Reproduction etching after Verbeek 1740

After Alessandro Specchi (Italian, 1668-1729). 20th century reproduction of the 1704 original etching "Prospetto del Nuovo Navale di Rippetta." Matted and framed in three sections. [Frame: 37 x 62 1/2

"Breaking Covert" After Heywood Hardy. Plate impressions, off color. Nicely framed and matted. 21" X 31" (32" X 41")

Two religious 18th century etchings. Part of a series of 9 marked on backsides, 18th century print, London 1740. 1 titled Christs Prayer on the Mount of Olives. Reading a verse from Mark, Chap. 14, ve

Two religious 18th century etchings. Part of a series of 9 marked on backsides, 18th century print, London 1740. 1 titled Christs Prayer on the Mount of Olives. Reading a verse from Mark, Chap. 14, ve

Eight (8) Benson Bond Moore (American, 1882-1974) reproduction etchings courtesy of Nature Magazine. Measure 6.25 in. - 13 in. x 10 in. Provenance: Amity Art Foundation, Inc. collection. If lot is abs

After Pablo Picasso (Spain, 1881-1973)From Picassos Suite 347(1968), eleven printsreproduction etchings on wove paperlot includes eleven reproduction etchings from Picasso's late period known as the 3

(lot of 4) After Rembrandt van Rijn (Dutch, 1606-1669), "Abraham et son fils", "Autoportrait", "Les Mendiants", and "Le Sacrifice de Jacob," 20th century reproduction etchings, each signed "P.B. Spala

First in a four part collection; colored reproduction of an 1807 engraving depicting a view of Rome. Iconic landmarks labeled, numbered, and named beneath engraving. Housed in gold frame with beige ma

Fourth in a four part collection; colored reproduction of an 1807 engraving depicting a view of Rome. Iconic landmarks labeled, numbered, and named beneath engraving. Artist name and original 1807 dat

Second in a four part collection; colored reproduction of an 1807 engraving depicting a view of Rome. Iconic landmarks labeled, numbered, and named beneath engraving. Housed in gold frame with beige m

Third in a four part collection; colored reproduction of an 1807 engraving depicting a view of Rome. Iconic landmarks labeled, numbered, and named beneath engraving. Housed in gold frame with beige ma

Louis Icart - Reproduction Lithograph Etching, approx 26 x 31 inches, very good condition

Reproduction Manet etching framed, Frame is 18.5 across and 20 high

This is a wonderful Etching Dated 1740, it is in an old frame, it was not examined out of the frame, but is an antique original, about 24cm x 35cm, Buyer pays Worldwide shipping by PostNL, we will be

ANTONIO DA CANAL, IL CANALETTO An Imaginary View of Padua. Etching, circa 1740. 301x425 mm; 12x16¾ inches, wide margins. Second state (of 3). The letter A countermark (?) to an unidentified water

ANTONIO DA CANAL, IL CANALETTO Il Mercato al Dolo. Etching, circa 1740. 143x210 mm; 5¾x8 inches, narrow margins. Third state (of 4), with the signature still in the plate lower center but with th

After Salvador Dali, reproduction framed etching of "Valesquez", with unattributed C of A, size as framed: 17.25 x 15.25

Reproduction color etching on Rives paper after Renoir of a bather wiping a wound, signed in pencil lower right and numbered illegibly "11/?" lower left. Provenance: Phyllis Lucas Gallery, NYC. [Sight

This lot contains a Gerity silver plated Candle Snuffer Ca. 1740 reproduction, stamped on the bottom by maker. Inspired by Cavalier Helmet in Warrick Castle, England. In good vintage condition with si

Appears to be an etching / reproduction of an Edwin Austin Abeey illustration for Oliver Goldsmiths She Stoops to Conquer HA! HA! HA! WAS THERE SUCH A SOBER, SENTIMENTAL INTERVIEW Etching, shows a wom

Appears to be an etching / reproduction of an Edwin Austin Abeey illustration for Oliver Goldsmiths She Stoops to Conquer,HERE, BEHIND THIS SCREEN Etching, shows a man caressing a womans hand while tw

Appears to be an etching / reproduction of an Edwin Austin Abeey illustration for Oliver Goldsmiths She Stoops to Conquer HERE, BEHIND THIS SCREEN Etching, shows a man caressing a womans hand while tw

Appears to be an etching / reproduction of an Edwin Austin Abeey illustration for Oliver Goldsmiths She Stoops to Conquer AM I IN FACE TO-DAY? ETCHING, shows a woman dressed in traditional 19th centur

Appears to be an etching / reproduction of an Edwin Austin Abeey illustration for Oliver Goldsmiths She Stoops to Conquer HA! HA! HA! WAS THERE SUCH A SOBER, SENTIMENTAL INTERVIEW Etching, shows a wom