S. Arlent Edwards Engraving of Simonetta Vespucci

S. Arlent Edwards (1862-1938), mezzotint engraving portrait of Simonetta Vespucci after Piero di Cosimo, signed lower right in pencil. 18.75" H x 15" W. Light toning.

Victorian Era Engraving by S.Arlent Edwards Hand Signed from an Estate Great Frame as Pictured. (Frame Size 15" x 19"). $25 Domestic Shipping.

Samuel Arlent Edwards Original Mezzotint, signed in pencil. This mezzotint etching is done after Jean-Marc Nattier's painting entitled, Madame Bouret as Diana. The engraving is signed by Edwards in pe

Samuel Arlent Edwards Original Mezzotint, signed in pencil. This particular mezzotint engraving is done after Jean-Marc Nattier's painting entitled, "Marie Adelaide of France as Flora." The engraving

The following from Askart: A Master engraver, he is best known for his single-print mezzotint engravings in color. His work displays a meticulous attention to detail, and depth and richness in color.

(American 1862-1938) mezzotint engraving of the Mona Lisa after Leonardo Da Vinci, pencil signed lower right, in a carved giltwood Renaissance style tabernacle frame, old label verso. Frame size: 23"

After: Rosa (Strutt) Jameson, British (1861 - 1938) Pair of Colored Engravings "Pussey Come Up" and "Pussey Come Down" Engraved by Samuel Arlent Edwards. Signed in the plate, marked on lower margins.

Samuel Arlent Edwards (British, 1861 - 1938), mezzotint after Filippo Lippi's "Madonna", artist signed and titled in pencil in margins, 19" x 11 1/2", M. Knoedler & Company, New York label on verso, t

23.5" H 17.5" WSamuel Arlent Edwards (1862-1938)

(English, 1861-1938), portrait of a noblewoman, signed, framed. Not examined out of frame. Toning, corner tears at top. Frame size: 19" high, 17 1/4" wide. Provenance: Property of a New Haven County,

Artist: Edwards, Samuel Arlent (British, 1861-1938) Title: 2 After Holbein "Anne Of Cleaves" and "Prince of Orange" and "Bianca Maria Sforzo" after Ambrogia de Predis Date: early 20th Century Medium:

Mezzotint engraving Signed in pencil lower right Size: 18 1/2" L x 12" W (sight); 21 3/4" L x 15 3/4" W (overall)

Title: Girl with a Pearl EarringSubject: Portrait Type: Mezzotint Materials: Paper Markings & Inscriptions: Signed Date: Late 19th or early 20th century Maker: Samuel Arlent Edwards (British, 1861-19

Lot 61 after Samuel Arlent Edwards American (1861-1938) Profile of a Renaissance Maiden (1905) mezzotint in colors signed lower right in pencil and printed lower left image: 10 7/16 x 6 7/16 inches <

SAMUEL ARLENT EDWARDS MEZZOTINT PORTRAIT, MADONNA? 11.75 X 7.5 IMAGE, 18.5 X 13.5 OVERALL

DESCRIPTION: After Fra Filippo Lippi Mezzotint on paper by S. Arlent Edwards depicting Madonna, mounted in gilt carved frame. CIRCA: 20th Century ORIGIN: European DIMENSIONS: H: 26" x L: 18.75" (Image

Spur-Winged Water Hen, c.1743 hand colored ornithological copper-plate engraving by George Edwards (1694-1773, British.) Signed in the print. Approx. 12" x 9 1/4". Plate, approx. 10" x 8 1/4".

Two hand-colored ornithological engravings on laid paper, captioned: "The Titmouse of Paradise, and the small black and red snake, boath (sic) drawn and etched from life of their natural bignes (sic)

Samuel Arlent Edwards (British 1861- ?)- Portraits- 2 mezzotints in color, both signed in pencil, 1 mounted to cardboard, the 2nd is light struck. 20 x 15 1/2'' (largest) together with an F. G. Steven

European, late 19th-early 20th century. Three on celluloid. Elaborate hat and wig with illegible signature, 6.5"h. 5.25"w., hand colored copy of Piero di Cosimo's Simonetta Vespucci, 6.5"h. 5.5"w., an

George Edwards, (1694-1773, United Kingdom) birds engraving, after 1759 drawing from life sight: 20.5 x 11 in., frame: 32.5 x 22 in. Provenance: A Fredericksburg, Texas collection We happily provide s

3 George Edwards Colored Engravings or Birds (3 pc.) Dimensions: 18" x 16" (SORO3293/3)(WT)

Two hand-colored engravings after British ornithologist George Edwards, re-engraved in 1749-1776 by German engraver Johann Michael Seligmann. Engravings show a Vulture and an American Nightengale with

Edwards, After George (British, 1694-1773), Pair of Duck Plates: The Dusky and Spotted Duck (99) and The Little Black and White Duck (100), both dated 1745, hand-colored engravings on laid paper, plat