James Abbott McNeill Whistler BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51,187) Two etchings and

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

James Abbott McNeill Whistler Little Putney Bridge 1879etching image: 5 h x 8 w in (13 x 20 cm) sheet: 7 h x 12.125 w in (18 x 31 cm) Butterfly monogram in plate to lower right. Artwork lab

Described By:Michelle NME DBJQ Title:James AM Whistler AAA COA Little Putney Etching Butterfly Signature in Plate British Description: James Abbott McNeill Whistler AAA COA Little Putney Etching Butte

* James Abbott McNeill Whistler (American, 1834-1903) Little Putney Bridge etching 5 1/8 x 8 inches. Estimate $400-600 Property from The Estate of Robert Geppert, Wilmette, Illinois

"Little Putney" etching. 5 x 8 inches. signed with butterfly inprint, framed 12 x 15 inches. (overall)

James Abbott McNeill Whistler (American, 1834-1903). Etching, The Little Putney Bridge, No. 1. Signed in the plate with butterfly monogram, center right. Plate 5 1/8" x 8" (with frame 15 1/8" x 18 3/4

(New York, 1834-1903) The Little Putney, No. 1, state II/II (K. 179, M. 176, Gr. 147, W.146), etching on laid paper with double lion heraldic watermark, 5-3/16 x 8-1/8 in. (plate), 6-7/16 x 9-1/2 in.

James Abbott McNeill WHISTLER (1834-1903): "The Little Hat". Etching with touches of drypoint printed in brownish ink on laid paper, 1887. Refs: Kennedy 335; Glasgow 366. Eight or nine impressions are

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

This is an original estate found etching print by American artist James Abbott McNeil Whistler (1834-1903). Titled "Little Putney Bridge", this print features Whistler's butterfly "signature" in the p

FUMETTE; RAG PICKERS, QUARTIER MOUFFETARD, PARIS; BATTERSEA DAWN (CADOGAN PIER); OLD HUNGERFORD BRIDGE; HURLINGHAM (KENNEDY 13, 23, 75, 76, 181; GLASGOW 12, 29, 95, 76, 184) Five etchings (four with d

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

(American, 1834-1903) etching and drypoint, 1858, unsigned. Overall: 13-3/4"h x 17-1/4"d Sight: 6-1/4"h x 9-1/4"w

James Abbott McNeill Whistler (1834-1903) Little Court, Cloth Fair 1887 The transfer lithograph from 1887 is signed with Whistler's 'Butterfly' signature by hand in graphite just below the image. A se

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla