Samuel Chamberlain Drypoint, Plaza San Martin Segovia, Spain

Samuel Chamberlain (American 1895-1975) Plaza San Martin Segovia, Spain, 1928, drypoint, signed in pencil lower right, numbered 68/100, matted and framed. The artist lived and traveled in Europe, chro

"Soaring Steel" 1929 drypoint etching. Samuel V. Chamberlain was an accomplished etcher, lithographer, writer, teacher, and lecturer. He taught at the Massachusetts Institute of Technology and lecture

Stanley Anderson (British 1884-1966)- 1). ''La Plaza Mayor- Segovia''- drypoint, ca. 1920's, signed, titled and annotated 'Edition of 80 proofs', remnants of old hinges otherwise very good condition.

Samuel Chamberlain (American, 1895-1975) etching "Toulouse France", drypoint on paper, pencil signed "Samuel Chamberlain", this etching is featured on the cover of Chamberlain's catalogue raisonne, ed

SAMUEL CHAMBERLAIN Manhattan Twilight. Etching and drypoint printed in dark brownish black, 1932. 336x240 mm; 13¼x9 inches, full margins. Signed and numbered 41/100 in pencil, lower margin. A sup

SAMUEL CHAMBERLAIN Manhattan Twilight. Etching and drypoint printed in dark brownish black, 1932. 336x240 mm; 13¼x9 inches, full margins. Signed and numbered 94/100 in pencil, lower margin. A sup

Samuel V. Chamberlain American (1895-1975) Drizzly Morning in Chicago, 1929 drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel

Martin Lewis (American, 1880-1962) The Bridge Near Nikko drypoint signed in pencil (lower right) 7 7/8 x 9 3/4 inches. This lot is located in Chicago. Property from the Collection of Samuel Stern, Ale

Mexican retablo, depicting San Martin de Porres, oil in tin, circa 19th century height 14 in. x width 10 in. Provenance: Property from a retablo collector, Guanajuato€‹€‹€‹&eur

Jules Eugene Pages (French/American, 1867-1943), "Puente de San Martin", oil on canvas, signed lower right, monogrammed J.P beside circular mark, verso of canvas with circular exhibition stamp in Pari

Mexican retablo, depicting San Martin de Porres, oil in tin, circa 19th century height 14 in. x width 10 in. Provenance: Property from a retablo collector, Guanajuato€â€¹€â€¹&euro

Federal Mahogany and Mahogany Veneer Tall Case Clock, Samuel Martin (fl. 1801-20), New York, New York, c. 1805. Hood with molded swan's neck crest terminating in scrolls with applied brass rosettes, a

Hunt Slonem American, b. 1951 San Martin de Porres, 1986 Signed and dated Hunt Slonem 86 (lr) Oil on paper 30 x 22 inches (76.2 x 55.9 cm) C

43 x 19 inches depicting the tug San Martin and a four masted ship under full sail.

Heading: (Grand...) Author: Title: The Grand Plaza, San Francisco Place Published: San Francisco Publisher: Date Published: 1850 Description: Lithograph, two-tone (pale ochre wi

All come with their original boxes, sashes and rosettes. Grand Cross, Order of Merit, Egypt. Grand Cross, Order of Rio Branco, Brazil. Officer, Order of the Liberator General San Martín, Argentin

Francis Edward Colthurst (British, 1874-1945), "Spring is Coming, Segovia, Spain," oil on canvas, identification tag verso, with brass title tag on front; 26" h x 35" w (view), 33" h x 42" w (frame).

Samuel Margolies (American 1897-1974) Men of Steel, c.1940, drypoint etching, signed in pencil lower right, from an edition of 250, published by Associated American Artists, matted and framed. Dimens

Medium: Oil on canvas. Title: Nudes. Signature: Right side. Dimensions: framed: 37 x 31 inches, unframed: 31.5 x 25 inches. Lot note and provenance: Wally Findlay Galleries

Jose Vives-Atsara (Spain/San Antonio, Texas, 1919-2004), "Houses on the Creek - Spain", 1981, oil on canvas sight: 9 x 12 in., frame: 13 x 16 in. Provenance: The Estate of Mrs. Burton Grossm

Jose Vives-Atsara (Spain/San Antonio, Texas, 1919-2004), "El Sendero, Texas", 1970, oil on canvas sight: 16 x 12 in., frame: 23.5 x 19.5 in. Provenance: A San Antonio, Texas collection One

Jose Vives-Atsara (Spain / San Antonio, Texas, 1919-2004), "Houses on the Creek in Spain", 1981, oil on canvas, includes typed letter from 1982 on Vives-Atsara's studio letterhead with inv

Heading: (California Letter Sheets) Author: Title: View of the Plaza of San-Francisco, On the 4th of July 1851 Place Published: San Francisco Publisher:Publ. & Lith. by Quirot & Co. Date Publish

Gustave Baumann (1881-1971) Cordova Plaza (Chamberlain 165), 1943 Woodcut in colors on cream Ansbach wove paper, signed in pencil, titled, from the unnumbered edition of 200, published by the Torch Pr