Textilfragment Peru, Nazca, 1000–1500 n.C. Polychromes

Textilfragment Peru, Nazca, 1000–1500 n.C. Polychromes Gewebefragment mit Zickzack-Muster, Wellen-Bordüren und stilisierten Vögeln. H 92, B 63 cm.

Gefäss Nazca, Peru, 4.–6.Jh. n.C. Rötlicher Ton mit polychromer Bemalung. Bikonisches Gefäss mit Zylinderhals. Vier stilisierte Masken auf der Schulter. H 14,5 cm. - Rand bestossen.

Textilfragment Chancay, Peru, 1300–1450. Grosses, polychromes Gewebefragment mit Darstellung von drei Vögeln mit anthropomorpher Beute. 109x27 cm. - Aufgezogen.

ceramic, Polychrome painted with shamans picking cactus plants for ceremony H: 9,5 cm; D: 13 cm, H: 3,7 inch; D: 5,1 inch Provenance: Michael Beckmann, Marburg, Germany

Doppelausguss-Gefäss Peru, Nazca. Rötlicher Ton, polychrom bemalt. Zwei Vögel mit Fischbeute. H 21 cm.

3 koptische Textilfragmente 3.–7.Jh. n.C. Polychromes Gewebe. Zwei Tunikafragmente und ein Wandbehangfragment mit Figuren- und Tierdarstellungen. L 6–46 cm. Hinter Glas gerahmt.

2 Textilfragmente Chancay, 1300–1460 n.C. Polychromes Gewebe. Darstellung einer Gottheit mit breitem Kopfschmuck. 33,5x32. / Chancay, 1300–1460 n.C. Polychromes Gewebe. Darstellung von drei Figure

3 koptische Textilfragmente 3.–7.Jh. n.C. Polychromes Gewebe. Drei Tunikafragmente mit Tierdarstellungen und Floralmotive. L 12–23,5 cm. Hinter Glas gerahmt.

3 koptische Textilfragmente 3.–7.Jh. n.C. Polychromes Gewebe. Zwei Tunika- und ein Wandbehangfragment mit Figuren- und Tierdarstellungen sowie florale Motive. L 12,5–30 cm. Hinter Glas gerahmt.

Pre-Columbian, Peru, Nazca, ca. 400 CE. Woven in slit tapestry technique with frontal schematic figures in alternating colors and bands of zigzags between. Colors in blue, red, yellow, brown, cream wi

Pre-Columbian, southern Peru, Nazca culture, ca. 400 to 600 CE. A fascinating and incredibly rare figural ceramic vessel in the form of a shaman holding serpents. The figure wears a dramatic, conical

Pre-Columbian, South Coast of Peru, Nazca culture, ca. 100 to 300 CE. A massive, vibrant, tie-dyed textile mantle created from camelid fibers (llama or camelid wool), with a fantastical geometric desi

Pre-Columbian, South Coast Peru, Nazca culture, ca. 100 to 300 CE. A fabulous canteen of an enormous size that is hand-built from pottery with highly burnished surfaces and intricate decorations paint

Pre-Columbian, South Coast of Peru, Nazca, ca. 200 to 500 CE. A hand-built and highly burnished pottery vessel featuring the Anthropomorphic Mythical Being (or AMB) decorated with polychrome pigments.

Pre-Columbian, South Coast Peru, Nazca, ca. 200 CE. A beautiful polychrome terracotta vessel of a round-bottomed globular form with a double spouted stirrup handle, the body finely decorated with four

Pre-Columbian, South Coast Peru, Nazca culture, ca. 100 to 300 CE. This is a stunning and large poncho hand-woven from camelid fibers (alpaca or llama wool) that are dyed in hues of coffee brown, crim

Pre-Columbian, southern Peru, Nazca, ca. 200 to 400 CE. Large and quite wonderful pottery stirrup vessel. In generally circular form with front molded with slightly raised shoulders and squared lower

Pre-Columbian, South Coast Peru, Nazca, ca. 2nd to 4th century CE. An exquisitely painted bridge-spout vessel of a globular form with a rounded base and a mesmerizing arrangement of frogs across its e

Pre-Columbian, South Coast Peru, Nazca, ca. 2nd to 4th century CE. A beautiful, hand-built polychrome vessel with a rounded base, gently rounded walls, and a pair of cylindrical spouts with a short st

Pre-Columbian, South Coast Peru, Nazca, ca. 100 to 600 CE. A gorgeous ancient Andean feather panel - possibly from a chest panel which would have been worn by only the most important member of the cla

Pre-Columbian, South Coast Peru, Nazca, ca. 2nd to 4th century CE. A well-crafted figural stirrup vessel depicting an animated fisherman laying atop a large net without any fish contained inside. The

Pre-Columbian, South Coast Peru, Nazca, ca. 100 to 300 CE. A fine, large slip-painted terracotta vessel, of a round bottomed form with a flared rim, depicting a wide register that contains four large

Pre-Columbian, southern Peru, Nazca culture, ca. 200 to 300 CE. A truly spectacular vessel with some of the finest paint we have ever seen. This is a flaring kero (also quero) painted with the mythica

Pre-Columbian, Peru, Nazca culture, ca. 100 BCE to 800 CE. A large, well-preserved Nazca polychrome kero (also quero or qero). It is in the form of a disembodied head, probably representing a trophy h