Rembrandt Van Rijn. After,(Dutch,1606-1669) The Hundred Guilders Print.

Lot of 2 decorative etchings: after Rembrandt Van Rijn ((Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder print). Jan Zachariasz Frey after a drawing by Zygmont Vogel (Poland 1764 - 182

Rembrandt van Rijn Dutch (1606-1669), PRINT. Signed lower right. Gallery label on back. George Busse, 12 West 28th street. N.Y. Measures. 18 H x 12 wide + 3 1/2 inch frame. Shipping third party.

After Rembrandt Van Rijn (Dutch, 1606-1669), "Self Portrait," offset print, bears signature in plate upper right, later printing, overall (with frame): 21"h x 17.5"w

REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) A PORTFOLIO OF PRINTS, "Rembrandt Radierungen: Eine Auswahl Von Hundert Der Wertvollsten Radierungen Des Meister," the title translates to "Rembrandt E

Rembrandt van Rijn (Dutch, 1606–1669), "Christ Crucified Between Two Thieves," 1641, drypoint etching, image: 5.3"h x 3.9"w, overall (with frame): 12"h x 8"w

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

Rembrandt van Rijn (Dutch, 1606-1669), Jews in the Synagogue, 1648, etching and drypoint, a Basan edition state iii/iii, overall (sheet/unframed): 3.25"h x 5.5"w. Provenance: Barclay Simpson Fine Arts

Attrib. to Rembrandt van Rijn, print, Attrib. to Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Cornelis Claesz Anslo, etching, 7.5"h x 6.25"w (sheet), unframed

Manner of Rembrandt van Rijn (Dutch, 1606-1669), Beggars at the Door, etching, bears signature within print lower center, overall (with frame): 14"h x 12"w

Rembrandt van Rijn (Dutch, 1606–1669), "The Hog," etching, bears plate signature and date of original printing (1643), sheet: 5.75"h x 7.25"w, overall (with frame) 10.5"h x 11.75"w

After Rembrandt Van Rijn (Dutch, 1606-1669), "Raising of Lazarus," etching, reprint 20th century, overall (with frame): 29"h x 24.5"w

After Rembrandt van Rijn (Dutch, 1606–1669), "Christ Disputing with the Doctors: a Sketch," etching, plate signed lower left, sheet: 5"h x 8.25"w, overall (with frame): 13"h x 17"w. Reference: Barts

After Rembrandt van Rijn (Dutch, 1606–1669), "Clement de Jonghe, Printseller," etching, plate signed lower right, sheet: 8.25"h x 6.25"w, overall (with frame): 14.75"h x 12.25"w

REMBRANDT VAN RIJN (Dutch, 1606-1669) Posthumous etching and drypoint, "The Pancake Woman" JEAN-FRANCOIS RAFFAELLI (French, 1850-1924) Etching, untitled (picnic gathering) (framed separately) Both sig

Two prints on paper after Rembrandt van Rijn, Dutch, 1606-1669. Includes "The Death of the Virgin" and "Self Portrait Leaning on a Stone". Label verso of Virgin frame identifying as New Hollstein's fi

(lot of 4) After Rembrandt van Rijn (Dutch, 1606-1669), "Abraham et son fils", "Autoportrait", "Les Mendiants", and "Le Sacrifice de Jacob," 20th century reproduction etchings, each signed "P.B. Spala

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Descent from the Cross, 1633" Etching (posthumous print). Sight: 20 x 15 5/8 inches; Frame: 40 1/2 x 35 3/4 inches. Annotated beneath image.

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Angel Departing from the Family of Tobias" Etching and drypoint (posthumous print). Sheet: 4 1/4 x 6 1/8 inches; Frame: Signed and dated in the plate l/

After REMBRANDT VAN RIJN (Dutch 1606-1669) "Landscape with a Cow Drinking" Etching (posthumous print). Sight: 5 1/4 x 6 inches; Frame: 22 7/8 x 23 7/8 inches. Unsigned. *Was not examined out of the fr

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669), "The Third Oriental Head." Signed and dated 1635 in u.l. Sheet: 5 1/4" x 6 1/4". Condition Good. Dampstain to margins of sheet. Hinged to matting.

[Prints] After Rembrandt van Rijn. (Dutch, 1606-1669). "The Triumph of Mordechai." c.1900. Marked with monogram of the Reichsdruckerei Berlin on verso. Sheet: 8 1/2" x 7". Condition Good. Toned. Foxin

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669). "Cottage with a White Paling." 1648. Etching with drypoint on laid paper. Later reproduction, c 1900s of third State. Signed in the plate, l.l. Sh

After Rembrandt van Rijn, Dutch, 1606 to 1669 Amsterdam, etching, engraving and drypoint on paper titled The Flight into Egypt: Crossing a Brook. Signed in the plate and dated 1654. With the inscripti

2 Old Master style prints- 1.) after Rembrandt Harmenszoon Van Rijn (Dutch 1606-1669)- ''Jan Lutma, Goldsmith'' (New Hollstein 293)- heliogravure, 1656; 2.) after Albrecht Durer (German 1471-1528)- ''