PAUL JACOULET (1902-1960) Showa era (1926-1989), circa 1937

PAUL JACOULET (1902-1960) Showa era (1926-1989), 1938-1948 Comprising four woodblock prints; the first entitled Vendeur de Masques (Chinois) (Chinese Mask Seller), 1940, printed by Ogawa Fusakichi, wi

PAUL JACOULET (1902-1960) Showa era (1926-1989), 1935-1950 Comprising three woodblock prints; the first entitled Homme de Manado et Mangoustans Celebes (Menado Man and Mangosteen. Celebes), 1935, edit

PAUL JACOULET (1902-1960) Showa era (1926-1989), early to mid-20th century Five dai-oban tate-e prints: the first and second the right and left sheet from a diptych Les Deux Adversaires, Corée (T

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

Hashiguchi Goyo (1880-1921) Showa era (1926-1989), circa 1950 A large tate-e print of Kao o arau onna (A Woman Washing Her Face), depicting a young naked woman standing over a wash basin, filling a bo

ONOGI GAKU (1924-1976) Showa era (1926-1989), circa 1970s A large vertical screenprint titled landscape - N.E.N in English and Fukei in Japanese, with edition number 2/5, undated, signed in Roman scri

JAPANESE LACQUER. Showa era (1926-1989), circa 1940. Largest example height: 14 1/2 inches. Largest example width: Approximately 12 inches .

MAEDA CHIKUBŌSAI II (1917−2003) A Handled Bamboo Flower Basket Showa era (1926-1989), circa 1960-1990 Of susudake (smoked bamboo) and rattan, the square base worked in mat-plaiting with twi

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1937 An ōban yoko-e print entitled Shirahama (Shirahama Beach), signed in the block Yoshida and in pencil in Roman script in the lower margin Hi

YOSHIDA HIROSHI (1876-1950) Three Ōban Tate-e Woodblock Prints Showa era (1926-1989), dated 1935 and 1937 The first, entitled Sugi namiki (Criptomeria [cryptomeria] Avenue), dated 1937; the secon

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1935-1937 An oban yoko-e and an oban tate-e print; the first entitled Yoshikawa, 1935; the second entitled Toshogu (Toshogu Shrine), 1937; both with

Artist: Paul Jacoulet (1902-1960) Title: Sur le Sables, Rhull, Yap Edition: 165/350 Date: 1937 Size: With mount: 45.1 x 54.4 cm, without mount: 36.0 x 45.5 cm Ref: TB25

Paul Jacoulet (French, 1902-1960) Four Works, circa 1950 Woodblock on paper 6-1/4 x 4-1/4 inches (15.9 x 10.8 cm) (sight, each) Ea

PAUL JACOULET (French 1902-1960)Sur le Sable. Rhull, Yap. (On the Beach.) - 1937Woodblock printSigned & stamped Image size 12 inches x 15.5 inches (30.5cm x 39.5cm)SHIPPING NOT

PAUL JACOULET (FRENCH 1902-1960), COLOR WOODCUT, H 12", W 15 1/2", "PREMIER AMOUR. YAP, OUEST CAROLINES":Pencil signed; red artist's seal; no edition number; first published 1937, date that this print

Artist: Jacoulet, Paul, 1902-1960 Title: Les Paradisiers. Menado, Celebes Date: 1937 Medium: Japanese woodblock print Image Size: 11 7/8 x 15 1/2 inches Illustrated: Mi

PAUL JACOULET - LETTER TO US COLONEL WWII ERA SIGN PAUL JACOULET - LETTER TO US COLONEL WWII ERA SIGN A unique letter signed by Paul Jacoulet (French artist, 1902-1960). Dated February 11th, 1946 from

Artist: Jacoulet, Paul, 1902-1960 Title: Le Reveil. Saipan, Marianas Edition: 108/150 Date: 1937 Medium: Japanese woodblock print Image Size: 15 1/2 x 12 inches

PAUL JACOULETJapan/France, 1902-1960Sur le Sable Rhull, Yap (On the Sand), 1937. Signed in pencil lower right above the Good Luck Hammer seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunos

Artist: Jacoulet, Paul, 1902-1960 Title: Les Paradisiers. Menado, Celebes Edition: 92/350 Date: 1937 Medium: woodblock Dimensions: 11 5/8 x 15 1/4 inches Ill

PAUL JACOULETFrance/Japan, 1902-1960Hokkan-Zan. SÈoul, Coree (#40). Published: 6 December 1937. Signed in pencil lower right above Tea Jar seal. Seals of the carver, Kentaro Maeda, and printer, T

Paul Jacoulet (French, 1902-1960) Vendeur de Masques (Chinois), circa 1940 Woodblock on paper 18-1/2 x 14-1/4 inches (47.0 x 36.2 cm) 25

Tokyo, 1940; watercolor and pencil on paper, matted and framed under acrylic; pencil-signed and dated and with artist's stamp center right; Provenance: San Antonio Museum of Art; The Kelton Collection

Une Femme de Menado (Les FLeurs Aristoloches Geants); Tokyo, 1935; watercolor and pencil on paper, matted and framed under acrylic; pencil-signed and dated, and with artist's stamp lower left; Provena