Sarah Woods (American, b. 1956) Willow Watch, 1994

Sarah Woods (American, b. 1956) Lasting Legacy, 1991 watercolor on paper signed S. Woods (lower left) 16 x 29 inches

Sarah Woods (American, b. 1956) Forest Eyes, 1993 acrylic on board signed S. Woods (lower right); signed, titled and dated (verso) 20 x 16 inches

Sarah Woods (American, b. 1956) Running Late, 1991 acrylic on board signed S. Woods (lower right) 24 x 36 inches

Sarah Woods (American, b. 1956) At Woods Edge, 1993 acrylic on board signed S. Woods (lower right) 20 x 16 inches

Sarah Woods (American, b. 1956) Desert Dwellers, 1995 acrylic on board signed S. Woods (lower right) 20 x 16 inches

Sarah Woods (American, b. 1956) River Otter in a Tree gouache signed S. Woods (lower left) 10 x 14 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington,

Sarah Woods (American, b. 1956) October Afternoon, 1990 gouache on paper signed S. Woods (lower right) 17 x 14 inches The Laumeister Collection from The Bennington Center for the Arts,

Dennis Hollingsworth, large scale painting, 1994, Dennis Hollingsworth (American, b. 1956), "Leafblower #15", oil & alkyd on canvas over wood panel, signed and dated verso, 72"squ Provenance: From a P

Doug Wylie (American, b. 1956) "Octopus", 1994 patinated bronze cast signature on bottom with incised date and edition number "23/88". h. 13", w. 7"

Sarah McCoubrey (American, b 1956) Philadelphia, PA, artist, "Philadelphia Rooftop", oil on canvas, unsigned, artist's labels on reverse, 30" x 28", framed 30-1/2" x 28-1/2", excellent condition

Cheryl Warrick, acrylic mixed media on panel, 1999, Cheryl Warrick (American, b. 1956), "To Watch the Rain", pencil signed, titled and dated verso, gallery label verso, unframed, 22"h x 20"w Provenanc

Dan Ostermiller, (2) bronze animal figures, Dan Ostermiller (American, b. 1956), incl. Frog, 1994, and Pig, 1995, each initialed "D.O." and dated verso, 2.5"h x 2"w (pig), 1.5"h x 2.5"w (frog) Provena

Lynda Frese (American/Louisiana, b. 1956), "Treehouse", 1994, digital collage print on paper, pencil-signed, titled, dated and inscribed lower margin, from Reconstituting the Vanished: Gender, Memory

Dan Ostermiller (American, b. 1956) 'Two (2) Frogs', 1994 Bronze Etched DO, base of each work Dimensions are of each frog.

(American, b. 1956), titled "Jerusalem Ledger II, 1994," initialed l.r. Sight size: 6"h x 4-1/4"w Provenance: Victoria Munroe Fine Art, Ltd.

VAUGHN, Nina Rae (American, b. 1956). Mickey’s Toon Town. Disneyland, 1994. Lithograph on paper. Framed, 38 x 21”. Limited edition, 193/300. Certificate of Authenticity included. Signed by

Julie Heffernan (American, b.1956) 'Self-Portrait as Alien' Oil on Canvas 1994, unsigned, depicting an abstract still life having annotations and images in and around it, there is a lightly painted vo

The original Brian Jarvi 1994 Polar Bear painting from which a popular print edition was created. JARVI, Brian (American, b. 1956): Polar Bears, oil or acrylic mounted on panel, 20" high x 24" wide (2

David Kroll (American, B. 1956) Teapot with Nest. Oil on canvas, signed and dated 1994 on the overlap 23" x 18" Frame: 28.5" x 23.5"

Jay Stanger (American, b. 1956) Wooden Rug, 1993 mixed woods, cast epoxy, inlaid and dyed veneers signed 'Jay Stanger 1993' 96 x 64 inches. Property from the Collection of Dr. Robert C. Springborn and

CO/WY, b. 1956..oil on board, signed lower right, title and signature on verso, contemporary gold tone frame with minor loss and scratches, Trailside Galleries tag on verso..sight 15.5H x 9.5W, frame

Jack Nixon (American, b. 1956) A Commerative Print for the World Cup United States of America Opening Ceremonies, Chicago, 1994 signed, dated, and numbered 5/25 in pencil 10 1/4 x 14 1/4 inches (sight

Small Pox Demon; Wood, plaster and tin roofing; 34" high; Exhibition: Strange Fruit, Phyllis Kind Gallery, New York, 1996; Provenance: Phyllis Kind Gallery, New York; Literature: Art Review: Behind Fo

Julie Heffernan (American, B. 1956) Accumulated Self-Portrait. Oil on canvas mounted on wood, dated to 1997, signed en verso, unframed. Provenance: Littlejohn Contemporary, New York 11.25" x 11.5"