MIGUEL COVARRUBIAS Guatemala. Pen and ink on imitation vellum. 400x280 mm; 15¾x11 inches.

MIGUEL COVARRUBIAS."Madame X?" Caricature for "Some Oddities of Marine Life," published in Vanity Fair, April 1928. Ink and wash with gouache on paper. 309x220 mm; 12x8¾ inches, on 16¾x11&#1

DUNCAN GRANT (1885-1978) Two drawings on paper. Couple, pen and ink. 122x185 mm; 4¾x7¼ inches * Blue Stool and Red Pillow, pen and ink with watercolor. 125x170 mm; 4x6¾ inches. Circa 19

AL HIRSCHFELD (1903-2003) "Mr. and Mrs. Richard Burton." Published in The New York Times, March 3, 1968. Pen and ink on board, 1968. 685x559 mm; 27x22 inches. Signed "Hirschfeld 3" in ink, lower right

GEORGE BOOTH "Hon, I feel like riding out into the big sky country." Cartoon for The New Yorker, published on November 10, 1986. Pen, ink, and watercolor on paper. 305x228 mm; 12x9 inches. Signed in l

Heading: Author: Covarrubias, Miguel Title: Portfolio of nine original pen & ink drawings, and one pencil drawing Place Published: No place Publisher: Date Published: Undated Descripti

EDWARD HOPPER The Creek at Hogencamps. Pen and ink on card stock, 1900. 265x196 mm; 10½x8 inches. Signed, titled and dated "June 1900" in ink, lower recto.Provenance: Estate of the artist, New Yo

EDWARD HOPPER Street Scene with a Man Playing an Organ Grinder. Pen and ink on card stock, circa 1900. 115x117 mm; 4¾x4¾ inches. Signed in ink, lower right recto.Provenance: Estate of the ar

ROCKWELL KENT The Cabins. Pen and ink on cream wove paper, 1919. 73x170 mm; 2x6 inches. Signed, titled and dated in ink, lower right recto. With a pencil sketch, verso.Provenance: Acquired Hartung & H

ROCKWELL KENT Shore (Resurrection Bay). Pen and ink on cream wove paper, 1919. 93x165 mm; 3x6½ inches. Signed and dated in ink, lower right recto. With a pencil sketch, verso.Provenance: Acquired

EDWARD HOPPER Pope Innocent X (after Diego Velázquez). Pen and ink on card stock, circa 1900. 125x196 mm; 5x7¾ inches. Inscribed "Velasquez" in ink, lower right recto.Provenance: Estate of t

WILLIAM SOMMER Landscape with Power Lines. Watercolor and pen and ink on cream wove paper, 1935. 390x500 mm; 15¼x19¾ inches. Signed in ink, lower left recto and with an additional watercolor

BILL SCHMELING / THE HUN (1938-2019) Varsity 69 Two-panel illustration, mixed media including pen, ink, marker and collage on paper. Each 420x320 mm, 16½x12½ inches. Second panel signed and

PAUL CADMUS (1904-1999) Francisco F. Pen and ink and pastel on buff wove paper. 323x277 mm; 12¾x11 inches. Signed and inscribed "Francisco F." in ink, lower right recto. 1933.A preparatory drawin

EDWARD HOPPER Fisher Boy. Pen and ink and pencil on wove paper, circa 1900. 205x127 mm; 8¼x5¼ inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow, New

EDWARD HOPPER Galleon in a Storm. Pen and ink and pencil on wove paper, circa 1900-05. 153x125 mm; 6¼x5 inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow,

KEITH HARING (1958-1990) Barking Dog. Paper cut out with prepared metallic acrylic ground. 115x175 mm; 4x6 inches. Signed and dated in felt-tip pen and ink, upper right recto. 1981.Provenance: Estate

EDWARD HOPPER Sheet of Studies with Men in Hats and a Saloon Keeper. Pen and ink on pencil on wove paper, circa 1900-05. 203x126 mm; 8x5 inches. Inscribed "From Life" in ink, upper left recto.Provenan

EDWARD HOPPER Portrait of a Gentleman. Pen and ink and pencil on wove paper, circa 1900-05. 237x194 mm; 9¼x7½ inches. Signed in ink, lower right recto.Provenance: Estate of the artist, New Y

LEE JIN WOO Untitled. Hanji paper and wood charcoal, 2018. 505x735 mm; 19x28 inches. Signed and dated in felt-tip pen and ink, verso. Provenance: Michel Soskine, Inc., Madrid, with the label; Estate o

EDWARD HOPPER Sheet of Studies with a Man Smoking a Pipe * Architectural Elements and Birds. Pen and ink on wove paper, double-sided, circa 1900-05. 95x140 mm; 3½x5¼ inches.Provenance: Estat

EDWARD HOPPER The Sloop. Pen and ink on wove paper, circa 1899-1900. 137x130 mm; 5½x5¼ inches. Dated or numbered "99" in pencil, lower right recto.Provenance: Estate of the artist, New York;

EDWARD HOPPER A Work Horse * Studies of Kneeling Figures. Pen and ink on card stock, double-sided, 1900. 113x146 mm; 4½x5½ inches. Initialed and dated "Sept. 1900" in ink, lower right recto.

EDWARD HOPPER Study of Fencers and Boxers. Pen and ink on wove paper, circa 1910-20. 112x195 mm; 4½x7¾ inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's wi

NAN GOLDIN Joan Crawford's Eyes, Thanksgiving, N.J. Cibachrome print, 2005. 280x355 mm; 11x14 inches (sheet), full margins. Signed, titled, dated and numbered 57/100 in felt-tip pen and ink, verso. Pu