James McNeill Whistler, The Palaces, 1879-80

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903), Lagoon Noon, 1879-80, etching on laid paper, (approximate dimensions - sheet (sight): 5 x 8 inches); signed and inscribed "imp" lower left, inscrib

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl

Published 1879 By The Fine Arts Society, includes all 57, some have came unbound and are loose, all appear to be in excellent condition for age

James Abbott McNeill Whistler Little Putney Bridge 1879etching image: 5 h x 8 w in (13 x 20 cm) sheet: 7 h x 12.125 w in (18 x 31 cm) Butterfly monogram in plate to lower right. Artwork lab

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Title: The Rag Pickers. James Abbott McNeill Whistler (1834-1903) Etching, 1858. Edition: 80 Known impressions. Unsigned. Only signed and dated within the plate. Fifth state. Image size 6 x 3 1/2"

(American, 1834-1903) etching and drypoint, published by Hogarth and Son, 1878-1879, third and final state with faint artist's butterfly monogram above church tower Overall: 17-1/4"h x 21-3/8"w Sight:

James McNeill Whistler (American, 1834-1903) The Adam and Eve, Old Chelsea. Etching dated to 1879, printed on thin Japan paper, sheet measures 8.25" x 13.25", unframed. Ref: Kennedy 175 II/II 7" x 11.

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

(Massachusetts/England, 1834-1903) Whistler with the White Lock (K.172), state I/I, 1876-1879, unsigned, one of an edition issued in 1889 by H. Wunderlich, etching on thin Japan paper, 4-5/8 x 3-1/8 i

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

Details: James Abbott McNeill Whistler (1834 – 1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality an

James Abbott McNeill Whistler (1834-1903) Massachusetts. Medium: Etching.Signed with butterfly monogram. "Fulham" 1879 etching and drypoint with notation "Whistler exhibition catalogue: 148". Overall

After James Abbott McNeill Whistler (American, 1834-1903), "The Adam and Eve, Old Chelsea, 1879," print, overall (with frame): 14.5"h x 19.25"w

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

James McNeill Whister. (American, 1834-1903). c. 1879, artist proof, signed "Whistler" lr, plate size: 4 3/8 x 3 3/8 in., framed; Private collection, Baltimore, MD

Whistler, James Abbott McNeill (American, 1834-1903). "Paul Riault the Engraver." 1879. State iv/IV. Published in a cancelled set of etchings by the Fine Art Society, London. 9" X 6" Condition: Loss t

NO RESERVE Italy.- Venice.- Whistler (James Abbott McNeill), Manner of. The Doge's Palace, Venice, watercolour over pencil, on wove paper without watermark, deckled edges, bears erroneous monogram in

PENCIL SIGNED JAMES MCNEILL WHISTLER PRINT "THE DOORWAY" . FIRST STATE. 13" X 17" FRAMED, 12" X 8" SIGHT. PROPERTY FROM THE BENTLEY ESTATE

(American, 1834-1903) "Self-Portrait with the White Lock" 1860, unsigned Overall: 12-3/4"h x 10-3/4"w Sight: 5-1/4"h x 4"w

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin