Print, Manner of Rembrandt van Rijn

Manner of Rembrandt van Rijn (Dutch, 1606-1669), Beggars at the Door, etching, bears signature within print lower center, overall (with frame): 14"h x 12"w

Rembrandt van Rijn (Dutch, 1606–1669), "Christ Crucified Between Two Thieves," 1641, drypoint etching, image: 5.3"h x 3.9"w, overall (with frame): 12"h x 8"w

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

Rembrandt van Rijn (Dutch, 1606-1669), Jews in the Synagogue, 1648, etching and drypoint, a Basan edition state iii/iii, overall (sheet/unframed): 3.25"h x 5.5"w. Provenance: Barclay Simpson Fine Arts

Ca. 1900. First and third "Oriental Head" etchings on paper. Toning, glued to backing. Unframed, 11.25"h. 10"w.

Late 19th century, etching on paper. The Strolling Musicians, 6"h. 5"w. and cottage beside a canal. 5.5"h. 13"w. Heavily toned, some edge nicks, cottage has short tear. Unframed.

(Dutch, 1606-1669) Portrait of a Lady, unsigned, late 19th/early 20th century, oil on canvas, 30 x 24-1/2 iin.; modern gilt wood frame, 34 x 28-1/2 in. Provenance: Private Collection, Palm Beach

MANNER OF REMBRANDT VAN RIJN, OIL ON CANVAS, H 30", W 26", PORTRAIT OF MAN A 19th century oil on canvas in the manner of Rembrandt van Rijn. Depicting the portrait of a bearded man with a distant gaze

Rembrandt van Rijn (Dutch, 1606–1669), "The Hog," etching, bears plate signature and date of original printing (1643), sheet: 5.75"h x 7.25"w, overall (with frame) 10.5"h x 11.75"w

After Rembrandt Van Rijn (Dutch, 1606-1669), "Raising of Lazarus," etching, reprint 20th century, overall (with frame): 29"h x 24.5"w

After Rembrandt van Rijn (Dutch, 1606–1669), "Christ Disputing with the Doctors: a Sketch," etching, plate signed lower left, sheet: 5"h x 8.25"w, overall (with frame): 13"h x 17"w. Reference: Barts

After Rembrandt Van Rijn (Dutch, 1606-1669), "Self Portrait," offset print, bears signature in plate upper right, later printing, overall (with frame): 21"h x 17.5"w

After Rembrandt van Rijn (Dutch, 1606–1669), "Clement de Jonghe, Printseller," etching, plate signed lower right, sheet: 8.25"h x 6.25"w, overall (with frame): 14.75"h x 12.25"w

Twenty First century. Drypoint etchings. “Bust of a Man Wearing a High Cap; Three-Quarters Right 1630” and "The Artist's Mother with her Hand on her Chest: Small Bust". Printed on “I

(lot of 4) After Rembrandt van Rijn (Dutch, 1606-1669), "Abraham et son fils", "Autoportrait", "Les Mendiants", and "Le Sacrifice de Jacob," 20th century reproduction etchings, each signed "P.B. Spala

Oil on board painting. Dutch origin, Golden Age era, 1575 to 1675. The artwork depicts a portrait of a man with a grey beard. In the manner of Rembrandt van Rijn, from 1606 to 1669, was a prominent Du

In the Manner of Rembrandt van Rijn (18th/19th century) Portrait of a Man Holding a Goblet oil on canvas signed illegibly lower left 18" x 15" Provenance: A Private Midwest Collection

Oil on board painting. European, late 18th century. In the manner of Rembrandt van Rijn, 1606 to 1669, a prominent Dutch Golden Age artist. The artwork depicts a multi-figure scene from the Old Testam

Vintage lithograph print. Rembrandt Harmensz van Rijn. 'The bitten hunter'. Publisher: Dresdner Meisterdruck, Eastern Germany. Gemaldegalerie Dresden. M 1182. Paper size: 24" x 32,3," (61 x 82 cm). Im

Manner of REMBRANDT VAN RIJN (Dutch 1606-1669) "Portrait of an Elderly Man" Oil on canvas mounted on wood. 23 3/4 x 19 inches; Frame: 29 x 24 1/4 inches. Unsigned. CONDITION: In overall fair condition

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669), "The Third Oriental Head." Signed and dated 1635 in u.l. Sheet: 5 1/4" x 6 1/4". Condition Good. Dampstain to margins of sheet. Hinged to matting.

[Prints] After Rembrandt van Rijn. (Dutch, 1606-1669). "The Triumph of Mordechai." c.1900. Marked with monogram of the Reichsdruckerei Berlin on verso. Sheet: 8 1/2" x 7". Condition Good. Toned. Foxin

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669). "Cottage with a White Paling." 1648. Etching with drypoint on laid paper. Later reproduction, c 1900s of third State. Signed in the plate, l.l. Sh

Manner of REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) 'Christ Miracle' oil on masonite, 18.125 x 12.25 inches; overall with frame: 23.25 x 17.625 inches, unsigned.