Original Drawings by Rembrandt Harmensz van Rijn,

After Rembrandt Harmensz van Rijn (1606 -1669), "The Raising of Lazarus," etching, after the 1632 original, presented in a gilt frame, H.- 15 1/4 in., W.- 10 3/4 in.

After Rembrandt van rijn. (1606-1669). Study of a Lion. Antique Copper Plate Heliogravure on watermarked dutch laid paper, after the original drawing and executed by a master engraver. 1880. Excellent

Ca. 1920, after the original drawings by Rembrandt. published by Mar�es-Gesellschaft, R. Piper & Co., Munich, each print bearing their blindstamp. Dimensions: The largest measures approximately 1

This incredible self portrait by Golden Age Dutch artist Rembrandt has been appraised by Park West Gallery and was found to be an original print worth $6 200—a value that's likely only gone up

Drawing in chalk and pastel on paper, "Girl at a Window", after the 1645 original by Rembrandt van Rijn (Dutch, 1606-1669) in the collection of the Dulwich Picture Gallery, London. [Frame: 31 1/2" H x

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: Man Drawing from a Cast. Medium: Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Medium: Etching. Title: Six's Bridge (B., Holl. 208; H. 209), c. 1645. Dimensions: 8.5 X 5 inches (etching), frame: 12 x 16 inches. Lot note and provenance: Private collection, Maryland. The etching w

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Rembrandt Harmensz. Van Rijn (1606-1669): The Rat Catcher Etching in black on laid paper. 5 3/4 x 4 /8 in. (sheet), 8 1/2 x 8 1/4 in. (frame). Property Formerly in the Collection of Doris Gottlieb Bri

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 ¾”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.

REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.) 1606 Leiden - 1669 Amsterdam PORTRÄT EINES BÄRTIGEN ORIENTALEN Öl auf Eichenholztafel. 37,5 cm x 28,5 cm. Verso: Altes Etikett des Kunstauktions

THE DEATH OF THE VIRGIN (B.99), 1659, etching on wove paper, probably a Armand Durand edition, image 15 ½ x 12 ¼”, full margins, hand-made custom frame 32 x 28” with glass.

Rembrandt Harmensz van Rijn (1606-1669) etching, sheet of studies; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame.

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Rest on the Flight to Egypt," B. 57 III; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 190. Probably a 19th century impres

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher considered one of the greatest artists in European history. He is known for his mastery of light and s

Rembrandt Harmensz van Rijn (1606-1669) etching, Dutch landscape. Illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame. A

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Nach Rembrandt Harmensz van Rijn (1606-1662), 'Landschaft mit Boot und Windmühle' / 'Landscape with boat and windmill', Entwurf 1642 Technik: Kupferstich auf Büttenpapier, hinter Passepartout, Signa

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr

1600's REMBRANDT HARMENSZ. VAN RIJN The Mills 14.5in x 20.8in