Kakemono attributed to Mori Sosen (1747-1821).

A kakemono attributed to Mori Sosen (Japan, 1747-1821). Circa Meiji period. Japanese brush painting of a monkey holding grapevines. Signed as: "Sosen". Sealed as: "Mori-Morizo". 47"l x 11 1/2"w. Condi

Pair of Japanese paintings on paper attributed to Mori Sosen (1747-1821); of monkeys climbing amid foliage; each signed; 46 1/2" x 20 1/4" (each, sight); matted and framedPROVE

Antique Japanese ink and color on silk scroll attributed to Mori Sosen (Japanese, 1747-1821); depicting two monkeys atop trees; signed, with seal mark to lower right; 41" x 14" (ap

In the Style of Mori Sosen (1747-1821): 'Samurai and Tiger', Framed Japanese Painting. Ink and color on paper, inscribed and signed with seals. {30 1/2 x 38 inches (77.4 x 96.5 cm) with frame}.

SCHOOL OF MORI SOSEN (JAPANESE, 1747 - 1821) UNTITLED (MONKEY) • Ink and watercolor on paper, mounted to silk • Unsigned, stamped seal in red (lower right) • 45' x 19 1/4' sight size

Mori Sosen (Japanese, 1747-1821), 19th century, ink and colors on silk, depicting a monkey and the baby on its back, perched on the plum blossom branch, lower left with the signature and seal, paintin

DESCRIPTION: Two boxed Asian scrolls. Includes: 1) Mori Sosen (Japanese, 1747-1821). Ink and watercolor on silk mounted on scroll. Monkey with bamboo. Calligraphy and chop mark to lower left. Calligra

MORI SOSENJapanese, 1747-1821Ink on silkSigned and seal stamped lower right. Monkey family in persimmon tree; the reverse bearing the label of Yamanaka & Company, Chicago. Silk matting behind glass, e

After Joseph Farington, RA (British, 1747-1821) and Joseph Constantine Stadler (German, 1755-1828) A Set of Three Etchings from A History of the River Thames variously inscribed hand-colored etchings

Japanese Meiji Macaque Monkey Scroll Painting/ 38''x14''. Depicting two monkeys swinging from tree vine. Signed l.r. similar to works by Mori Sosen. Mounted with ends 21''. Overall excellent condition

Japanese Painted Scroll of Rats and Peppers, Attributed to Mori Kansai (Japanese, 1814-1894). Provenance: Ex collection of Dr. Horacio Fabrega, Pittsburgh, PA; Mingei Oriental Antiques, Santa Barbara,

FORD MADOX BROWN (1821-1893) (ATTRIBUTED DESIGNER) FOR MORRIS & CO. ARTS AND CRAFTS ‘SUSSEX’ ebonised beech, with rush seat(59cm wide 90cm high 54.5cm deep)Note: Morris & Co.’s celeb

Felix Ziem (1821-1911-attributed, Gondolas at moonlight in Venice; described bottom left, oil on canvas, framed. Dimensions: 32x45cm

F�lix Ziem (1821-191)-attributed, Boats in the Venetian lagoon, signed bottom right, oil on canvas, framed. Dimensions: 24 x 34 cm

Attributed Louis-Constant Sevin (1821-1888) for Ferdinand Barbedienne Foundry (French 1838-1952) pair of ormolu and marble Neo-Greco brulle parfums, late 19th century, each having a gadrooned body sup

Attributed Felix Ziem (French, 1821-1911), "The Lagoon, Venice", oil on wood panel, unsigned, frame has name plate with attribution, 13" x 17", framed 21-3/4" x 25-3/4" x good condition

Attributed To: Roberto Bompiani (1821 - 1908) "Mandolin Player" Oil on Canvas, Unsigned. Pitt & Scott LTD London label attached en verso. Measures 38" x 28". Frame measures 48-1/4" x 38-1/4". A work l

Attributed to Andrew MacCallum ( 1821–1902, British) Frame 19.25” x 17.25” image sight 13.25” x 10.75”

oil on wood panel; no signature visible; Provenance: The Estate of Bertha Hernandez, San Marino CA; 23 x 32 inches; 33 x 41 inches frame

Attributed to: Francis Wheatley (BRITISH, 1747-1801) oil on canvas, Beautiful Portrait of a young woman holding a dove, 50 in. x 39-1/2in.

Attributed to Dominique Vivant. Denon 1747-1825. Unknown. Sanguine drawing. 13x9. Dominique Vivant ,Baron Denon was a French artist, writer and author and first director of Louve appointed by Napolean

Large original pencil drawing, attributed to Nicholas Pocock (1740-1821) with label to back of frame. Circa late 18th to early 19th c. Depicts the Battle of the Nile. Matted and framed (in 20th c.), n

19th century American School oil on canvas portrait of a gentleman, attributed to John Pope (American, 1821-1881), no apparent signature. Image: 29" H x 24.25" W; frame: 33.5" H x 28.75" W x 1" D. Fla

Small Diptyque pocket sundial in wood and polychrome paper. Working compass with "North, East, South, West" suggesting it is of German origin, attributed to David BERINGER (1777-1821) . At the end of