Rembrandt Etching The Return of the Prodigal Son

Rembrandt Etching "The Return of the Prodigal Son". Signed in plate. Unknown edition. Etching measures 7.25 inches high x 5.75 inches wide. Frame measures 16.25 inches high x 14 inches wide.

Rembrandt Van Rijn (Dutch, b. 1606- d. 1669). An etching titled "Return of the Prodigal Son. Image: 6-1/4in x 5-1/4in. Frame: 18in x 16in.

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Return of the Prodigal Son," 1636. Signed in print to the lower center. Matted and housed in an old giltwood frame.

Rembrandt Harmenszoon van Rijn (1606–1669) was a Dutch painter and etcher, widely considered one of the greatest artists in European history. He is known for his exceptional skill in capturing human

Artist: Rembrandt van Rijn Title: The Return of the Prodigal Son (Durand Edition) Year: 19th C Dimensions: 14.5in. by 12.5in. Edition: From the rare limited edition Medium:

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

A Newer Oil painting copy of the father's head from the painting "The Return of the Prodigal Son" by Rembrandt. The painting appears to be signed in Chinese characters in the lower right. The Paint ha

GROUPING OF 9 ANTIQUE ETCHINGS & PRINTS. INCLUDES ALBRECHT DURER, REMBRANDT *THE PRODIGAL SON*, WETHERILL, ETC. LARGEST IS 18 X 13 INCHES.

Set of 4 unbound etchings on wove paper, including The Departure, In Foreign Climes, The Return, and The Fatted Calf. Would be of the best effect once framed! From the second state printing of 400, ac

French School, Return of the Prodigal Son. Oil on canvas. Appears to be unsigned. Circa early 1800's. Provenance: Christie's July 1, 2020. Sight Size: 14.5 x 18 in. Overall Framed Size: 20 x 24 in.

LARGE OIL ON CANVAS COPY OF "RETURN OF THE PRODIGAL SON" OLD MASTER PAINTING 53" X 38"

late 19th/early 20th century; scenes on windows include: Christ with two Apostles, Christ healing sick child and The Return of the Prodigal Son, each set in pointed Gothic Style wood frame, frame-22 1

(Greek/American, 1908-1983). Return of the Prodigal Son, after the original in the National Gallery of Art, Washington D.C. by Bartolome Esteban Murillo (Spanish, 1618-1682). Oil on canvas, signed and

Christian Rohlfs (German, 1849-1938) Return of the Prodigal Son, (also images by Erich Heckel and Emil Nolde) linocut and woodblock reproductions largest: 12" x 9 1/2"

William Strang (Scottish, 1859-1921), etching on paper "Prodigal Son", 1882, signed and dated in plate, 6-7/8" x 7-7/8" pl, 10-3/8" x 14-3/16" sheet, very good condition

William Strang (British 1859-1921) 1). ''Old Tree''- etching and drypoint, signed and annotated 'David Strang imp. Final State (of 3)'; 2). ''The Prodigal Son''- etching, mat burned and specs of foxin

English Creamware Dutch-Decorated Plate, 'The Prodigal Son Returns,' 1780-90. Painted with one of the six scenes from the Biblical story of "The Prodigal Son," identified "ZYN BEROUW" below, within a

THE PRODIGAL SON", "THE PRODIGAL SON IN MISERY", "THE PRODIGAL SON RECEIVING HIS PATRIMONY", "THE PRODIGAL SON RETURNS TO HIS FATHER

AFTER REMBRANDT (DUTCH, 1606-1669) "THE PRODIGAL SON IN THE TAVERN" OLD-MASTER STYLE PAINTING, oil on canvas, also titled "The Prodigal Son in the Brothel" and "Rembrandt and Saskia" after a painting

PRODIGAL SON, 1881, three etchings from the series of five, two signed and dated in the plate, frontispiece with artist’s name and date in the design, plates 12 ¼ x 14 ¾”, full m

A large 19th Century Victorian Staffordshire pottery flatback named figural group, "Prodigal's Return," a father and son depicted in costumes inspired by the Bible. Hand colored with gilt accents with

One side depicts a figure study for "At the Louvre" (c. 1880), while the reverse shows a figure study for "The Prodigal Son in Modern Life: The Return" (1882). Though we believe this to be by the hand