Joe Goode (b. 1937): Untitled (From Floating Cards Series)

Joe Goode B. 1937 Untitled (From Floating Cards Series) color lithograph 1969; ed. 63/98; signed and numbered in pencil Sheet: 22 1/4 x 29 3/4 in. (56.5 x 75.6 cm.), Frame: 27 1/2 x 35 in. (69.9 x 88.

Joe Goode (American, b. 1937) Group of 7 Works from "Floating Cards" series, 1969, lithographs in color, each signed, dated and numbered, from an edition of 98. Unframed. Size: 22.5'' x 30'', 57 x 76

Titled "Floating Cards", five part series, pencil signed by the artist at the lower center, dated for 1969, numbered XXXII. Dimensions: Each is approximately 22 1/4" x 29 3/4". Provenance: From the es

Joe Goode (American, b. 1937) Untitled (From the Blue Cloud series), 1969 Lithograph in colors. Number 13 from the edition of 75. Signed, numbered and dated in pencil, lower front, "13/75 Joe Goode 69

FLOATING CARDS, 1969, five color lithographs, each signed and dated in pencil and inscribed VIII Roman Numeral, aside from the numbered edition 98, printed by Mourlot Paris, sheets 22 x 29 ¾&#822

Lot 203 Joe Goode American (b. 1937) Untitled (1971) lithograph signed lower center, editioned 65/90, with blind stamp 18 x 29 inches unframed Provenance: From a Private Central Park West Collection

Lot 191 Joe Goode American (b. 1937) Untitled (Yellow Square) (1971) lithograph signed in pencil lower right, blind stamp lower left, editioned 50/110 plate: 5 7/8 x 6 7/8 inches frame dimensions: 10

Lot 200 Joe Goode American (b. 1937) Untitled (Yellow Square) (1971) lithograph signed in pencil lower right, blind stamp lower left, editioned 50/110 plate: 5 7/8 x 6 7/8 inches frame dimensions: 10

Joe Goode Two works from the Floating Cards series 1969lithograph in colors 22 h x 29.875 w in (56 x 76 cm) Signed, dated and numbered to lower edge of each work '13/98 Joe Goode 69' and '20/9

Joe Goode (b-1937). Lithograph in colors, 1965. Untitled. Artist signed in pencil and dated 65 on the reverse. On the reverse it also reads, "Good to Pull" (equates to Bon a Tirer "good to print proof

JOE GOODE (American b. 1937) A GROUP OF FIVE PRINTS, "Untitled," 1969, comprising five lithographs on paper, 1969, numbered L/L and signed center in pencil, "XXXIV"; "XXXIV"; "XXXV"; "XXXIV"; "XXXIV".

UNTITLED Clouds, 1970, photo-collage, signed and dated on verso, 10 ½ x 10 ½”, frame 15 ¼ x 15 ¼”. Provenance: Manny Silverman Gallery, Los Angeles.

RAINY SEASON 78, 1978, portfolio of six color lithographs with razor blade manipulation by artist, each signed and numbered 26/30 in pencil; Together with UNTITLED (249C), color lithograph with razor

UNTITLED GREEN, 1997, color lithograph, signed and dated and numbered 12/30 in pencil, printed by Cirrus with blind stamp lower left, image 23 ¾ x 23 ¾”, full margins, frame 28 &fr

ERSKINE (Waterfall Series 065), 1990, oil painting on gatorboard mounted to wood panel, signed and dated on verso of panel, 11 ½ x 5 x 1”. Provenance: Artist’s studio; James Corcoran

UNTITLED BLUE, 1997, color lithograph, signed and dated and numbered 14/30 in pencil, printed by Cirrus with blind stamp lower left, image 23 ¾ x 23 ¾”, full margins, frame 28 &fra

UNTITLED (Cirrus page 237), 1971, color lithograph with screenprint on Copperplate Deluxe paper, signed and dated and inscribed AP (artist’s proof) in pencil, aside from the numbered edition 90

LAWTON 1979 from the Tornados Series, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 ¾”, sheet 26 x 19 ½”.

SHAWNER TO TULSA 1960 from the Tornados Series, 1991, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 ¾”, sheet 26 x 19 ½”.

UNTITLED (Cirrus 249 c; LACMA pg. 248), 1978, color lithograph with razor blade manipulation by artist, signed and numbered 6/25 in pencil, printed and published by Cirrus Editions Ltd. with stamp on

WATERFALL DRAWING 15, 1990, oil painting on board, signed and dated and inscribed ‘15’ on verso, 4 ½ x 14”, frame 8 ¾ x 18 ¼” with glass. Provenance: James Corco

TORNADO DRAWING #21, Sumi ink on Washi paper, signed and titled on the verso, 25 ¾ x 19 ½”, Plexiglas box frame 30 ½ x 24 ½ x 2”.

POLLUTION R-3, 1995, Mixografia on handmade paper, signed and dated and numbered 4/ 30 in pencil, 15 x 17”, finger-jointed frame 19 ½ x 21 x 2 ½” with Plexiglas. Provenance:

TORNADOS, CLEVELAND COUNTY 1893, 1991, color aquatint on handmade paper, signed and dated in pencil, from the numbered edition 25, plate 15 1/2 x 11 3/4", sheet 26 x 19 1/2".