REMBRANDT VAN RIJN Jan Uytenbogaert, Preacher of the Remonstrants.

REMBRANDT Harmenszoon van Rijn (1606-1669) - JAN UYTENBOGAERT, PREDICATORE DEI RIMOSTRANTI [English description] 1635 - (213x178 mm - oval) - Etching. Watermark "Seven Provinces", sixth state (of nin

REMBRANDT VAN RIJN (Dutch 1606-1669) "Jan Uytenbogaert (The Gold Weigher), 1639" Drypoint etching on paper. Plate: 9.75 x 8 inches Signed & dated lower left in plate "Rembrandt, 1639" II State. Annota

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr

Rembrandt Harmenzoon van Rijn (Leida 1606 - Amsterdam 1669) Portrait of Jan Uytenbogaert Etching applied on cardboard 225x180 mm the etching Inscribed at bottom centre IT Ritratto di Jan Uytenbogaert

After: Rembrandt Van Rijn, Dutch (1606-1669) Etching Drypoint and Engraving "Jan Cornelis Sylvius, preacher" Circa 1816, London. Measures 16-3/4" H x 5-3/4" W, frame measures 12-1/2" H x 11-1/2" W. Co

Etching and drypoint. New Hollstein's third state (of 7), before the rework and the Basan editions. Seven Provinces with the initials BM watermark (Ash/Fletcher 34). Ex-collection Johann Carl Diedrich

Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of five) on thick cream laid paper without watermark, pl

engraving; a later reversed impression, possibly by Captain William Baillie (1723-1818); marked 'Rembrandt' lower right; matted, glazed and framed; Condition: Trimmed to plate. Two white nail head acc

After Albrecht Dürer (German, 1471–1528) Knight, Death and the Devil, 1513; together with Melencolia I, 1514; and Rembrandt van Rijn (1606-1669), Jan Wtenbogaert, 1639, later impression (a group of

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

REMBRANDT VAN RIJN Cornelis Claesz Anslo, Preacher, Etching, Framed. size: 8 x 6.75 matte, 15 x 13.5 outside frame

After Rembrandt Van Rijn, (19th Century Impression) Jan Lutma- goldsmith, etching, 8.25" x 6.25", (21x16cm), (unframed).

Rembrandt, Van Rijn Original Etching of Artist Jan Asselyn, Circa 1647. Signed lower right. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good with fox

2 Old Master style prints- 1.) after Rembrandt Harmenszoon Van Rijn (Dutch 1606-1669)- ''Jan Lutma, Goldsmith'' (New Hollstein 293)- heliogravure, 1656; 2.) after Albrecht Durer (German 1471-1528)- ''

Lot of 2 decorative etchings: after Rembrandt Van Rijn ((Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder print). Jan Zachariasz Frey after a drawing by Zygmont Vogel (Poland 1764 - 182

Harmenszoon van Rijn REMBRANDT.1606-1669Cornelis Claesz Anslo, preacher.1641Acquaforte e puntasecca, 190x156 mm. Firma sull’inciso a dx: Rembrandt 1664. Piccoli margini. Buono stato di conservaz

Harmenszoon van Rijn REMBRANDT1606-1669Jan Antonides van der Linden.Acquaforte di 123x104 mm. Incollata su cartoncino agli angoli. Bell’esemplare.Tiratura di fine Settecento. Bella impressione d

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an