KALMAR PLATT, 90 of 100. Print signed indistinctly in

KALMAR PLATT, 90 of 100. Print signed indistinctly in the plate. Image: 12.5''H x 16.5''W. Frame: 18.5''H x 22.5''W.

Roy Ahlgren 1970 signed screen print "Facade 1" 90/100. Signed dated and number in pencil. Framed measuring 39" x 33". Ahlgren was born in 1927 in Erie, PA. He is a self-taught. In 1964 he began to wo

"Himeji Castle, Spring", Japanese Woodblock Print, pencil signed, dated '79, titled and numbered 90/100, in black box frame, matted and glazed, OS: 17 3/4" square, impression: 10" square. Fine conditi

French School (20th century), "La Belle et la Bete..." 1974, woodblock print, pencil signed indistinctly lower left "Vroebel (?)," edition 41/90, overall (with frame): 12"h x 16"w

Modern Print "Female Bust". Indistinctly signed. LR #37/100.Dimensions: sight 16"H by 22.5"W. Frame 24.5"H by 31"W. Shipping is the buyer's responsibility! We recommend obtaining a quote from a third

Thomas Hart Benton (1889-1975) Self Portrait 1973 The lithograph signed by the artist in pencil below the image lower right is numbered 57 from an edition of only 100 prints, Fath number 90. Benton's

Paul Pletka (American, b. 1946-), "Those Living at Sunrise"-circa 1990, lithograph in colors on paper, graphite signed and edition noted in lower right "90/100 Pletka". Figural neo-surrealistic print

Post war Japanese woodblock print. Autumn in Nanzen-ji Kyoto. Signed, inscribed, dated 1971 and numbered 90/100; 13in. X 16.25in.

Ai Weiwei (Chinese, born 1957) Bomb Inkjet print, 2020, on Hahnemühle German etching paper, signed in black felt-tip pen, numbered 90/100 in pencil (there were also 25 artist's proofs), published

Victor Vasarely (French/Hungarian, 1906-1997), "Zebra (Purple-Tan)," 1988, screenprint, signed in pencil lower right, edition 90/100, sheet: 31"h x 38.25"w, overall (with frame): 44"h x 51"w

KIYOSHI SAITOJapan, 1907-1997“Bunraku” (C). Signed in image lower left. Numbered 90/100. Titled lower left. Dated 1959 lower right.Woodblock print, dai-oban tate-e, 21.5” x 15”

American School (20th century), Young Boy in a Big Hat, etching, pencil signed indistinctly lower right, edition 53/100, overall (with frame): 18.5"h x 14.5"w

Numbered 30/100, signed indistinctly, and dated '70. Dimensions: (Frame) H 23" x W 34", (Sight) H 21.5" x W 32.75" Condition: Some minor rubs to frame.

With embossed texture. Editioned 5/100 lower left, signed indistinctly lower right. Unframed. Dimensions: H 26" x W 19.75" Condition: Paper with soiling and foxing; light handling wear to edges.

Japanese/American School (20th century), "Shirasuka," 1982, woodcut in colors, pencil signed indistinctly lower right, possibly William Zacha (American, b. 1920), edition 65/100, overall (framed): 14.

Outsider Art School (20th century), The Virgin, lithograph in colors, pencil signed indistinctly lower centter, edition 70/100, overall (framed): 18"h x 14.5"w. Provenance: Estate of Dr. Graeme Hanson

"Firenze-Ponte Vecchio," etching, signed indistinctly lower right, titled lower left, edition 6/100, overall (with frame): 18.5"h x 14.5"w

Orientalist School (20th century), Desert Procession, etching, pencil signed indistinctly lowe right "E. Alpn (?)" and plate signed lower left, edition 11/100, overall (with frame): 16.5"h x 20.5"w

Two Figures in a Landscape, lithograph, pencil signed indistinctly lower right, edition 20/100, 20th century, overall (with frame): 17.75"h x 24.75"w

Egyptian Hieroglyphics, etching in colors, pencil signed indistinctly lower right, edition 2/100, 20th century, overall (with frame): 23.25"h x 18.5"w

French School (20th century), Voluptuous Woman in Repose, lithograph in colors, pencil signed indistinctly "C.L. Carvoin" (?) lower right, edition 64/90, overall (with frame): 17"h x 23.25"w

(lot of 2) Horse Race and Motorcycle Race, etchings in colors with aquatint, each signed indistinctly in pencil lower right, 20th century, each edition 60/100, overall (with frame/each): 28.5"h x 32.5

(lot of 2) Henry Wynn (American, 20th century), "Sitting Bull" and Rev Gary Davis," lithographs, each pencil signed lower right, each titled lower center, edition 90/100 and 77/100, each with blind em

Sandy Scott Three Prints: Inviting Pond, edition 33/100; Teal Afloat, edition 11/100; Mallard Afloat, edition 90/100 etching each signed Sandy Scott (lower right); titled and numbered (