF CATTLE Signed and dated lower right. Examined by Senior Vice President of Impressionist and

ALBRECHT DURER (GERMAN, 1471-1528), ETCHING ON LAID PAPER, H 12 3/4" W 8 3/4" "HERCULES AT THE CROSSROADS" Engraving, on laid paper, without watermark, with the scratches across the jawbone and the ri

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

PABLO PICASSOSpain/France, 1881-1973Le Repos du Sculpteur III. Signed in pencil lower right. From La Suite Vollard, 1933. From the edition of 260. Printed by Lacouriere, Paris. Published by Vollard, P

GUSTAVE BAUMANN (AMER/GERMAN, 1881–71), WOODCUT IN COLORS ON LAID PAPER, 1918, H 11", W 10", SUMMER BREEZE Signed in pencil, titled and numbered '66 of 100', with the hand-in-heart inkstamp, with ma

Continental, late 18th century. Two large lithographs on chain laid paper. First scene by Charles Turner after T. Daniell and second landscape of cows after Van der Velde.

VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Crucifixion", 1989. Oil and collage on laid paper adhered to board. Signed and titled on the right side. Enclosed certificate of authenticity from Esther

American, ca. 1816, brown ink on laid paper, a faithful representation of all 56 Declaration of Independence signers on signature panel, subsequently used as model for Tyler's popular broadside, this

Attributed to Claudine Bouzonnet-Stella (Lyon 1636-1697 Paris), 17th Century Three pastoral scenes three of a set, pen, ink and grey wash heightened with white on laid paper, one watermarked with grap