PETER REDECKER ETCHING & AQUATINT

Peter Redecker (german, b.1942) Etching & Aquatint "Landshaft" 1978. Number 49 of an edition of only 100. Professionally framed and matted. In frame measures 18 3/4"x18 1/4"x1 1/4". Weight 5 pds 5 oz.

Peter, George (American, 20th century), Fragments, circa 1952, etching and aquatint, 7.5 x 11 inches, pencil signed and titled lower margin, Published by Collectors of American Art, unframed. An excel

FRANCIS BACON (1909 - 1992)"PORTRAIT OF PETER BEARD"Year: 1976Etching and aquatint in colors on wove paper by Arches

Dated 1949 Largest 9 3/8" wd. x 911 5/8" ht. Provenance: the collection of the Art Academy of Cincinnati

PETER HICKEY "Tree" Aquatint etching

PETER MILTON (American b. 1930) "The Jolly Corner" Etching and Aquatint. Plate Sight: 15 3/8 x 10 1/2 inches; Framed: 22 1/2 x 17 inches. Pencil signed l/r, annotated center "III: 7" and numbered l/l

Artist: Pierre Eugene Cambier (French, 1914-2001) Title: Place de L'Opera Year: 1970 Medium: lithograph Image Size: 14.38 x 18.4 inches Sheet Size: 19.5 x 25.45 inches Catalog ref

PAULA REGO TOOTLES SHOOTS WENDY, FROM 'THE PETER PAN SERIES' (ROSENTHAL 85) - 1992 Etching and aquatint, 33/50, signed and numbered in pencil to margin, published by the artist and Marlborough Graphic

Michel Francois Damame-Demartrais, original hand-colored aquatint and etching "View of the Peter and Paul fortress in St. Petersburg in winter," 1796-1801. Matted and framed. Note: Michel Francois Dam

Museum Exhibited Work, Original Signed Mexican Artist Francisco Toledo's "Iguanita Y Pajores",1976 (From Guchachi Portfolio, etching, aquatint, ) From the Private Collection of Everson Museum Director

PETER DOIG Paragrand 2. Color aquatint and etching on Japan paper, 2013. 504x405 mm; 19¾x15¾ inches, full margins. Printer's proof, aside from the edition of 20. Signed, dated and inscribed

Brazil, Peter (20th Century American), Harriet Street, 1978, etching and aquatint, 17.75 x 14.6 inches, pencil signed and numbered 7/50, framed measuring 26 x 22 inches,

Alex Katz 1927 Man with Pipe Color etching with aquatint on paper, 1984; H 255 mm, W 407 mm; signed and numbered lower left ''Alex Katz 107/185''

Salvador Dali 1904 - 1989 Figueras/Spanien Alhambra Color etching with aquatint on paper; H 590 mm, W 440 mm; signed and dated lower right ''Dali 1964''; numbered lower left ''8/100''

Peter Milton, (1930-Current), “Untitled”, 1964, lift-ground etching and aquatint, signed and dated lower right, marked lower left; State Proof #1, Image Size: 5” x 6 ¾”, P

Peter Winslow Milton (b. 1930) Parade, Second State, 1966/67. Pencil signed, titled and numbered 31/35. Lift-ground etching and aquatint plate 18 x 24 inches, paper BKF Rives.

UNTITLED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 18 ½”.

etching and aquatint, 1971, each with plate number inscribed in pencil lower margin center, matted, unframed. Sheet Size 15 x 19 in. Private Collection, Alexandria, VA Additional high-resolution photo

UNTITLED, 1982, aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 22 ½ x 26”.

UNTITLED, 1982, color aquatint etching, signed and numbered 43/50 in pencil, printed and published by Centrum Press with blind stamp, sheet 17 x 18 ½”, frame 19 x 20 ½”.

UNTITLED, 1982, aquatint etching, signed and numbered 43/50 in pencil, printed and published by Centrum Press with blind stamp, sheet 22 ½ x 26”.

1971; etching and aquatint; signed and dated in pencil lower right; numbered II:2 in pencil lower center; published by Aquarius Press; Provenance: from the Estate of Dr. Norman Levine and the late Mor

Peter Milton (American b 1930) etching, "Second Sequence" etching and aquatint on paper, pencil signed P. Milton 69/71, final state 2/11, 9-3/4" x 14-3/4" plate, sheet size 13" x 18", very good condit

The Jolly Corner by Henry James, illustrations by Peter Milton, 1971. A suite of 21 etching, photo-etching, and aquatints illustrating James's text. Signed and numbered: 82/150. The frontispiece print