Roger Tibbetts (20 th / 21 st Century) American

CS II, 2006, aquatint etching on black Korean Hanji paper mounted to a larger sheet of white paper, signed and dated lower right and numbered 1/30 lower left, image 30 x 36", sheet reduced to 34 ¾ x

Wilma Bulkin Siegel American, 20th/21st Century Portrait of Roger Prigent Signed W B SIEGEL (lr) Watercolor and gouache on paper 29 x 21 1/2 inches (73.7 x 546 cm) C Property from the Estate of Roger

Various Artists (Jim Nutt, Art Green, Ed Paschke, Suellen Rocca, Barbara Rossi, Karl Wirsum, Roger Brown, Christina Ramberg, Philip Hanson and Gladys Nilsson) (American, 20th/21st century) Chicago Ima

HORIZON OF MYTH, 1995, mixed media wall sculpture with screen-printed glass, with metal-tipped wood darts in an intentional non-closing suitcase, signed on artist’s label on verso, 22 ½

SLOWLY LISTENING AT AN ANGEL, found-paper collage and painting on wood panel, signed and titled on verso, 18 ¼ x 25”. Provenance: purchased directly from the artist at Scion Gallery Show,

QUEEN ELIZABETH & UNION JACK, unique hand painted polymorph, signed lower right, 16 x 15”, frame 23 ½ x 22 ½” with Plexiglas.

DONALD & GOOFY, unique hand painted polymorph, signed lower right, 12 x 15”, frame 19 ½ x 22” with Plexiglas.

BB KING, color pigment print on archival paper, signed in ink by BB King and Robert Sturman, numbered 4/8 in pencil, sheet 22 x 22 ½”, frame 29 x 28 ½” with Plexiglas.

SAINT MARILYN OUR LADY OF HOLLYWOOD, 2004, archived digital print from photocollage, signed and dated and numbered 1/8 in ink on verso, 20 x 16”, frame 20 ½ x 16 ½”. Provenan

RIVER DANCE, 2003, oil painting with pigment and resin on wood panel, signed and dated and titled on verso, 11 ¾ x 47 ½”.

AFTER THE SUN HAS GONE, 2002, REFLECTIONS, 2005, two oil paintings on canvas, each signed lower left, the latter signed on verso; each 20 x 24”, frames 21 ½ x 25 ½” & 21 &fra

CAMPBELL’S SOUP PLATE, acrylic and spray paint on 10 ½” diameter plate, frame 20 ¼ x 20 ¼” with Plexiglas.

1930s’ PACKARDS, two, each a pastel and mixed media on paper or board, one signed lower right, one lower left, sights 8 ¾ x 7 ½” & 6 ¾ x 5 ¾”, frames 23

DOOR-STOP, 2004, oil painting and welding on metal, 2004, signed and dated and titled on verso, 17 ½ x 9 x 1”.

1930s’ PACKARDS, oil painting on paper or board, signed lower right, sight 18 ¾ x 26 ¼” heavy frame 32 x 38 ¾” with glass, weight 23 lbs.

A David Neri CITY VIEW, 2002, acrylic painting on canvas board, signed and dated on verso, frame 17 ¼ x 13 ¼”; Together with Artists Unidentified SEASCAPE, acrylic painting on canv

A BREAK IN THE CLOUDS, 2004, oil painting on canvas, signed lower left, signed and dated and titled on verso, 24 x 30”, frame 27 x 33”.

LAST CALL, 2004, oil painting on canvas, signed lower left, signed and dated and titled on verso, 24 x 48”, frame 25 ¼ x 49 ¼”.

BAGS AT THE DOOR, 2004, oil painting and welding on metal, 2004, signed and dated and titled on verso, 20 x 16 x ¾”.

HOP TO IT, 2015, paper collage, signed and dated lower left, sight 9 ½ x 7 ½”, frame 15 x 12” with glass.

LANDSCAPES, SEASCAPE & SAILBOAT, four, each an oil or acrylic painting, one on canvas, three on canvas board, each signed, three signed and dated and titled on verso, sizes from 8 x 10”, 5 x 7&r

THE SACRED FIRES CHRONICLES; THE MILLENIUM FIRES CHRONICLES, two mixed media paintings, one signed and dated on the verso, frames 25 x 19”, combined weight 33 pounds. (2)

STUFFIES, set of four hand-made stuffed fabric plushies, each with “E” bead signature emblem, tallest 9 ½”; PUPPET DOLL, circa 2003, assembled sewn fabric pieces, with “

INSCAPE/BLUE, 2012, oil painting on canvas, signed lower right, signed and dated and titled on verso, 24 x 24”, frame 25 ¼ x 25 ¼”; YELLOW SKY, color pastel on paper, signed