John Taylor Arms (1887-1953), Château Stockalper Brique, 1927

Title: Via Facchini, Pisa. John Taylor Arms (1887-1953) Etching, 1927. Edition c.100. Signed and dated in pencil. Italian Series #11. Plate inscribed "Via Facchini Pisa" lower left. Image size 11 1

Etching, 1927, ed.100, f.202, 10 1/4" x 4 7/8", pencil signed.

Title: Lace in Stone, Rouen Cathedral. John Taylor Arms (1887-1953) Medium: Etching, 1927. Edition 100. Signed and dated in pencil. Inscribed "Artists own proof- Collection "E." French Church Seri

Title: Albi. (The Cathedral of Ste. Cecile). Artist: John Taylor Arms (1887-1953) Medium: Etching, 1927. Edition 100. Image size 9 5/8 x 10 1/4" (24.4 x 26.1 cm). Description: Signed and dated in

John Taylor Arms (American 1887-1953) Old Rouen, 1927, drypoint etching, signed and dated in pencil lower margin, titled within plate lower right corner, matted and framed. Dimensions: 6 7/8" x

John Taylor Arms American (1887-1953) Via Facchini Pisa, 1927 etching on blue paper pencil signed, titled, and numbered 100/110 lower margin. 12"H x 6 3/4"W (image), 21"H x 14"W (frame)

John Taylor Arms (American 1887-1953) "St.Paul, Alpes Maritimes, France, " 1927, etching on tissue paper, the Print Club of Cleveland edition No. 4 for 1927, signed and dated in pencil lower r

the first and second: John Taylor Arms (American, 1887-1953), La Torre Del Mangia, Siena (1927) and Place Planicocau, Tours (1925), each pencil signed and dated; the third: Frank Short after JMW Turne

Saint Paul Alps Martimes 1927 One of the more famous printmaker of the early 20th century, John Taylor Arms was known for his medieval architectural etchings that combined precise realism with a sense

John Taylor Arms (American 1887-1953) 1). ''A Saint, Chartres'' (Fletcher 199)- 1927, edition of 248; 2). ''Stone Tapestry, San Isidoro, Leon'' (F. 267)- 1933, edition of 154; 3). ''Notre Dame, The Ti

John Taylor ARMS (1887-1953): "Il Sacro Monte-Varese". Etching on laid paper with unidentified watermark, 1927. Ref: Fletcher 191. From The Italian Series. Edition of 100. Signed and dated in pencil.

Group of five (5) etchings by John Taylor Arms (American, 1887-1953), to include: Venetian Mirror, (The Grand Canal, Venice), 1935, 6 3/8" x 14" plate; Lace in Stone, Rouen, 1927, 24 3/16" x 11 3/8" p

John Taylor Arms (American 1887-1953)- ''St. Paul, Alpes Maritimes'' (Fletcher 201)- etching, 1927, signed and dated in pencil, slightly light struck, with some handling creases. 7 1/2 x 11 1/2''

John Taylor Arms (American 1887-1953)- ''Il Sacro Monte, Varese'' (Fletcher 191); ''Via Facchini, Pisa'' (F. 194)- 2 etchings, 1927, both signed and dated in pencil, editions of 100 and 110, Italian S

Arms, John Taylor (American, 1887-1953). 2 etchings. ++ "Eglise St. Michel, Pont L'Eveque". 1927. Signature and date in pencil: both l.r. Image: 9 1/8" x 4 7/8". Framed: 18" x 13 1/4. ++ "Spanish Jewe

John Taylor Arms (1887 - 1953) "Shadows of Venice" Original pencil signed etching. Pencil signed and inscribed "To my friend F. Louis Mora, grateful and affectionately John Taylor Arms". Signed and da

Six etchings, all pencil signed and depicting buildings related to Princeton University.    Dimensions: Each frame is 16" x 12 1/2". 

Fletcher 164; Spanish Church Series #5

John Taylor Arms (1887-1953) Venetian Mirror (The Grand Canal, Venice), from Italian Series (Fletcher 289), 1935 Etching, on laid JW Whatman paper, signed in pencil, dated and annotated 'Private colle

John Taylor Arms (1887-1953), etching, Venetian Mirror, pencil signed and dated lower right: John Taylor Arms 1936, titled lower left: Venetian Mirror, written bottom center: To my Friend A. Eecles wi

Title: Bark "Metis" Making Harbor.Artist: John Taylor Arms (1887-1953) Etching and aquatint, 1923. Edition 200. Signed in pencil. Inscribed "Artist proof II." br> Image size 11 7/8 x 17 13/16" (301 x

John Taylor Arms (1887-1953) Collection of (5) pencil signed etchings, two Artist Proofs. Sizes range from 15" x 13 1/4" to 22 3/4" x 18 3/8" w/ frames.

John Taylor Arms (1887-1953) The Balcony, Venetian Gateway (Palazzo Dell'Angelo) 1931 The drypoint etching signed by the artist in pencil below the image lower right and dated 1931, from an edition of

John Taylor Arms (1887-1953) Guardians of the Spire (Amiens, France) 1921 The drypoint etching signed by the artist in pencil image lower right. As shown in 'Churches of France' by Dorothy Noyes Arms,