Perkussions-Flinte USA, New Orleans, um 1900, signiert

1900 USA MORGAN SILVER DOLLAR (NEW ORLEANS MINTED) Uncirculated

Uncirculated Morgan Silver Dollars, Set of 5. New Orleans (O) Mint: 1881, 1889, 1899, 1900 & 1901 Includes case and certificate of authenticity. (National, USA, money, collecting, Numismatics, currenc

Sister Gertrude Morgan (American/New Orleans, 1900-1980), "Let's Make a Record", acrylic and ink on printed album sleeve with album, signed lower right, 2 "Christie's" labels and "Knoke Galleries, Atl

Sister Gertrude Morgan (American/New Orleans, 1900-1980), "In That Morning When I Rise", acrylic, crayon and ink on paper, signed upper edge, verso with a museum exhibition plaque, accompanied by Tool

Grosses Okimono Japan, um 1900. Lackarbeit. Signiert Chikue saku. Holz, geschnitzt und in Rot und Gold lackiert. Eingelegte Glasaugen. Stehender Bodhidharma, Daruma, in rotem Gewand. Schadstellen. H 3

Tischlampe mit Libellen ''Dragonfly'' Tiffany Studios (zugeschr.), New York, um 1900 Von Kupferstegen gefasste, bunte, teils marmorierte, unregelmäßig geschnittene Scheiben aus gegossenem, transpare

Antique Serapi Rug: 10'9" x 16'5" (327 x 500 cm), Persia, circa 1900. Prov: New Orleans, La. estate.

Carrie Bell Sliger (1869-1962) for Newcomb College earthenware vase with stylized flowers New Orleans, Louisiana, circa 1896-1900 high glazed ceramic impressed factory marks, painted artist's initials

Impressive Meissen "Elements" Ewer Personifying Water, ca. 1850-1900, German, after a model by Johann Joachim Kandler (1706-1775), the base decorated with dolphins, a mermaid pursuing a trio of hippoc

Fine French Bronze and Patinated Bronze-Mounted Burr Amboyna Wood and Marble-Top Center Table ca. 1900, possibly by Theodore Millet or Zwiener Jansen Successeur, after a design by Adam Weisweiler and

Monumental French Bronze Dore Surtout de Table ca. 1900, in three parts, with bold, pierced scrollwork sides decorated with trumpet flowers, on ogee-molded bases with Empire mounts, punctuated with fi

American Impressionist School (Fourth Quarter 19th/First Quarter 20th Century) "Boating" oil on canvas signed "Miller" lower left. Framed. 18" x 24", framed 25" x 31" Provenance: Descended in a family

John Raymond Henry (American, b. 1943) "Cypress Peninsula" red-painted aluminum incised signature and illegibly dated at bottom, unnumbered from an edition of six, with a white stand. h. 48", w. 20",

Louis McClellan Potter (American, 1873-1912), pair of cast bronze andirons, ca. 1900, each in the figure of a kneeling Native American, each with cast signature and stamped "Roman Bronze Works, NY",

Fine Pair of Belle Epoque Diamond Drop Earrings ca. 1900, platinum top, 18k yellow gold back, the earrings set with a single old European-cut diamonds, with an approximate total weight of 3.33 carats,

Pair of Frank Gehry Bent and Laminated Maple "Power Play" Lounge Chairs for Knoll International, both branded underneath "Gehry/Knoll/Made in USA/10/19/92". h. 32-1/2", w. 32-1/2", d. 31-1/2" Provenan

After John James Audubon (American, 1785-1851) "Californian Vulture: Cathartes californianus, Illiger. Old male, No. 86, Plate 426", 1838 hand-colored engraving with aquatint and etching from Robert H

Louis XV-Style Gilt-Bronze-Mounted Kingwood Petit Bureau de Dame ca. 1900, the superstructure with a central, integral clock above two drawers and a cubbyhole, flanked by two short drawers mounted wit

Art Nouveau Carved and Parcel-Gilt Mirror ca. 1900, carved with lily pads, flowers and buds, the stems looping over the mirror plate and "wrapped" around the frame. h. 46", w. 33" h. 46", w. 33"

Good S. Kirk & Son Six-Piece Sterling Silver Coffee and Tea Service ca. 1900, Baltimore, Maryland, including a kettle-on-stand, h. 14-3/4", l. 8-3/4", a coffeepot, h. 10-1/2", l. 9-1/2", a teapot, h.

Colonial Revival Mahogany Nine-Tube Tall Case Clock ca. 1900, the top with a circular lobed dome and three turned finials, the front corners of the case with fluted columns and carved capitals, raised

Italian Alabaster Floor Lamp in the Neoclassical Taste ca. 1900, the flared base carved with lion's heads, the standard carved with ivy and acanthus leaves, the shade with bas-relief laurel leaves and

Monumental Royal Bonn Pottery Revolving Vase ca. 1900, the cover with a molded pineapple finial on a shaded green ground, the body with a polychrome scene of a cockfight in a garden, signed "Melch d'H

Antoine Blanchard (French, 1910-1988) "Place Saint Michel et Notre Dame, Paris in 1900" oil on canvas signed lower right, titled and stamped en verso. Framed. 12-1/2" x 17-3/4", framed 16-3/4" x 21-3/