Two American Mahogany Mantel Clocks

Two American Mahogany Mantel Clocksearly 20th century,1) Herschede with Westminster chime, brass 8-day movement with chimes on 4 rods, refinished, running, out of beat, chimes need adjustment, 13 x 14

Nineteenth century. Birge and Gilbert triple decker with mahogany case. Half pilasters, turned feet and wooden painted face. Brass works, key, pendulum and weights. Replaced mirrored and peeling lower

Second quarter 19th century, mahogany veneer. Partial paper labels. "Birge, Mallory & Co." with applied half pilasters, paw feet. Replaced glass and reverse paintings. 38"h. 20"w. And "Forestville" wi

Second quarter 19th century, mahogany veneer. Similar with ogee cornice and base and applied half turnings with old grain paint and gilt capitals. Painted tin faces have varying in painting and flakin

Two Carved Mahogany Mantel Clocks, one a 14 day strike by H.A.C., (Hamburg American Clock Co.) Wurttemberg, with an enamel chapter ring, labeled on the interior, 19th c., ; the second a small arched e

American, 4th quarter 19th century. Ebonized case, marbled columns and trim, gold painted ormolu mounts and brass works. 11"h. 17"w. 6.5"d. And a Seth Thomas ogee with mahogany case, mirrored tablet,

2 (Two) American mantel clocks, 8 day, time and strike spring driven movements: (1) Ansonia Clock Co., New York, NY, mantel clock, ebonized wooden case with decorative railings and two panels with pai

Two American Mantel Clocks SETH THOMAS, 20TH CENTURY one in a simulated rosewood case, one in a simulated marble and slate case. Height of taller 11 inches. Provenance: Property from the Estate of Mic

Two American Mantel Clocks, c. 1900, one an open escapement Art Nouveau brass example, now with a seated classical female surmount; together with a Seth Thomas brass crystal regulator example with a f

Second quarter 19th century. Both have carved crests, carved, applied half turnings and painted wooden faces. Double decker with replaced eagle crest and reverse painted western landscape on bottom do

Second half 19th century. An "E. N. Welch" brass works with alarm and reverse painted tablet. 13.5"h. and a Waterbury with brass works. 13"h.

Second half 19th Century. A Seth Thomas with full pilasters, mirrored tablet and brass works. 14.25"h. and an unlabled clock with worn tin face, reverse painted tablet and brass works. 13.25"h.

An American Mahogany Mantel Clock Early 20th Century with musical four bell chime. Height 13 1/4 inches. Property from Christa's Ltd., Chicago, Illinois

American, 19th century. molded mahogany case with foliate paint decorated. Face having roman numerals and decorative metal hands. Above reverse painted glass with stencil motif and central eagle. Ht.

Fourth quarter 19th century. A Seth Thomas with, with gilded incised line and leaf decoration and inlaid marcasite, open escapement and brass works. Missing bezel glass face cover 13"h. And an Ansonia

Circa 1840, by Brewsters and Ingraham. Each elegantly formed with a nice grain to the case. The smaller example having a nicely reverse painted lower tablet with paper label at interior the large exam

Two American Victorian Ebonized Mantel Clocks ONE BY SESSIONS, 19TH/20TH CENTURY Height 12 inches. Provenance: Property from the Estate of Michael Kathrein, Chicago, Illinois

Two Vintage American Mahogany Mantle Clocks. Telechron measures 7.5 x 16 x 4 inches.

Two Mahogany Head & Shoulders Mantel Clocks. 21 3/4" W 9 3/4" H - Largest

American Carved Mahogany "Gerster" Mantel Clock, 19th c., by E. N. Welch Co., the spindled crest over a time and strike clock, flanked by engaged turned and block applied columns, on a stepped base wi

20th Century. Dimensions: H 13.75" x W 11" x D 7.25" Condition: Not tested; movement not professionally inspected. A few small cracks to front wood panels, scattered dings and scuffs.

American Mahogany and Stenciled Mantel Clock , 1828-1964, by Gilbert Clock Company, h. 31 3/4 in., w. 16 3/4 in., d. 4 3/4 in Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to bene

American Mahogany Eight-Day Mantel Clock , c. 1845, Birge & Fuller, Bristol, CT., parcel gilt and grain painted columns, note: lacking weights, h. 38 in., w. 17 in., d. 5 1/2 in Provenance: Selma Plan

Early 20th Century mahogany two train mantel clock and a composition chess set by Gino Ferrari