Tsimshian shaman's rattle, ex-Wright

Tsimshian shaman's rattle, ex-Wright, Likely 19th/20th c., Northwest Coast, carved in two sections, with slender cylindrical handle joined by pegs, the body bound at the sides by fiber cord, 10.5"h x

Senufo Peoples, Kpele mask, ex Wright, Ivory Coast, dark patinated carved wood, on custom stand, used for planting and harvest ceremonies. 14"h x 6.5"w x 3"d (mask), 17.5"h (on stand) Provenance: Prop

Lelooska Family Shaman's Rattle length 15 x width 5 inches

Dan figural ceremonial spoon, ex Wright, Ivory Coast, large spoon carved in the form of a female figure, affixed on top of posts to wood base, 29"h (spoon), 32"h x 5"w x 4.75"d (with base) Provenance:

Guere-Wobe Peoples, carved mask, ex-Wright, Ivory Coast or Liberia, dark patinated carved wood, with hair beard, overhanging forehead, tubular eyes, and channel-carved mouth, 12"h x 11.5"w x 7"d Prove

Pre-Columbian Shaman Rattle Staff Measurements: 22" L x 2 1/8" W

Chokwe Peoples, thumb piano, ex Wright, 19th/20th c., Central/Southern Africa, carved and patinated wood and iron Mbira, on custom stand, 8"h x 5.5"w (piano), 8.25"h x 5.5"w x 2"d (on stand) Provenanc

Papua New Guinea, wedding currency, ex-Wright, Maprik region, (2) pieces incl. woven plant fiber, red, black and white pigment, feather decoration, on custom stand, and shell with partially polished e

Pre-Columbian, Peru, Chancay culture, ca. 800 to 1200 CE. A hand-built pottery shaman figure standing with outstretched arms and cupped hands. The figure wears a belt comprised of rectangular segments

Pre-Columbian Shaman Rattle Staff, Measurements: 22" L x 2 1/8" W

(3) West African beaded figures, ex Wright, Includes Kirdi fertility figure, Cameroon, beads, cowry shells, leather thongs, on wood, with metal stand, 8"h (fig., not incl. fringe or stand), 11.25"h x

Baule Peoples, small African drum, ex Wright, Ivory Coast, carved wood decorated with geometric border, animal hide drumhead, fiber bindings, 10.25"h x 7"dia Provenance: Property from the Estate of Ma

Northwest Coast hand-carved and painted ceremonial tribal Shaman rattle. Approximate dimensions: hgt: 12 1/8 in. x wd: 4 3/4 in. x dp: 5 in. Condition: good original vintage estate condition, no repai

Australian painted conch shell, ex Wright, 20th c., large conch shell painted in tribal designs, illegibly signed at edge of painted area, approx. 8"h x 18"l x 9"w Provenance: Property from the Estate

Pre-Columbian Moche Pottery Toucan Bird Shaman's Rattle. Size: 4.5'' x 2.75'' x 4'' (11 x 7 x 10 cm).

18TH CENTURY CAUGHLEY MUG PRINTED WITH THE PARROT PECKING FRUIT PATTERN EX-WRIGHT COL. AND A LATE CAUGHLEY LOW CHELSEA EWER PAINTED WITH POLYCHROME FLOWERS. Mug 8.5cm high (2)

African earthenware water jug, ex Wright, Possibly 19th c. or earlier, globular form with single handle and leather thongs strung through two holes, 5.5"h x 4.75"dia Provenance: Property from the Esta

Shamans rattle. Japan. 19th century. Sword shaped with bells. Red lacquer handle. 13in length.

Native American, Pacific Northwest Coast (USA and Canada), Native Alaskan peoples, ca. early 20th century CE. A lengthy, hand-carved wooden shaman's rattle and whistle which produces a bright sound wh

Northwest Coast Hand-Carved Wood Tribal Shaman Rattle. Monogrammed by the carver, M on handle (view photo). Approximate dimensions: H: 12 1/4, W: 4 in. Condition: good original vintage estate conditio

A Very Rare Old carved wooden Cross River dance crest with stylized female form, ornate decorative appendages and areas of weathered organic pigments. The dance crest measures 23 x 16 inches on its cu

A well weathered male effigy with wide open mouth, hands carved resting on the abdomen , central cavity carved out of the torso on one side and deep weathered surface patina suggesting great age. The

Fine and very Old Bobo helmet mask, carved wood with painted designs, overall fantastic style, tribal repairs and obvious signs of field use and wear. Bobo peoples, Burkina Faso, West Africa. The mask

A very energetically carved wooden crest with two faces, accented with kaolin clay pigments, raised linear designs, stylized coiffure. Traditionally this female dance crest was danced opposite of aggr