(SOUTH CAROLINA.) John P. Hall, engraver. St. Phillip's Church, Charleston S.C., Erected 1723, Burnt

(SOUTH CAROLINA.) John P. Hall, engraver. St. Phillip's Church, Charleston S.C., Erected 1723, Burnt 1835. Lithograph, 8¼ x 8¼ inches; toned, moderate dampstaining, several small holes and p

Kate Brumley (South Carolina/Charleston, late 19th/20th c). "St. Philip's Church, Charleston, S.C.", watercolor. Signed lower right, titled lower left and signed and located on piece of original mat v

In matching presentation, including: "Thomas Appleton, c. 1839, now in the Chapel, St. Philip's Church, Charleston, S.C."; PLUS "Thomas Hall, c. 1822, St. John's Lutheran, Charleston, S.C., case now a

Alfred Heber Hutty (American, 1877-1954). Original watercolor and gouache painting on paper. A Charleston, South Carolina landscape street view of St Philip's Church. Artist signature lower right corn

Heading: Author: Holbrook, John Edwards Title: Ichthyology of South Carolina Place Published: Charleston, SC Publisher:John Russell Date Published: 1855 Description: [4], 1

RUSSELL CHENEYMaine/California/Connecticut/Maryland, 1881-1945“Timrod Square, Charleston, South Carolina". Depicts the square and St. Michael’s Episcopal Church. Untitled but identifi

Alfred Hutty (American/New York/South Carolina, 1877-1954). "Street Vendor, Church and Tradd Streets, Charleston, South Carolina" -1947, watercolor. Signed and titled verso, also signed verso by Bessi

Attributed to Philip Simmons, Charleston, South Carolina (1912-2009). H14" W15" D7 1/2" This piece is sold from the collection of a private Charleston, South Carolina lady. This work is the mate to an

20th century. Having been crafted in the workshops of Charlton Hall Jr. located on Gervais St. in the mid 20th century. The custom crafted table stretches to a nice long 120". This table having its dr

Exceptional Period QA ca 1735-1755 important South Carolina (probably Charleston) carved mahog wing chair in beautiful blue & white crewel upholstery

Mahogany and Mahogany Veneer Linen Press, Charleston, South Carolina, c. 1795. The top section crowned with dentil molding above a coved cornice and matched veneer fascia, raised on solid mahogany sid

MARY C. BALDWIN (NORTH CAROLINA, 1776/7-1836) CHARLESTON, SOUTH CAROLINA ATTRIBUTED SILK-EMBROIDERED NEEDLEWORK PICTURE, silk and paint on silk with linen backing, depicting a woman in a flowing blue

(Charleston, South Carolina, 1915-1999) Summer?s Cauldron, signed lower right "Halsey", signed and titled on stretcher verso, oil on canvas, 72 x 52 in.; unframed Note: Original labels verso: Telfair

(Charleston, South Carolina, 1879-1956) Original woodcut, storks in the marsh with charleston skyline in the distance. Very striking example with strong and bold details. Signed in pencil lower segmen

(Charleston, South Carolina, 1876-c.1958) By the Sea, signed lower right "Alice R.H. Smith", watercolor on paper, 8-1/2 x 12-1/4 in.; framed 16-3/4 x 21-1/4 in.

(Charleston, South Carolina, 1838-1921) Cotton Picker with Pipe, signed lower left "WA Walker", oil on board, 8 x 4 in.; gilt wood frame 14 x 10-1/4 in.

(Charleston, South Carolina, 1879-1956) Original woodcut lowcountry, South Carolina sceen titled, "Flailing Rice." Very nicely rendered and detailed example. Signed at lower portion and numbered 7. So

(Charleston, South Carolina, New York, 1877-1954) Original drypoint etching titled, "Fishing the Edisto." Brilliantly executed piece featuring a Lowcountry gentleman fishing next to moss hung live oak

Charleston, South Carolina slave badge, dated 1822. This example was issued for a "servant," someone who typically would do domestic work inside a home. The front is clearly struck “CHARLESTON /

Walker Evans (American, 1903-1975) Wooden Church, South Carolina VII, 1936 gelatin silver print signed, titled, dated, and numbered 93/100 in pencil (mount recto), printed in 1971 8 1/4 x 6 3/4 inches

(American/South Carolina, 1879-1956) Charleston House Tops, signed lower right, "Anna Heyward Taylor", linocut, 10-3/8 x 14-3/8 in.; black wood frame, 17-1/2 x 15-1/4 in.

Attributed to Charleston, South Carolina, late 18th century, mahogany with pine and yellow pine secondary. Tapered legs, three dovetailed drawers, and one bottle compartment with original brass pulls

PROVENANCE: John Gorse (1945-2020) of Charleston, SC. A business entrepreneurs, private collectors. A retired as senior vice president for legal and regulatory affairs in 1981. After retirement he foc

PROVENANCE: John Gorse (1945-2020) of Charleston, SC. A business entrepreneurs, private collectors. A retired as senior vice president for legal and regulatory affairs in 1981. After retirement he foc