Sarah Morris (b. 1967) 1980 (RINGS) Color screenprint,

John Baeder (American / Georgia, b.1938), "The Claremont," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h. 50", w. 37.75" (frame); h. 49.5", w.

John Baeder (American / Georgia, b. 1938), "The Dixon," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h. 50", w. 37.375" (frame); h. 49.5", w. 2

John Baeder (American / Georgia, b. 1938), "The Bungalow," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h/ 50", w. 37.75" (frame); h. 49.5", w.

Maysha Mohamedi(b. 1980)Untitled abstractScreenprint in colors on black paperEdition: 18/22Signed, dated, and numbered at the lower edge: MohamediImage/Sheet: 24.5" H x 36.75" W

Mel Ramos (b 1935), Philip Morris, color screenprint, 11 Pop Artists Portfolio. Vol. ll, signed and dated '65, lower right, numbered XXII, lower left, viewed appx 29 3/4"t x 23 1/2"w, frame 30 1/4"t x

Karl Wirsum (American, b. 1939) Weasel While You Work, circa 1980 color screenprint 22" x 15"

CLIP-O-MATIC, 1967, color screenprint with acetate overlay, signed and dated in pencil and numbered 2/70, sheet 28 x 20”.

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

VACANCES (Yamagata page 138), 1980, color screenprint, signed and numbered 32/300 in pencil, published by Martin Lawrence Galleries, image 21 ½ x 27 ½”, full margins, frame 32 &fra

PATTERNS, 1980, color screenprint, signed and numbered EA 26/27 (artist’s proof) in white ink, image 16 x 21”, full blue margins, frame 26 ½ x 31 ½” with glass.

LAZY JAZZ/ KOOL JAZZ, 1980, color screenprint, signed and numbered 7/99 in pencil, image 24 x 24”, full margins, frame 35 ½ x 35 ½” with Plexiglas.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered 5/100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

Jürgen Peters (German, b. 1936) A pair of prints (Interchange; Pointed Encounter), 1980 color screenprint each signed, titled, dated and numbered in pencil sheet: 27 1/2 x 27 1/2 inches.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered edition of 100, sheet 26 x 20", with Rols Press Culver City rubber stamp on verso.

THE MUSEUM GUARD, 1967, color screenprint, signed in pencil, from the numbered edition 47, image 29 ¾ x 19 ½â€, full margins, framed, white surface? discoloration lower left, otherwise in goo

UMBRELLA MAN, 2004, color screenprint, signed and numbered 135/200 in pencil, image 15 x 16”, full margins, frame 24 x 25” with glass.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered 7/100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered edition of 100, sheet 26 x 20", with Rols Press Culver City rubber stamp on verso.

JOSEPH, color screenprint, signed and numbered 46/250 in pencil, image 32 x 24”, sheet 35 ½ x 28 ¼”; CREATION, 1980, color screenprint, signed and numbered 53/250 in pencil, imag

Jürgen Peters (German, b. 1936) A pair of prints (Pinwheel; Fanfiguration), 1980 color screenprints each signed, titled, dated and numbered in pencil sheet: 27 1/2 x 27 1/2 inches.

Richard Estes (American, b. 1932), "Holland Hotel," 1980, screenprint in colors on three laminate sheets of BFK Rives paper, signed in gold ink lower right, edition 46/100, published by Parasol Press,

John Baeder (American / Georgia, b. 1938), "The Mail Order House," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h. 50", w. 37.375" (frame); 41"

Philip Sutton, RA (British, B. 1928) "Samoa," c.1967, screenprint in colors, signed and numbered: 141/250; verso titled, dated. Size: 20'' x 20'', 51 x 51 cm (image); 25.5'' x 32.75'', 65 x 83 cm (fra

DOUBLE METAMORPHOSIS SUITE #5, 1980-81, color screenprint, signed in pencil, from the numbered edition 180, image 29 x 43", full margins, discardable frame, in apparently good condition.