Thomas Daniell (1749-1840): The Great Pagoda, Tandore

Thomas Daniell (1749-1840) and William Daniell (1769-1837) [INDIAN SCENES] Six color reproduction prints (two duplicates), from Oriental Scenery: Twenty-Four Views in Hindoostan, framed. Images 19 7/8

Thomas Daniell (1749-1840) Aquatint Part of the Interior of Hindoo Temple at Bahar. Heavy discoloration at edges. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) Aquatint, Portico of Excavated Temple of Island of Salsette. Heavy discoloration at edges. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) Aquatint Rameswara. Heavy discoloration at edges. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) Aquatint, The Ashes of Ravana. Heavy discoloration at edges and restoration top edge. Approx. 21.5 x 29.5 in.

Thomas Daniell (1749-1840) & William Daniell (1769-1837), Mausoleum of Kausem SolamaneeColored aquatint, later printing, in a Flemish-style ebonized frame.19 x 25 1/2 inches (visible)

Suite of (4) contemporary reproduction prints of earlier engravings by Thomas Daniell (1749-1840) and William Daniell (1769-1837) from Oriental Scenery (1795-1808). Dimensions: (Frame) H 28" x W 33.5"

Thomas Daniell (English, 1749-1840) & William Daniell (English, 1769-1837) Set of Four Aquatints from 'Oriental Scenery' Signed in pencil lower right Aquatint 19 in. h. x 25 in. w., image 28 1/4 in. h

Thomas Daniell (British, 1749-1840), "Das Avatara," 1803, aquatint with hand coloring, plate 16 from "Hindoo Excavations in the Mountain of Ellora near Aurangabad," after the drawing by James Wales, p

Thomas Daniell RA (British, 1749-1840), "The Taje Mahel, at Agra," 1796, hand-coloured aquatint, published by Robert Bowyer (British, 1758-1834), plate: 18.25"h x 24"w, overall (with frame): 24.5"h x

Daniell (Thomas) Govinda Ram Mittee's Pagoda, Calcutta, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper with watermark date of

A framed etching by Thomas Moule depicting the principal hills of Great Britain dated 1840. 25 x 20cm.

American, ca. 1840, in the style favored by Thomas Cole, in a great standard size. Overall 33 1/2" x 39", Rabbet 25" x 30", Molding 4".

18th century, c. 1796. 'Mausoleum of Sultan Purveiz, Near Allahabad' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches. Residue from mat along

18th century, c. 1796. 'Hindoo Temples at Agouree, On the Soane River, Bahar' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

18th century, c. 1798. 'Interior View of the Palace, Madura' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

18th century, c. 1798. 'The Government House, Fort St George' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

18th century, c. 1795. 'Hindoo Temples at Bindrabund on the River Jumna Aquatint' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

19th century, c. 1800. 'The Entrance to the Elephanta Cave' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

18th century, c. 1796. 'Mausoleum of Sultan Chusero, Near Allahabad' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 26 x 21 inches.

18th century, c. 1796. 'The Sacred Tree of the Hindoos at Gyah, Bahar' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inches.

18th century, c. 1795. 'Ruins at the City of Gour Formerly on the Banks of the River Ganges ' aquatint, drawn and engraved by Tho & Daniell. Overall good condition; measures 30 x 21 inche

Four framed hand coloured prints including two David Roberts lithographs of Egypt and two Thomas Daniell aquatints of India. Largest Framed Size 33" X 28"

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal