Mary Augusta Mullikin (American, 1874-1864)

Mary Nicholena MacCord, American (1864-1955) Painting, Oil on Board "Panoramic View of a Village by the Water". Signed Lower Left. In Original Frame Under Glass. Condition: Generally Good. Dimensions:

Mary Nicholena MacCord, American (1864-1955) Painting, Watercolor on Paper "Marina scene". Signed Lower Right. Unframed. Condition: Generally Good, Except a Separate Tear on the Upper Right Corner. Di

Mary Nicholena MacCord, American (1864-1955) Painting, Watercolor on Paper "From a Italian Pergola". Signed Lower Right. Unframed. Condition: Generally Good. Dimensions: Sight- 12" x 10". Provenance:

Mary Wilson Smith (American, 1819-1874), Manner of. "3 Yellow and 2 Black Chicks, oil on canvas. Framed. Size: 8'' x 10'', 20 x 25 cm (stretcher); 13.5'' x 16'', 34 x 41 cm (frame).

Frederick Wingate (American, Augusta, Maine, 1782-1864), circa 1810. Tall case 8-day clock, (number 233), having a bonnet top with brass finials and pierced fret, turned column supports, the face with

Middletown Plate Company (American, 1864-1899). An ornate quadruple plate cake server centered with a Mary Gregory style insert in white cameo enamel depicting a young girl fishing over a light blue g

Georgia Timken Fry (American 1864-1921)- ''Sunset, Fountainbleau''- oil on canvas, 1890, signed Georgea Timken / 1890 and dedicated 'A Mon Ami Mary' lower right, yellow varnish, imbedded grime, some c

Nellie Augusta Knopf(American, 1875-1962)Sodom Bridge, Eastport, Mainewatercolor on papersigned N.A. Knopf (lower right)18 ¼ x 14 ¼ inches. Provenance: Mary Schultz Norris Donated by the above to Ma

Comprising: 1859, (2) 1863, (2) 1864, 1873, 1874, 1883, 1888, 1896, 1898, (2) 1899, (2) 1902, 1903, 1905, and 1896.

James Carroll Beckwith, American, 1852-1917, Portrait of Mary Margaret MacDonald Frothingham (1864 - 1926) (in a pale blue satin gown, oil on canvas, c. 1885, original Beaux Arts giltwood frame, signe

1 copy of "The Shuttle-Craft Book of American Hand Weaving", by Mary M. Atwater, c. 1928, 7.75" x 10" x 1", (cover worn, some pencil markings on pages) good- very good; 1 binder "The Shuttle-Craft Gui

Circa early 20th C. Oval format, society woman with pearl necklace. Oil and canvas, in a giltwood frame. Writing to back, ??? 1926 Mary Anderson Case, Madison NJ 1874 With repairs

Second half 19th century. Two in matching frames, "Little Daisey" and 1874 Currier and Ives "Little Manly." 20"h. 17"w. "Little Queenie" in a folksy frame with "Mary" at bottom, 23"h. 19"w. And young

Francis Luis Mora (New York, Connecticut, 1874 - 1940) "In the Studio" 1896-1898 Oil on Canvas. Signed upper left. This painting was done and exhibited at the Summer Shinnecock School while Moras was

George Loftus Noyes (American, 1864 - 1954) Untitled oil on board signed G.L. Noyes (lower right) 13 1/2 x 15 inches.

Paul Cornoyer American (1864 - 1923) The New York Public Library; city street scene oil on board Signed lower left. Biography from Owen Gallery: Best remembered for depictions of New York City, Paul C

LOT OF TWO: A. "Our House"; 1919; Lithograph; 7.5" x 10.5"; Artist Monogram Lower Left (In Stone); Unframed / B. "The Walnut Tree"; 1921; Lithograph; 10.5" x 16"; Signed Lower Left; Unframed.

Francis Luis Mora (New York, Connecticut, 1874 - 1940) Portrait of a young elegant woman. Oil on canvas. Signed lower right. Housed in a Newcomb Macklin frame. Provenance: From the estate of the artis

Lila Marguerite Cabaniss, American (1874 - 1969) Oil on canvas "Group Of Children". Signed lower left and inscribed en verso. Good condition. Measures 26" x 30", frame measures 34-1/4" x 38-1/4". Ship

Francis Luis Mora (New York, Connecticut, 1874 - 1940) Oil on Canvas. Signed and inscribed lower right. Painting of two figures on horseback near the California coast. This painting was a gift from th

Joseph Christian Leyendecker (American, 1874-1951). Original illustration art oil painting on canvas, used for the cover of the October 24, 1914 issue of The Saturday Evening Post magazine, titled "Co

J.C. Leyendecker (American, 1874-1951), Study for King of the Beachoil and graphite on canvas, unsigned, framed under glass. Frame dimensions 26 3/4 x 28 3/4 in. This is a preparatory study for King o

Nathalie Comte (American, 1874-1940, active New Orleans, 1924-1937) , "First Portrait of Huey P. Long", 1926/1936, oil on canvas, signed and dated "1936" lower left, signed, titled and dated "1926" en

J.C. Leyendecker (American, 1874-1951), Study for The Saturday Evening Post Coveroil on canvas (lined), unsigned, presented in a later gilt frame with linen liner. Stretcher size 14 1/2 x 11 1/4 in.;