REMBRANDT VAN RIJN A Hurdy-Gurdy Player Followed by Children at the Door of a House ("The

AFTER REMBRANDT VAN RIJN (DUTCH, 1606-1666) ETCHING ON PAPER "THE SCHOOLMASTER" , 1641. Ref: Hind 192 , B 128 - ATTR / AFTER REMBRANDT VAN RIJN A Hurdy-Gurdy Player Followed by Children at the Door of

2 modern prints after Rembrandt, 'The Flight Into Egypt: A Night Piece,' 5" x 4 1/2"; and 'Woman at a Door Hatch Talking to a Man and Children (The Schoolmaster),' 3 3/4" x 2 1/2". Both with minor sta

** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper

Beggars Receiving Alms at the Door of a House, Rembrandt van Rijn 1648 is a well-known and beloved example of the bitten line style worked by Rembrandt. This framed print of the etching is a good imag

A historical etching on Ingres d’Arches off-white laid paper paper titled “The Golf Player” by Rembrandt Van Rijn. Created in 1654. A 20th/21st Century impression printed by Marjorie

In this tender Rembrandt Beggars Receiving Alms at the Door of a House, 1648, through Rembrandt’s extraordinary vision we witness a humble exchange between a needy family and their donor. The male f

DESCRIPTION: A Rembrandt Van Rijn (Netherlands, 1606) framed etching depicting a street scene with beggars receiving alms at the door of a house. The paper has engraved stamp and is numbered 260. Remb

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: Woman at a Door Hatch Talking to a man & Children. Medium: Antique hand pulled copper plate etching on laid paper after the original by master

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

Hurdy-Gurdy Organ Grinder Disc Player Hand crank music box mechanism having (19) discs of children and Christmas music, rubber tires over metal wheels and a hand painted wood box; together with (2) ro

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat