John SLOAN - The Monkey Man

JOHN SLOAN Man Monkey. Etching, 1905. 125x177 mm; 5x7 inches, full margins. Fifth state (of 5). Edition of 100. Signed, titled and inscribed "100 proofs" in pencil, lower margin, and signed and inscri

JOHN SLOAN Man, Wife and Child. Etching, 1905. 127x177 mm; 5x7 inches, full margins. Fifth state (of 5). Edition of 85 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in p

JOHN SLOAN Man, Wife and Child. Etching, 1905. 127x177 mm; 5x7 inches, full margins. Fifth state (of 5). Edition of 85 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in p

John Sloan pencil signed framed etching on paper "Man, Wife & Child" 1905 - 4 12" x 6 1/2" image; 12 1/4" x 13 3/4" O.D.

American (New York), early 20th Century. Watercolor on paper, matted and framed. Half-length portrait of an older man in a white shirt and under a red lap blanket. Signed on lower right. Exhibited in

MAN, WIFE & CHILD, 1905, etching, signed in pencil, inscribed from an edition of 100, plate 5 x 6 ¾”, full margins, framed with glass.

Hellboy: Seed of Destruction #1 CGC 9.0 Dark Horse Comics, 3/94 Mike Mignola & John Byrne story Mike Mignola cover & art 1st Hellboy in his own title Origin of Monkeyman & O'Brien in backup story by A

Hellboy: Seed of Destruction #2 CGC 9.4 Dark Horse Comics, 4/94 Mike Mignola & John Byrne story Mike Mignola cover & art 1st appearance & origin of Abe Sapien 1st appearance of Liz Sherman Monkeyman &

North Carolina Slaveowner Sells Slave Born in His Household With this bill of sale, William Graham of Rowan County, North Carolina, sold an African American man named John to Edward B. D. Sloan of nea

An original 7x9 wire photo of the man behind the famed Scopes Monkey Trials signed and dated in ballpoint pen ink in 1967 with COA RARE

A PAIR OF 19TH / 20TH CENTURY CHINESE CARVED SOAPSTONE SEALS, one of monkeys upon horse, the other of a man seated upon a rock, both uncarved bases, 9.5cm & 10.5cm

A JAPANESE MEIJI PERIOD IVORY OKIMONO OF A STREET PERFORMER, together with a fixed wood stand, the man in the company of a child and a monkey, his foot resting on a drum, a shi-shi costume held in his

A LARGE SIGNED JAPANESE MEIJI PERIOD CARVED IVORY OKIMONO OF A MONKEY TRAINER, in the company of a boy, the man climbing a portable ladder, the carving surmounted by a hawk holding the jacket of the u

A GOOD JAPANESE MEIJI PERIOD IVORY OKIMONO OF A STREET ENTERTAINER, elaborately carved, the standing man in the company of two boys, monkeys and a banner-bearing rat, 10.1in high. John Nicholsons Auct

John Sloan (American, 1871-1951) Fireguard, 1925 oil on canvas signed lower left inscribed and titled on stretcher 16 3/16" x 20 1/8" Provenance: Grand Central Art Galleries, New York, New York (label

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

JOHN SLOAN Snowstorm in the Village. Etching, 1925. 177x128 mm; 7x5 inches, full margins. Third state (of 3). Edition of 100. Signed, titled and inscribed "100 proofs" and signed by the printer, Ernes

Horseback Rider with Distant Hills, oil on panel, 7 x 10 in(17.8 x 25.4 cm), framed 12 x 15 in (30.5 x 38 cm), signed lower left, PROVENANCE: Private collection Long Island, NY

Title: Mosaic. John Sloan (1871-1951) Medium: Etching, 1917. Edition 100 - printing 35. Signed in pencil. Inscribed "100 proofs" and "JS imp." This impression was printed by John Sloan. Plate size

JOHN SLOAN Robert Henri, Painter. Etching, 1931. 355x279 mm; 14x11 inches, full margins. Eighth state (of 8). Edition of 60 (from an intended edition of 100). Signed and inscribed "100 proofs" in penc

Attributed John Sloan (American, 1871-1951) "Smokestacks, New York" oil on canvas board. signed 'John Sloan' (lower right) 20 1/4 x 25 1/8 in.

JOHN SLOAN Reading in the Subway. Etching, 1926. 127x100 mm; 5x4 inches, full margins. Third state (of 3). Edition of 85 (from an intended edition of 100). Signed, titled, inscribed "100 proofs" and a

JOHN SLOAN Barber Shop. Etching and aquatint, 1915. 256x308 mm; 10x12 inches, full margins. Third state (of 3). Edition of only 35 (from an intended edition of 100). Signed, titled and inscribed "100

JOHN SLOAN Turning Out the Light. Etching, 1905. 127x178 mm; 5x7 inches, full margins. Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower marg