** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Rembrandt van Rijn (1606-1669), "Descent from the Cross", marked 1633, etching, framed frame: 34.5 x 28.5" We happily provide seamless shipping services on everything we sell. Please email us at shi

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Descent from the Cross, 1633" Etching (posthumous print). Sight: 20 x 15 5/8 inches; Frame: 40 1/2 x 35 3/4 inches. Annotated beneath image.

After Rembrandt van Rijn (Dutch, 1606-1669) The Descent from the Cross. Heliogravure by Armand Durand, a 20th Century impression. Together with a reproduction of a Rubens drawing Heliogravure: 22" x 1

HAND PULLED ORIGINAL ETCHING. FRAMED IN A GORGEOUS CARVED SILVER WOOD FRAME WITH A DOUBLE MAT. Rembrandt (1606-1669). In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembr

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

DESCRIPTION: Rembrandt Van Rijn (Netherlands, 1606 - 1669). Etching. Beggar Man and Beggar Woman Conversing, 1630. Bartsch 164 second state. Lettered in plate lower left with artist's monogram. In sim

Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), printing with plate tone on cream laid paper without waterm

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP":Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8";

Rembrandt van Rijn (1606-1669), "The Crucifixion: Small Plate", etching on laid paper, plate from c.1635, print by Michel Bernard after 1846 from his "Recueil de Quatre-Vingt-Cinq Estampes Originales"

Rembrandt van Rijn (Dutch, 1606-1669). "RL 1631" on plate. Paper label verso "Artist's Mother with her Etching". In wide gold frame with shadowbox matting. unframed ( height: 6 inch, width: 4 inch) fr

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (Dutch, 1606–1669), "The Hog," etching, bears plate signature and date of original printing (1643), sheet: 5.75"h x 7.25"w, overall (with frame) 10.5"h x 11.75"w

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

After Rembrandt van rijn. (1606-1669). Study of a Lion. Antique Copper Plate Heliogravure on watermarked dutch laid paper, after the original drawing and executed by a master engraver. 1880. Excellent

After Rembrandt van Rijn (Dutch, 1606-1669) "The Mill" etching, signed in plate lower right, inscribed in pencil "Hand Printed" lower left and "The Mill by Rembrandt" lower right, housed under glass i

After Rembrandt van Rijn (Dutch, 1606–1669), "Clement de Jonghe, Printseller," etching, plate signed lower right, sheet: 8.25"h x 6.25"w, overall (with frame): 14.75"h x 12.25"w

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra