L. CASSAS (1756-1827), Ruins at the Macellum of Pozzuoli, 1784, Etching

Thomas Rowlandson(1756-1827). Etching of 2 gentlemen with title and writing. Title: A Theatrical Candidate. Framed. Medium: Etching. Size: 21 X 16. Signature: Unsigned. Artist: Thomas Rowlandson

Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles) The remains of the Temple of Jupiter and the Great Court at Baalbek, Lebanon pen, ink and watercolour on laid paper 61.6 x 93.3cm (24 1

Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles) The Cedar Forests, Lebanon indistinctly signed and dated 'FCassas/ 1805' (on rock, lower left) pen, ink and watercolour on laid paper 6

Three British prints, including: hand-colored etching by Thomas Rowlandson (English, 1756-1827), titled Cart Race, signed and dated 1788; together with two lithographs by Thomas Shotter Boys &

THOMAS ROWLANDSON (1756-1827) HAND COLORED ENGRAVING , TITLED "THE DULL HUSBAND" , 1789 - IMAGE IS 9 1/2" x 7 1/2" ; 141/2" x 12 1/2" OVERALL

Thomas Rowlandson (British 1756-1827)- 1). ''A Milling March'' 2). ''Joint Stock Street'' 3). ''Summer Amusement at Margate'' 4). ''Distributers of Domestic Happiness'' 5). ''Sports of a Country Fair'

Two Antique Napoleon Bonaparte-Related PrintsThe first: Thomas Rowlandson (English, 1756-1827), A Hard Passage, or, Boney Playing Bass on the Continent, hand-colored etching, 1808, published in London

Artist: Thomas Rowlandson (1756 - 1827) Title: Doctor Syntax Entertained at College Year: 1813 Medium: Handcolored Etching with Aquatint Image Size: 4.5 x 7.5 inches Size: in. (cm) Frame Size: 20 x 24

Large Antique NAPOLEAN Etching, by Charles Steuben (German, 1788–1856) Retour de l'Ile d'Elbe, 1827, Napoleon returns from the Isle of Elbe, sight size 30 x 39 inches.

PHILIP PEARLSTEIN (American b. 1924) A PRINT, "Mummy Cave Ruins at Canyon de Chelly," 1980, color etching and aquatint on paper, signed and dated L/R, in pencil and in L/R special edition number 6/41.

Nineteen silver French coins. 1. 1777 ecu 2. 1827 ecu 3. 1771 ecu 4. 1823W two francs. 5. 1827 five francs. 6. 1766 ecu. 7. 1756 ecu. 8. 1875 five francs. 9. 1784 ecu. 10. 1876A five francs. 11. 1831

“Christ and the Woman of Samaria: Among Ruins”. B., Holl. 71; H. 122; BB 34’L. Signed and dated 1634 in the plate u/r. Etching on Ingres d’Arches off-white laid paper with watermark. From the

After GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) "Roman Ruins with Plants", "Teatro di Marcello", "Veduta della Piazza Rotonda" and "Veduta di Piazza di Spagna" Etching (posthumous printing). Sigh

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Alberto Giacometti (Swiss, 1901-1966) Dans l'Atelier. Etching dated to 1965, pencil signed lower right and numbered 23/50, one of 35 on Richard de Bas wove paper, with full margins, sheet measures 15.

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,

Thomas Rowlandson (London 1756-1827) Triton and nymphs signed 'T.Rowlandson' (lower left), pen, grey ink and watercolour on wove paper 15 x 23cm (5 7/8 x 9 1/16in). and another, of a winged figure ins

After GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) Ten unframed "Ancient Roman Architectural Ruins" Etching (posthumous printing). Each is matted and wrapped in plastic. Largest: 37 1/8 x 26 1/8 inc

Rufino Tamayo Mex. 1899–1991 Torso En Rosa, 1980 Numbered and signed "84/99, R. Tamayo" l.r. Etching 30 x 22 in. 76.2 x 55.9 cm Artist Full Name:Rufino Tamayo Medium:Etching

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired