SYLVIA HARRIS (BRITISH, B.1920)

WILLIAM E. HARRIS (British 1856-1929) A PAINTING, "A View of the Bridge on a Sunny Day," oil on canvas, signed L/R. 16 1/2" x 24"

Moses Harris (British, 1731-1785), Six Plates from The Aurelian, A Natural History of English Moths and Butterflieshand-colored engravings, 18th century, each retains gallery label to verso, presented

Gothic Cathedral Ruin With Village And Cattle Crossing A Stream, Signed Lower Left, 11 x 25 Inches, With Giltwood Liner Lacking Frame 13.75 x 28 Inches, Small Accretions On Dry Varnish Layer, Later Go

Oil on canvas. Measures approximately 24" x 36", including the frame 44" x 32". Signed and dated 1892.

The Aurelian, A Natural History of English Moths and Butterflies (Pls. XVIII; XXV; XXVI; XLIV), 1766 Four hand-colored engravings on wove paper, published in London, each with margins, each framed. (4

John Harris (British, 1686-1740) , "The Chapter House of the Cathedral Church of St Paul's London", 18th c., hand-colored engraving, sight 18 3/8 in. x 22 1/2 in., framed . Provenance: Estate of James

Titled Suffolk Cottage, an impressionist painting of a serene country side cottage. Artist signed and dated 1881 bottom left. Sight: 10.75 inches tall by 13.75 wide. Framed: 14.25 inches tall by 18.25

James Harris (British, Late 19th Century) after William Joseph Shayer (British)Full Cry

Oil on canvas Henry Harris (British, 1852-1926) attributed, English school style landscape of cathedral ruins with sheep in foreground;Provenance: The Stone Collection

(2) English Fox Hunting Prints: John Harris (British, 1791-1873), after J F Herring, color engraving, “Breaking Cover”, from “Herring’s Fox-Hunting Scenes”, published R. Dodson: London, Octo

After Thomas Badeslade (British, c. 1715–1750) and Johannes Kip (1653-1722). Four framed plates from Dr. John Harris' (British, 1666?-1719) "The history of Kent in five parts." London. Printed

A grouping of seven assorted framed prints. To include: J. Moyreau (French, 1690-1762) Two hand colored engravings J. Harris (British, 1811-1865) Two hand colored aquatints of fowl Three offset lithog

Four (4) Original 19th c. The First Steeple Chase On Record Hand Colored Aqua Tint Etchings. After Henry Alken (British, 1785-1851), Engraved by John Harris (British, c. 1791-1873). Published by Ben B

Tomas Harris, painting, 1956, Tomas Harris (British/Spanish, 1908-1964), Untitled, oil, possibly on tracing paper, signed and dated lower center, matted and framed under glass, 20"h x 13.25"w (sight),

Martin Aynscomb-Harris (British b.1937) Large format abstract landscape painting, oil on canvas mounted on masonite, signed Aynscomb. Ht: 48.5" Wd: 60.5" Frame

After Henry Alken (British, 1785-1851) 5 Fore's Steeple Chase scenes. Lithographs with aquatint. Engraved by John Harris (British, 1791-1873). Published in 1848 by Messrs Fores. Artist credit lower le

After Henry Alken (British, 1785-1851), Engraved by John Harris (British, c. 1791-1873) Three out of four prints from The First Steeple Chase on Record. Signed "Drawn by H. Alken" l.l. and "Engraved b

Kwagiulth (Kwakiuti). British Columbia (Canada). Elaborately carved and painted wood sculpture. Signed. 11 x 5 x 4 inches.

Fores's Coaching Incidents series FLOODED, plate 3. British, 19th Century. Painted after Charles Cooper Henderson, engraved by John Harris III (British, 1811-1865). Aquatinted engraving on wove paper.

Harris, Henry (British, 1852-1926) two seascape paintings, showing scene of fishing life, oil on canvas measuring 8.5 by 18 inches, in gold frames measuring 14 by 24 inches.

An early 19th century eight-draw brass telescope by Thomas Harris & Son. Engraved "T. Harris & Son, British Museum, London" on the first draw (worked between 1800 and 1840), with brass lens cover. Min

Fores's Coaching Incidents Series Stuck Fast, plate 2. 19th Century British. Painted by Charles Cooper Henderson, engraved by John Harris III (British,1811-1865). Published June 12th by Messrs. Fores,

KNEE DEEP. Fores’s Coaching Incidents Series, plate 1. British, 19th Century. Aquatinted engraving after Charles Cooper Henderson engraved by John Harris III (British, 1811-1865). Published June 12,

William Summers (British, 19th century) and John Harris II (British, 19th century), "Sow and Pigs," from "Feres's Series of the Mothers," engraving with hand-coloring, after a painting by John Frederi