Richard Anuszkiewicz, The Paris Review, 1965, Original Screenprint on Paper, Signed, Numbered 82

Signed bottom left, in pencil. Numbered 82/150 Paper Measures 26 1/8" W x 40" H

Signed bottom left, in pencil. Numbered 123/150 Paper Measures 26 1/8" W x 40" H

Original silkscreen on thick paper. Numbered E-A 2/10 lower left margin, from the edition of 135. Dimensions: + Size of the sheet: 67 x 50 cm / 26,3 x 19,6 in. + Size of the image: 46 x 34,5 cm / 18,1

Original Screenprint on thick paper. One of the 150 from the original edition. Hand-signed and dated lower margin. Dimensions: + Size of the sheet: 101,7 x 66,3 cm / 40 x 26,1 in. Printed by Chiron Pr

Richard Anuszkiewicz (1930-2020): Untitled Screenprint in colors on heavy paper, 1965, signed and dated in pencil, numbered 35/50; together with Attributed to Richard Anuszkiewicz (1930-2020): Un

Robert Motherwell (American, 1915-1991) "The Paris Review"1965. Color screenprint. Pencil signed and numbered edition '5/150' (lower right).Image: 30 1/8 x 22 1/8 in. Estimate $1.500-2.000

Richard Anuszkiewicz (American, 1930-2020) Diamond Chroma from the New York Ten portfolio, 1965 screenprint signed, dated and numbered 183/200 in pencil 20 x 15 inches.

UNTITLED, 1965, color screenprint, signed in pencil, numbered 8/50, sight 20 ¾ x 21”, framed with glass.

Richard Anuszkiewicz (1930-2020) DIAMOND CHROMA Color screenprint, 1965, signed, dated and numbered 143/200 in pencil, also signed and dedicated in ink on the backing, from New York Ten, published by

Richard Joseph Anuszkiewicz (New Jersey, 1930 - 2020) Limited Edition Lithograph Silkscreen titled Paris Review. Pencil signed, dated and numbered 8/150 '65. Good condition under glass, with light ton

Color screenprint on white wove paper. Initialed and numbered 82/150 in pencil, lower margin. Printed by Stephen Poleskie, Chiron Press, New York. Published by the Paris Review, New York. Date: 1968 D

Color screenprint on white wove paper. Signed, dated and numbered 105/150 in pencil, lower margin. Printed by Chiron Press, New York. Published by the Paris Review, New York. Date: 1967 Dimensions: 74

DIAMOND CHROMA Series, 1965, color screenprint, signed and dated in pencil, numbered 196/200, image 20 x 15”, full margins, framed with glass.

Richard Anuszkiewicz (1930-2020) SEQUENTIAL VIII Color screenprint, 1972, on wove paper, signed, dated, inscribed VIII and numbered 141/200 in pencil, from Sequential, published by Sanmore Editions, N

Richard Joseph Anuszkiewicz (1930-2020) The Paris Review, 1965 Silkscreen in colors on vellum paper 31-1/8 x 26 inches (79.1 x 66 cm) (sheet) Ed.

RICHARD ANUSZKIEWICZ (AMER, 1930–20), SCREENPRINT IN COLORS ON WOVE PAPER, 1976, H 39.75", W 25", OLYMPICS Signed in pencil, dated and numbered 26/200 in the lower right margin, with the chopmark of

Robert Rauschenberg (AMERICAN, 1925–2008), 1965 Offset Lithograph on Wove Paper, Paris Review. Signed, numbered 47/150 and dated lower right. Frame measures 24-5/8 H, 19-5/8" W. Condition: "As

Richard Anuszkiewicz (1930-2020); Untitled; and Untitled Two screenprints in colors on wove paper, one signed, dated 1969 and numbered 117/149 in pencil, other unsigned and variously inscribed on the

Richard Anuszkiewicz(1930-2020)Untitled from the "Peach Portfolio," 1972Screenprint in colors on paperEdition: 89/150Signed and numbered in pencil in the lower margin: Anuszkiewicz; with the

KEITH HARING (AMERICAN, 1958-1990), COLOR SCREENPRINT, "THE PARIS REVIEW", 1989, IMAGE & PAPER: H 24", W 32"PENCIL SIGNED, DATED, NUMBERED 115/200 AND MARKED WITH HARING'S MARK IN THE LOWER LEFT; UNDE

From 11 Pop Artists Portfolio Vol. III, published by Original Editionsand was acquired in its original portfolio box. Screenprint on smooth wove paper, signed in pencil and numbered 1/200 (approx. 5 A

From 11 Pop Artists Portfolio Vol. III, published by Original Editions and was acquired in its original portfolio box. Screenprint in colors on smooth wove paper, signed in pencil and numbered 1/200 (

From 11 Pop Artists Portfolio Vol. III, published by Original Editions and was acquired in its original portfolio box. 6-color screenprint on smooth wove paper, signed in pencil and numbered 1/200 (ap

Ben Shahn (1898-1969) Paris Review (Prescott 199), 1968 Lithograph in colors on Arches paper, signed in black crayon and numbered in pencil 18/200, published by Poster Originals, printed by Atelier Mo