John Sell Cotman (1782-1842) British 'Laneway'

J. Cotman, either John Sell Cotman (British, 1782-1842) or John Joseph Cotman (British, 1814-1878). "The Path to the River", oil on canvas. Signed "J. Cotman" lower left; giltwood frame. Provenance: F

John Sell Cotman. (English, 1782 - 1842). St. Mary, Redcliffe. Antique Mezzotint on wove paper after the original by Master Engraver Frank Short ( Francis Job "Frank" Short) (British, 1857-1945). 1888

John Livock (1814-1883): Beaumaris Castle: Two Views Two pencil on paper, both titled and dated lower right and left; together with John Sell Cotman (1782-1842): Church of Saint Paul, at Rouen, etchin

John Sell CotmanUnited Kingdom, (1782 - 1842)Durham Cathedralhand-colored etchingframed14 x 11 1/2 inches

soft ground etchings, circa 1815-1820, to include "Millbank on the Thames" and "On the Yare, Norfolk," each retains gallery label and information to backing, matted and presented in matching gilt fram

Untitled (country road landscape.) Oil on wood panel, signed illegibly to lower right . Dimensions: (Frame) H 18.5" x W 25", (Panel) H 13" x W 19'' Condition: Surface dirt to the painting. Loss to the

Item/Description: Original oil painting features river scene features horses on a path near a moored boat. Signed lower left J. Sell Cotman. English Landscape Painting In gilt frame. John Sell Cotman,

A 19th century harbor scene oil on canvas painting, signed bottom center J. S. Cotman and dated 1830, bearing a paper label with the title "February On East Coast" inscribed "By John Sell-Cotman." Dim

Manner of John Sell Cotman/Country Lane with Cottage/pencil drawing, 11.5cm x 16cm

NO RESERVE Cotman (John Sell) [Architectural Antiquities of Normandy], 96 etched plates only (lacking all text), some light foxing, half morocco, rubbed, extremities worn, large folio, [?1822].

John Blair (1722-1782, British), "A Map of North America, hand colored, H. - 18 in., W. - 22 3/4 in.

John Ferneley (British, 1782-1860) The horse 'Vagabond', owned by Henry Everard Esq, and the dog 'Nell', owned by his fiancé Miss Helen Stuart signed, dated and inscribed 'Ferneley/Melton Mowbray

Oil on canvas equestrian portrait depicting a dapple-grey hunter in a hilly landscape set against a cloudy sunset or sunrise sky. Signed lower left, "John Ferneley," (British, 1782-1860). Handwriting

George John Pinwell British, 1842-1875 A Man Walking Signed with monogram GJP and dated [18]66 (ll) Black ink, graphite pencil, sepia wash and Chinese white on card Sheet 6 1/4 x 5 inches (15.9 x 12.8

MANNER OF JOHN E. FERNELEY, SR. (BRITISH 1782-1860)Portrait of a Bay Horse and King Charles Spaniel, oil on canvas87 x 99 cm (34 1/4 x 39 in.)framed dimensions: 99 x 111 cm (39 x 43 3/4 in.)

Engraved by Remigius Parr (English, fl. mid 18th century) and designed by John Swaine (British 1725-1782) after Peter Monamy (British, 1681-1749) "A Calme/Calmel" and "Fresh Gale/Vent Frais", hand col

John Varley, OWS (British, 1778-1842) View of Knole, Sevenoaks signed and dated 'J. Varley 1830' (lower right) oil on board 14.6 x 25cm Provenance: M. Newman Ltd., London

An antique 19th century photograph of Viscount Amberley and a letter in English signed by him. Matted and Framed. John Russell, Viscount Amberley, 1842 to 1876, was a British politician and writer. He

Heywood Hardy (1842-1933) British, a young lady walking her dogs, probably originally titled 'The Gamekeeper's Daughter', oil on canvas, signed, 36" x 28" (92 x 71cm), in original frame with Frost and

Thomas Bush Hardy (1842-1897) British, figures in a rowing boat in a choppy sea by a harbour, watercolour, signed, 17" x 26" (43 x 66cm).

Edward Williams Snr (1782-1855) British. Figures and Dog by a Lake with Farm workers in the Field beyond, Oil on Panel, Signed with Initials, 11.25" x 15.25".

Thomas Bush Hardy (1842-1897) British. "Off Whitby", a Shipping Scene, Watercolour, Signed, Inscribed and Indistinctly Dated 1879, 5" x 8.5".

Henry W... Allfrey (act.1842-1861) British. "Baros-de-Panticosa, Pyrenees, Spain", Oil on Canvas, Inscribed on a label on the reverse, Unframed, 26" x 36".

Circle of Basil Bradley (1842-1904) British, 'May Time', oil on panel, 9" x 13.5" (23 x 34cm).