J. COLLYER (*1748) after REYNOLDS (*1723), William Earl of Mansfield, 1795,

Portrait of William Murray, Earl of Mansfield by Sir Joshua Reynolds 1723-1792. British school. Nicely framed, estate fresh. 28" wide, 34" tall.

Circle of Sir Godfrey Kneller (German/England, 1646-1723) , "Portrait thought to be of Lady Sophia Bentinck, daughter of William Earl of Portland", oil on canvas, unsigned, 64 1/2 in. x 47 1/2 in., fr

LOT (31) PEOPLE'S ELLSWORTH, 44 REGT CO. J. NY STATE VOLUNTEERS INCLUDING (21) LETTERS PRIVATE EARL W. FISHER, 1861-62, STAMP FREE COVERS, RECRUITMENT/DISCHARGE PAPERS

EARL KERKAM (NEW YORK 1891-1985) OIL ON ARTIST BOARD, MODERNIST PORTRAIT OF A YOUNG WOMAN, SIGNED. 14 X 11 1/4"; FRAMED 18 1/2 X 15 1/2"

(4) Great Britain 17th and 18th Century Shillings and Sixpence: Nice early lot of coins. Includes: 1787 Shilling George III, 1697 Sixpence William III, 1723 Shilling George I, 1693 Shilling William an

Shakespeare (William) Hamlet, spotting and some light browning, modern half calf, by J. Darby for A. Bettesworth, 1723; and 3 others relating to Shakespeare, v.s. (4)

(British, 1795-1865) Mundig with William Scott Up at the Start of the Derby Stakes at Epsom, 1835, bearing spurious signature lower left "J. F. Herring", oil on canvas, 26 x 40 in.; gilt wood frame, 2

(British, 1795-1865) Mundig with William Scott Up at the Start of the Derby Stakes at Epsom, 1835, bearing spurious signature lower right "J. F. Herring", oil on canvas, 21 x 26 in.; gilt wood frame,

LOT (4) INCLUDING DOCUMENTS REGARDING THE "CAPE COD EMBARGO" 1808; 1748 EAST WARD NEW YORK CITY WARRANT FOR SEAMAN WALTER LARDENT OF THE SHIP "ELIZABETH"

JOHN TAYLOR ARMS (AMERICAN 1887-1953), AQUATINT, "THE AMERICAN CLIPPER SHIP", SIGNED C.1922, ED 200, PRINTED BY FREDERICK REYNOLDS, FULL MARGINS. IMAGE 12 X 18"; SHEET 16 1/2 X 22 1/2"

Roscoe, William. The Life of Lorenzo de' Medici, Called the Magnificent. Liverpool: J. M'Creery, 1795. 10.75" x 8.25". Portrait frontis + [4], xxvi, [2], 320, 136; [iv], 312, 48, 111, [1], 11, [1] pp.

An Important American Silver Tankard Myer Myers, New York, 1723-1795 marked MM to neck under rim 33 ozt 12 dwt Height 8 1/4 inches. Myer Myers, a Jewish colonial silversmith, was one of the most accom

A plan of the town of New Haven : with all the buildings in 1748...William Lyon (fl. c. 1800-1806). Engraved map. New Haven: T. Kensett, 1806. 28 1/4 x 20 1/2 inches sheet. The Kensett map is the firs

After Joshua Reynolds (1723-1792) British. "Collina (Lady Gertrude Fitzpatrick)", Oil on Canvas, Inscribed on a label on the reverse, Unframed, 55" x 44".

MARTIN MARGIN SPECTACLESEnglish, circa 1750. Circular steel frames with tortoiseshell lining and folding temples, in case.From the collection of Dr. J. William Rosenthal, M.D.Dr. Rosenthal was a well-

CHINESE SPECTACLESCirca 1810. Tortoiseshell frames around the beveled circular tea stone lenses, brass angular bridge and decorative folding temples.From the collection of Dr. J. William Rosenthal, M.

Heading: (Hawaii) Author: Williams, James J. Title: Five cabinet card photographs of Hawaiian royal family members Place Published: Honolulu Publisher:J. Williams Date Published: c.1890

Portraits of George G. and Penelope Williams of Boston, the adult children of Samuel King Williams, SR 1785-1874, a counselor (maritime lawyer) and Elizabeth Whitman Williams 1795-1886 (a descendant o

1995 CHINA 500 YUAN BI-METALLIC COIN, PANDA, 5 OZ .999 GOLD; 2 OZ .999 SILVER, #103 OF 199 (PROOF/DOUBLE SEALED) CASED

MARTIROS SARYAN (ARMENIAN/RUSSIAN 1880-1972), OIL ON CANVAS, YEREVAN STREET SCENE, SIGNED AND TITLED 1925, INSCRIBED VERSO "THIRD VERSION". 35 X 27 1/2" (90 X 70 CM) UNFRAMED; CERTIFICATE OF AUTHENTIC

FRENCH SCHOOL (20TH CENTURY) OIL ON CANVAS, FLOWERS IN A VASE, BEARING SIGNATURE BERNARD BUFFET '57. 21 X 18"; FRAMED 26 1/4 X 23 1/2" (RELINED)

AGNES WEINRICH (AMERICAN/ MASSACHUSETTS 1873-1946) OIL ON CANVAS, UNTITLED, CUBIST COMPOSITION, SIGNED. 34 X 27"; FRAMED 41 1/2 X 34 1/2"

TADASHI ASOMA (JAPANESE/AMERICAN 1923-), OIL ON CANVAS, "AFTERNOON MAGIC", SIGNED 1985. 60 X 70"; FRAMED 61 1/2 X 71 1/2" PROVENANCE: DAVID FINDLAY GALLERIES, LABEL VERSO

KENNETH STUBBS (AMERICAN 1907-1967) OIL ON CANVAS, PROVINCETOWN, SIGNED 1960. 16 1/2 X 22 1/2"; FRAMED 21 X 27" (EDGE RELINE)