Not Vital (b. 1948), Schoppa, Portfolio, 1996

NOT VITAL (B. 1948) Untitled, 1975 signed and dated 'Not Vital '75' (on the reverse) acrylic on canvas 36 x 30 in. 91.4 x 76.2 cm. Footnotes: Provenance Acquired directly from the artist

Not Vital (b. 1948): UntitledFound fabric construction marked 'Made in China' in a paperboard box marked Not Vital, 1993, inscribed 'To Donald Love', from an edition of unknown size.8 3/4 x 2 3/4 x 4

Yutaka YoshinagaJapan, (b. 1948)96-C-4, 1996etching/aquatint/drypoint, ed. 16/40Published by Crown Point Presssigned, dated, and numbered in pencil lower margin, unframed.21 x 38 3/4 inches

Lois Lane (b. 1948): Untitled Portfolio: Two Plates Two woodcuts in black on thin Japan, 1981, both signed, dated and numbered 8/15 in pencil, two copies of the justification and the black linen-cover

Dino Rosin (Italian, b. 1948), circa 1996. A clear and Caledonia glass figural sculpture from the 'Relax' series in bust length form, the face with serene expression, all in clear glass over swirling

**Originally Listed At $400** Robert "Bob" Rohm (American, b. 1948). Lithograph, 1996. Hand-signed and dated as well as signed in the plate on the lower left. A serene depiction of an adobe dwelling i

Christopher Makos (b. 1948): Altered Image Portfolio The set of five black and white photographs, 1982, all signed, dated, numbered 8/10 a.p. (the edition was 25) and with the artist's stamp on the re

Jud Hartmann (American, b. 1948) Crouching Hunter, 1996 bronze signed Hartmann and dated (base) height 6 3/4 inches Property from the Collection of Jane and Terry Bradshaw, Alpharetta, Georgia

Gregory Grenon (American, b. 1948) Please Come Forward, 1996 Oil on glass 24-3/4 x 18-1/2 x 1-3/4 inches (62.9 x 47.0 x 4.4 cm) Etched to glass GMG 1996, signed and titled to reverse, Laura Russo Gall

KEITH CARTER (American b. 1948) A PHOTOGRAPH, "Turkey Feathers," 1996, gelatin silver print, verso signed, titled, dated, and numbered 22/50. 14 1/2" x 14 1/2" Provenance: Estate of Ed Prohaska, San F

Lenny Dowhie (American, b. 1948), Canberra teapot, Evansville, Indiana, 1996, transfer-printed ceramic, signed, dated, titled, 8.5"w x 4.5"d x 14"h

VIRGIL GROTFELDT (American b. 1948) A PAINTING, "Bozo's Last Stand," 1996, carbon on ledger paper, signed and dated L/R, "V. Gott. '96," verso paper gallery labels; 5 3/4" x 7 3/4", framed 13 3/4" x 1

HIROSHI SUGIMOTO (B. 1948) North Atlantic Ocean, Cape Breton, 1996 Photo-litho 8 1/2" x 6 1/2"

HIROSHI SUGIMOTO (B. 1948) North Atlantic Ocean, Cape Breton, 1996 Photo-litho 8 1/2" x 6 1/2"

HIROSHI SUGIMOTO (B. 1948) Sea of Japan, Rebun Island, 1996 (neg. #458) Photo-litho 8 1/2" x 6 1/2"

HIROSHI SUGIMOTO (B. 1948) North Atlantic Ocean, Cape Breton, 1996 Photo-litho 8 1/2" x 7"

Alkis Voliotis, acrylic on paper, 1996, Alkis Voliotis (Greek, b. 1948), untitled abstract, signed and dated lower right, 6.75"h x 4.5"w (sheet) 15"h x 12"w (frame) Provenance: The Collection of Litsa

Lot 33 Hiroshi Sugimoto Japanese (b. 1948) Tasman Sea Ngarupupu from Time Exposed Portfolio (1990) offset lithograph tipped in on card numbered 330/500 9 1/2 x 12 1/2 inches

HIROSHI SUGIMOTO (B. 1948) North Atlantic Ocean, Cape Breton Island, 1996 Silver Gelatin Frame measures 12 1/4" x 15 1/4" Image measures 10" x 10"

Eric Fischl (American, b 1948) aquatint "Rays" from the Four Aquatints Portfolio, etching and aquatint on wove paper, pencil signed "Eric Fischl '89", edition 35/100, unframed, 35-1/2" x 54" sheet, ex

David Brega (American, B. 1948) Oil on Panel, After Thomas Cole's 'Home in the Woods', 1996, H 15.5" W 23" | the painting is after Thomas Cole's 1847 oil painting titled "Home in the Woods." Frame mea

Yutaka Yoshinaga (Japanese, B. 1948) Color Hand Ground Etching With Spit Bite Aquatint And Dry Point, 1996, Abstract, H 31.75'' W 23.75'' | Signed in pencil and dated lower right, numbered 37/40, with

LOIS LANE (NEW YORK, B. 1948) AQUATINT AND ETCHING ON BFK RIVES PAPER, H 23.75" W 17.35" UNTITLED, #9/45 Untitled from the portfolio: Six Aquatints. Sheet 3" X 22.25", Aeropress, NY. chop mark lower r

1996; oil, enamel, graphite, and collage on paper; Provenance: Chuck Fries, God Father of the Television Movie and Ava Fries Estate, Beverly Hills; 9 x 12 1/2 inches