THOMAS JECKYLL (1827-1881) FOR BARNARD, BISHOP AND

THOMAS JECKYLL (1827-1881) FOR BARNARD, BISHOP AND BARNARDS AESTHETIC MOVEMENT CAST IRON FIRE INSERT, CIRCA 1880 with Japanese motif decoration (74cm wide, 90cm high, inside 52cm wide 66.5cm high (inc

THOMAS JECKYLL (1827-1881) FOR BARNARD, BISHOP AND BARNARDS AESTHETIC MOVEMENT FIRE INSERT, CIRCA cast iron, indistinct registration lozenge and number verso(40cm wide, 80cm high)

Pair of English brass fireplace tool rests or fire dogs, after the designs of Thomas Jeckyll (1827 - 1881) or his brother Henry Jeckyll (1838 - 1917), made by the firm of Robbins & Company of Dudley,

THOMAS JECKYLL (1827-1881) FOR ROBBINS & CO., DUDLEY AESTHETIC MOVEMENT TRIVET, CIRCA 1882 brass, bears registration mark for February 1882, cast mark no 3(19cm square)Note: The original design for th

2 Books, Architecture & Design including: "Sir Edwin Lutyens Designing in the English Tradition" by Elizabeth Wilhide (foreword by Candia Lutyens), "Thomas Jeckyll Architect and Designer, 1827-1881" b

SOROS, Susan Weber & al. - Thomas Jeckyll, architect and designer 1827-1881. New Haven, 2003. Toile et jaquette. KAYSER, Kay. - The Architecture of Gunnar Birkets. Washington, 1989. Toile et jaquette.

WILLIAM BURGES (1827-1881) FOR W. B. SIMPSON & SONS ‘TAURUS’, FRAMED ZODIAC TILE, CIRCA 1880 painted and glazed earthenware, later framed(15.5cm square)Literature: Mordaunt Crook, J. Willi

An Aesthetic Coalbrookdale cast iron fireplace, An Aesthetic Coalbrookdale cast iron fireplace, c.1880, in the manner of Thomas Jeckyll, with a central bow-front grate, with cast panels of fruit, cast

Irene Bishop (1881-1925) for Rookwood Pottery earthenware Iris glaze vase with Asiatic lily decoration, shape number 951E Cincinnati, Ohio, 1906 high glazed ceramic impressed factory marks, incised ar

ROWLANDSON, Thomas (1756-1827). "Captain Barclay in his famous walking match against time, a thousand hours, a thousand miles." Watercolor on paper. Signed lower right. 8 5/8" x 13 3/8" sheet, 20 1/2"

Irene Bishop (1881-1925) for Rookwood Pottery earthenware Iris glaze vase with cornflower decoration, shape number 1120 Cincinnati, Ohio, 1906 high glazed ceramic impressed factory marks, incised arti

Gustave Baumann (New Mexico/California, 1881-1971), "The Bishop's Apricot," color woodblock print on cream laid paper depicting a lone apricot tree against a bright blue sky and verdant green field, c

Thomas Rowlandson (1757-1827), 2 Grotesque Borders Portfolios (12 each), 24 works total, colored lithographs, measures 13.5 x 19.25" Condition: a few showing mold damage We happily provide seamless sh

Johannes Kip, (5) hand-colored London engravings, 18th c., English, hand colored engravings on laid paper, "Bradley the Seat of Thomas Dawes", "Stoke Bishop the Seat of Thomas Cann", 14"h x 17"w (sigh

THOMAS ROWLANDSON (1756-1827), BRITISHMAN SAMPLING GOODS IN A GENERAL STOREWatercolour and ink on paper; signed "Rowlandson" lower left.Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cmsProvenance:Private Co

THOMAS ROWLANDSON (1756-1827), BRITISHMAN IN A BOAT ATTACKED BY A CROCODILEWatercolour and ink on laid paper; signed "Rowlandson" lower right.Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cmsProvenance:P

A Victorian novelty match strike in the form of a tortoise with a silver body and natural material shell. with marks for Thomas Johnson, London, 1881, with additional retailers mark. L. 8.5 cm (3 1/2

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,

Thomas Rowlandson (London 1756-1827) Triton and nymphs signed 'T.Rowlandson' (lower left), pen, grey ink and watercolour on wove paper 15 x 23cm (5 7/8 x 9 1/16in). and another, of a winged figure ins

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired