Rembrandt Harmensz Van Rijn "The Angel Appearing to the Shepherds, 1634" Offset Lithograph

Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher considered one of the greatest artists in European history. He is known for his mastery of light and s

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Vintage lithograph print. Rembrandt Harmensz van Rijn. 'The bitten hunter'. Publisher: Dresdner Meisterdruck, Eastern Germany. Gemaldegalerie Dresden. M 1182. Paper size: 24" x 32,3," (61 x 82 cm). Im

This is a bundled assortment of 2 Lithographs by Van Rijn Rembrandt. Each piece is described as follows: van Rijn Rembrandt - Circumcision (In a Stable) - 1968 Offset Lithograph 9.75" x 8" Unsigned Of

Rembrandt Van Rinj (1606-1669) Religious scene etching: The Angels Appearing to the Shepherds. Measures approximately 10 1/8" x 8 1/2" and 19 1/4" x 16 3/4" w/ frame. Certificate from Seaside Art Gall

This is a beautiful etching, after Rembrandt, by master engraver Amand Durand. Titled "The Angel Appearing to the Shepherds" (year of original 1634). Etching image size is 11" x 9.5". Paper with Borde

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Medium: Etching. Title: Six's Bridge (B., Holl. 208; H. 209), c. 1645. Dimensions: 8.5 X 5 inches (etching), frame: 12 x 16 inches. Lot note and provenance: Private collection, Maryland. The etching w

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Rembrandt Harmensz. Van Rijn (1606-1669): The Rat Catcher Etching in black on laid paper. 5 3/4 x 4 /8 in. (sheet), 8 1/2 x 8 1/4 in. (frame). Property Formerly in the Collection of Doris Gottlieb Bri

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

After Rembrandt Harmensz. van Rijn, oil on canvas portrait of Hendrick Martensz Sorgh; the seated figure wears period garments with a large black hat. Unsigned, canvas relined, heavily varnished surfa

REMBRANDT HARMENSZ. VAN RIJN (CIRCLE) Leiden 1606 - 1669 Amsterdam MAN CUTTING A FEATHER Oil on panel. 26 cm by 23 cm. Frame. Expertise: enclosed is a statement of the Kaiser-Wilhelm-Museum in Krefeld

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jews in the Synagogue (B. 126; H. 234; New Holl. 242), 1648 etching and drypoint on laid paper a H.L. Basan impression with no watermarks, New Hollsteins

Rembrandt Harmensz.van Rijn (Dutch, 1606-1669), "Self-Portrait with Saskia"-1636, etching, signed in plate, Biörklund's third state (of 3) (36-A). Figural print, considered by some to be a marriage p

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

(1606 Leiden - Amsterdam 1669). Die Ruhe auf der Flucht. Nachtstück. Radierung um 1644. 8,9 x 5,8 cm. B-57. BB 44-2. - Beschnitten u. auf Kart. aufgezogen, mit Tuschumrahmung u. Fehlst. links obe

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

The angel departs from Tobias, 1641_x000D_ etching in a beautiful 17th century gilt wood frame, 50by48cm. total size

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1