John Hunter (b. 1934) Californian

John Hunter (American, b. 1934) Grand Canyon oil on board signed John (lower left) 24 x 30 inches Property from an Important Colorado Collection

SUZANNE, 1987, watercolor on paper, signed and dated and titled upper center right, 30 x 22", framed. Provenance: Gifted by the artist to the present owner and sitter.

PUERTA DEL CIELA, 1991, acrylic painting and watercolor on color screenprint (edition 150), signed and dated and inscribed Venice lower left, 14 ½ x 31”, framed, in apparently good studio condition

Note: Description Updated 11/23. Alfred Eisenstaedt holding V-J Day Negative. B&W, 1992. Fiber-based print. Printed later. Framed. Alfred Eisenstaedt's hands holding his B&W negative of V-J Day in Tim

Terry St John (American b. 1934) ""Deep Shadows Crocett II "" 1993 oil on canvas signed titled and dated verso canvas: 48""h x 60""w overall (with frame): 49.25""h x 61.25""w

Terry St. John (American, b. 1934), Untitled (Table Still Life with Cups), circa 1960, oil on canvas, unsigned, canvas: 28"h x 18.5"w, overall (with frame): 28.5"h x 19.5"w. Provenance: Collection of

Terry St. John (American, b. 1934), "Mt. Diablo Ranch," 1995, oil on canvas, signed, titled, gallery labels verso, canvas: 30"h x 36"w, overall (with frame): 31"h x 37"w

Terry St. John (American, b. 1934), "Boat, Yellow Sky," 1992, oil on masonite, signed, titled, and dated verso, gallery and exhibition label attached verso, board: 13"h x 17"w, overall (with frame): 1

Terry St. John (American, b. 1934), "Con Agra Bridge," 1988, oil on board, signed, dated, and titled verso, board: 12"h x 16"w, overall (with frame): 12.75"h x 16.75"w

BIG BLUE, pigment, cement and glass on wood, 60 x 96 x 2 ”, purported studio glass crack upper left, otherwise in good studio condition. Provenance: acquired directly from the artist by present owne

UNTITLED, 1988, pigment, cement and glass on wood in two parts, approximately 30 x 77” overall, in good studio condition. Provenance: Doris Sosin Art Resources acquired directly from the artist.

BROKEN RADIUS, 1987, painted wood with gold-leaf, metal and pigment, signed and dated and titled on verso, 36 x 26 x 4 ¼”, a few small accretion spots, otherwise in good studio condition. Provenanc

UNTITLED GREY, pigment and cement on wood, signed and dated April 1975 on verso, 32 x 48”, in good studio condition.

BIBS, pigment, cement and glass on wood, 48 x 48 x 2 ½”, in good studio condition. Provenance: acquired directly from the artist by present owner.

WHITE BRANCH, MERCED RIVER, YOSEMITE VALLEY, CALIFORNIA, 1974, gelatin silver print mounted to card, signed and dated in pencil on card, image 10 ¼ x 13”, frame 16 ¼ x 20 ¼”.

UNTITLED, cement, pigment and glass on wood construction, 19 ¼ x 68 x 2 ¼”, in good studio condition. Provenance: acquired directly from artist by previous owner.

UNTITLED, 2003, steel sculpture, signed and dated on verso, 4 ½ x 9 x 1”, in good studio condition.

UNTITLED, pigment, cement and glass on wood, 30 x 20 x 1 ”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, 1982, pigmented cement and glass and on wood, signed and dated on verso, 48 x 108”. Note: Although very large, of more manageable weight than usual works by Dill of this size. Provenance:

UNTITLED, a pair of pigmented cement and glass wall sculptures on wood, each 9 x 7 1/2 x 1 3/4". (2)

UNTITLED, pigmented cement and glass on wood, 5 x 24”, securely framed with glass, probably signed on verso as usual, in good studio condition.

UNTITLED DRAWING #213, 1988, oil painting on synthetic vellum, signed and dated lower left, 7 x 14”, frame 15 x 22” with glass. Provenance: Mark Richard Gallery, Los Angeles; from the coll

UNTITLED, 1994, mixed media on paper, signed and dated lower left in white pencil, 5 x 10 ¾”, discardable frame lacking glass, in good studio condition.

DEAR DOCTOR #5, 1994, color monoprint, signed and dated lower right, titled lower left, Cirrus blind stamp lower left, sheet 42 x 29 ½â€. From the collection of Paul J. Coady.